Titelliste

1CD: 1927-28
2CD: 1928-29
3CD: 1929
4CD: 1930
5CD: 1930-31
6CD: 1931-33
7CD: 1933-34
8CD: 1940
9CD: 1940
10CD
11CD: 1941
12CD: 1941
13CD: 1941-42
14CD
15CD
16CD
17CD: The Seattle Concert
18CD: The First Concert of Sacred Music
Nr.TitelBewertungLänge
1In the Beginning God
alto saxophone:
Johnny Hodges (am 1965-12-26)
Kontrabass:
John Lamb (bass) (am 1965-12-26)
Posaune:
Lawrence Brown (jazz trombonist) (am 1965-12-26), Chuck Connors (trombonist) (am 1965-12-26), Buster Cooper (am 1965-12-26) und Quentin Jackson (am 1965-12-26)
Rohrblattinstrumente:
Harry Carney (am 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26) und Russell Procope (am 1965-12-26)
Schlagzeug:
Louie Bellson (am 1965-12-26)
Tenorsaxophon:
Paul Gonsalves (am 1965-12-26)
Trompete:
William “Cat” Anderson (am 1965-12-26), Mercer Ellington (am 1965-12-26), Herbie Jones (am 1965-12-26) und Cootie Williams (am 1965-12-26)
20:02
2Tell Me It's the Truth
alto saxophone:
Johnny Hodges (am 1965-12-26)
Kontrabass:
John Lamb (bass) (am 1965-12-26)
Posaune:
Lawrence Brown (jazz trombonist) (am 1965-12-26), Chuck Connors (trombonist) (am 1965-12-26), Buster Cooper (am 1965-12-26) und Quentin Jackson (am 1965-12-26)
Rohrblattinstrumente:
Harry Carney (am 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26) und Russell Procope (am 1965-12-26)
Schlagzeug:
Louie Bellson (am 1965-12-26)
Tenorsaxophon:
Paul Gonsalves (am 1965-12-26)
Trompete:
William “Cat” Anderson (am 1965-12-26), Mercer Ellington (am 1965-12-26), Herbie Jones (am 1965-12-26) und Cootie Williams (am 1965-12-26)
2:47
3Come Sunday
recording engineer:
Ed Begley (sound engineer in RCA Victor)
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26), Johnny Hodges (am 1965-12-26) und Russell Procope (am 1965-12-26)
baritone saxophone:
Harry Carney (am 1965-12-26)
Klarinette und Rohrblattinstrumente:
Harry Carney (am 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26) und Russell Procope (am 1965-12-26)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1965-12-26)
Kontrabass:
John Lamb (bass) (am 1965-12-26)
Posaune:
Lawrence Brown (jazz trombonist) (am 1965-12-26), Charles Connors (trombonist) (am 1965-12-26), Buster Cooper (am 1965-12-26) und Quentin Jackson (am 1965-12-26)
Saxophon:
Harry Carney (am 1965-12-26), Paul Gonsalves (am 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26), Johnny Hodges (am 1965-12-26) und Russell Procope (am 1965-12-26)
Schlagzeug:
Louie Bellson (am 1965-12-26)
Tenorsaxophon:
Paul Gonsalves (am 1965-12-26)
Trompete:
William “Cat” Anderson (am 1965-12-26), Mercer Ellington (am 1965-12-26), Herbie Jones (am 1965-12-26) und Cootie Williams (am 1965-12-26)
vocals:
Esther Marrow (am 1965-12-26)
Orchester:
Duke Ellington and His Orchestra (am 1965-12-26)
aufgenommen bei:
Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1965-12-26)
recording of:
Come Sunday (1958 revision with lyrics) (am 1965-12-26)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Version von:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
Teil von:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
3:53
4The Lord's Prayer
alto saxophone:
Johnny Hodges (am 1965-12-26)
Kontrabass:
John Lamb (bass) (am 1965-12-26)
Posaune:
Lawrence Brown (jazz trombonist) (am 1965-12-26), Chuck Connors (trombonist) (am 1965-12-26), Buster Cooper (am 1965-12-26) und Quentin Jackson (am 1965-12-26)
Rohrblattinstrumente:
Harry Carney (am 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26) und Russell Procope (am 1965-12-26)
Schlagzeug:
Louie Bellson (am 1965-12-26)
Tenorsaxophon:
Paul Gonsalves (am 1965-12-26)
Trompete:
William “Cat” Anderson (am 1965-12-26), Mercer Ellington (am 1965-12-26), Herbie Jones (am 1965-12-26) und Cootie Williams (am 1965-12-26)
recording of:
The Lord's Prayer (am 1965-12-26)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
2:43
5Come Sunday
alto saxophone:
Johnny Hodges (am 1965-12-26)
Kontrabass:
John Lamb (bass) (am 1965-12-26)
Posaune:
Lawrence Brown (jazz trombonist) (am 1965-12-26), Chuck Connors (trombonist) (am 1965-12-26), Buster Cooper (am 1965-12-26) und Quentin Jackson (am 1965-12-26)
Rohrblattinstrumente:
Harry Carney (am 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26) und Russell Procope (am 1965-12-26)
Schlagzeug:
Louie Bellson (am 1965-12-26)
Tenorsaxophon:
Paul Gonsalves (am 1965-12-26)
Trompete:
William “Cat” Anderson (am 1965-12-26), Mercer Ellington (am 1965-12-26), Herbie Jones (am 1965-12-26) und Cootie Williams (am 1965-12-26)
recording of:
Come Sunday (1958 revision with lyrics) (am 1965-12-26)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Version von:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
Teil von:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
6:05
6Will You Be There? / Ain't but the One
alto saxophone:
Johnny Hodges (am 1965-12-26)
Kontrabass:
John Lamb (bass) (am 1965-12-26)
Posaune:
Lawrence Brown (jazz trombonist) (am 1965-12-26), Chuck Connors (trombonist) (am 1965-12-26), Buster Cooper (am 1965-12-26) und Quentin Jackson (am 1965-12-26)
Rohrblattinstrumente:
Harry Carney (am 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26) und Russell Procope (am 1965-12-26)
Schlagzeug:
Louie Bellson (am 1965-12-26)
Tenorsaxophon:
Paul Gonsalves (am 1965-12-26)
Trompete:
William “Cat” Anderson (am 1965-12-26), Mercer Ellington (am 1965-12-26), Herbie Jones (am 1965-12-26) und Cootie Williams (am 1965-12-26)
4:42
7New World A-Comin'
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1965-12-26)
recording of:
New World A-Comin’ (am 1965-12-26)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
arranger:
Maurice Peress
publisher:
G. Schirmer Inc.
8:27
8David Danced (Before the Lord With All His Might)
alto saxophone:
Johnny Hodges (am 1965-12-26)
Kontrabass:
John Lamb (bass) (am 1965-12-26)
Posaune:
Lawrence Brown (jazz trombonist) (am 1965-12-26), Chuck Connors (trombonist) (am 1965-12-26), Buster Cooper (am 1965-12-26) und Quentin Jackson (am 1965-12-26)
Rohrblattinstrumente:
Harry Carney (am 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26) und Russell Procope (am 1965-12-26)
Schlagzeug:
Louie Bellson (am 1965-12-26)
Tenorsaxophon:
Paul Gonsalves (am 1965-12-26)
Trompete:
William “Cat” Anderson (am 1965-12-26), Mercer Ellington (am 1965-12-26), Herbie Jones (am 1965-12-26) und Cootie Williams (am 1965-12-26)
6:34
9Ninety Nine Percent
1:54
10My Mother, My Father and Love
3:57
11New World A-Comin' (alternate take)
recording of:
New World A-Comin’ (am 1965-12-26)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
arranger:
Maurice Peress
publisher:
G. Schirmer Inc.
8:20
12A Christmas Surprise (first performance)
recording of:
A Christmas Surprise (am 1965-12-26)
Verfasser(in):
Lena Horne und Billy Strayhorn
3:53
13A Christmas Surprise (second performance)
recording of:
A Christmas Surprise (am 1965-12-26)
Verfasser(in):
Lena Horne und Billy Strayhorn
3:27
19CD: The Second Sacred Concert
20CD: The Second Sacred Concert (cont'd) / The Third Sacred Concert
21CD: The Far East Suite
22CD: The Popular Duke Ellington / The Jazz Piano / The Duke at Tanglewood
23CD: The Duke at Tanglewood (cont'd) / ...and His Mother Called Him Bill
24CD: ...and His Mother Called Him Bill (cont'd) / Eastbourne Performance

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Veröffentlichung

ASIN:UK: B00000IIQY [Info]