| Nr. | Titel | Bewertung | Länge |
|---|
| 1 | In the Beginning God | | 20:02 |
| 2 | Tell Me It's the Truth | | 2:47 |
| 3 | Come Sunday- recording engineer:
- Ed Begley
- Produzent(in):
- Brad McCuen
- alto saxophone:
- Jimmy Hamilton (am 1965-12-26), Johnny Hodges (am 1965-12-26) und Russell Procope (am 1965-12-26)
- baritone saxophone:
- Harry Carney (am 1965-12-26)
- Klarinette und Rohrblattinstrumente:
- Harry Carney (am 1965-12-26), Jimmy Hamilton (am 1965-12-26) und Russell Procope (am 1965-12-26)
- Klavier:
- Duke Ellington (am 1965-12-26)
- Kontrabass:
- John Lamb (am 1965-12-26)
- Posaune:
- Lawrence Brown (am 1965-12-26), Charles Connors (am 1965-12-26), Buster Cooper (am 1965-12-26) und Quentin Jackson (am 1965-12-26)
- Saxophon:
- Harry Carney (am 1965-12-26), Paul Gonsalves (am 1965-12-26), Jimmy Hamilton (am 1965-12-26), Johnny Hodges (am 1965-12-26) und Russell Procope (am 1965-12-26)
- Schlagzeug:
- Louie Bellson (am 1965-12-26)
- Tenorsaxophon:
- Paul Gonsalves (am 1965-12-26)
- Trompete:
- William “Cat” Anderson (am 1965-12-26), Mercer Ellington (am 1965-12-26), Herbie Jones (am 1965-12-26) und Cootie Williams (am 1965-12-26)
- vocals:
- Esther Marrow (am 1965-12-26)
- Orchester:
- Duke Ellington and His Orchestra (am 1965-12-26)
- aufgenommen bei:
- Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1965-12-26)
- recording of:
- Come Sunday (am 1965-12-26)
- Texter und Komponist(in):
- Duke Ellington
- Version von:
- Black, Brown, and Beige: I. Black: Come Sunday
- Teil von:
- Black, Brown, and Beige
| | 3:53 |
| 4 | The Lord's Prayer | | 2:43 |
| 5 | Come Sunday | | 6:05 |
| 6 | Will You Be There? / Ain't but the One | | 4:42 |
| 7 | New World A-Comin' | | 8:27 |
| 8 | David Danced (Before the Lord With All His Might) | | 6:34 |
| 9 | Ninety Nine Percent | | 1:54 |
| 10 | My Mother, My Father and Love | | 3:57 |
| 11 | New World A-Comin' (alternate take) | | 8:20 |
| 12 | A Christmas Surprise (first performance) | | 3:53 |
| 13 | A Christmas Surprise (second performance) | | 3:27 |