The Complete Lester Young Studio Sessions on Verve

~ Veröffentlichung von Lester Young (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Nr.TitelBewertungLänge
1You're Getting to Be a Habit With Me
Gitarre:
Herb Ellis (jazz guitarist) (am 1958-02-07)
Klavier:
Harry “Sweets” Edison (am 1958-02-07) und Lou Stein (am 1958-02-07)
Kontrabass:
Ray Brown (jazz bassist) (am 1958-02-07)
Schlagzeug:
Mickey Sheen (am 1958-02-07)
Tenorsaxophon:
Lester Young (saxophonist) (am 1958-02-07)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1958-02-07)
recording of:
You’re Getting to Be a Habit With Me (am 1958-02-07)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
5:29
2Romping
Gitarre:
Herb Ellis (jazz guitarist) (am 1958-02-08)
Klavier:
Hank Jones (piano) (am 1958-02-08)
Kontrabass:
George Duvivier (am 1958-02-08)
Schlagzeug:
Mickey Sheen (am 1958-02-08)
Tenorsaxophon:
Lester Young (saxophonist) (am 1958-02-08)
Trompete:
Harry “Sweets” Edison (am 1958-02-08) und Roy Eldridge (am 1958-02-08)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1958-02-08)
11:42
3Gypsy in My Soul
Gitarre:
Herb Ellis (jazz guitarist) (am 1958-02-08)
Klavier:
Hank Jones (piano) (am 1958-02-08)
Kontrabass:
George Duvivier (am 1958-02-08)
Schlagzeug:
Mickey Sheen (am 1958-02-08)
Tenorsaxophon:
Lester Young (saxophonist) (am 1958-02-08)
Trompete:
Harry “Sweets” Edison (am 1958-02-08) und Roy Eldridge (am 1958-02-08)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1958-02-08)
instrumental recording of:
The Gypsy in My Soul (in 1958-02)
Texter:
Moe Jaffe (songwriter / bandleader)
Komponist(in):
Clay Boland
publisher:
Essex Music, Inc. und Words & Music, Inc. (US work publisher)
4:14
4Please Don't Talk About Me When I'm Gone
Gitarre:
Herb Ellis (jazz guitarist) (am 1958-02-08)
Klavier:
Hank Jones (piano) (am 1958-02-08)
Kontrabass:
George Duvivier (am 1958-02-08)
Schlagzeug:
Mickey Sheen (am 1958-02-08)
Tenorsaxophon:
Lester Young (saxophonist) (am 1958-02-08)
Trompete:
Harry “Sweets” Edison (am 1958-02-08) und Roy Eldridge (am 1958-02-08)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1958-02-08)
instrumental recording of:
Please Don’t Talk About Me When I’m Gone (in 1958-02)
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
6:01
5They Can't Take That Away From Me
Gitarre:
Herb Ellis (jazz guitarist) (am 1958-02-08)
Klarinette:
Lester Young (saxophonist) (am 1958-02-08)
Klavier:
Hank Jones (piano) (am 1958-02-08)
Kontrabass:
George Duvivier (am 1958-02-08)
Schlagzeug:
Mickey Sheen (am 1958-02-08)
Trompete:
Harry “Sweets” Edison (am 1958-02-08) und Roy Eldridge (am 1958-02-08)
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1958-02-08)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
6:01
6Salute to Benny
Gitarre:
Herb Ellis (jazz guitarist) (am 1958-02-08)
Klarinette und Tenorsaxophon:
Lester Young (saxophonist) (am 1958-02-08)
Klavier:
Hank Jones (piano) (am 1958-02-08)
Kontrabass:
George Duvivier (am 1958-02-08)
Schlagzeug:
Mickey Sheen (am 1958-02-08)
Trompete:
Harry “Sweets” Edison (am 1958-02-08) und Roy Eldridge (am 1958-02-08)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1958-02-08)
8:32
7Ballad Medley: The Very Thought of You / I Want a Little Girl
Gitarre:
Herb Ellis (jazz guitarist) (am 1958-02-08)
Klavier:
Hank Jones (piano) (am 1958-02-08)
Kontrabass:
George Duvivier (am 1958-02-08)
Schlagzeug:
Mickey Sheen (am 1958-02-08)
Tenorsaxophon:
Lester Young (saxophonist) (am 1958-02-08)
Trompete:
Harry “Sweets” Edison (am 1958-02-08) und Roy Eldridge (am 1958-02-08)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1958-02-08)
medley including a recording of:
Blue and Sentimental (am 1958-02-08)
Komponist(in):
Count Basie (pianist), Mack David (American lyricist and songwriter) und Jerry Livingston (songwriter)
medley including a instrumental recording of:
I Want a Little Girl (am 1958-02-08)
Texter:
Billy Moll (songwriter)
Komponist(in):
Murray Mencher (pianist, lyricist and songwriter)
publisher:
Shapiro, Bernstein & Co., Inc.
medley including a instrumental recording of:
The Very Thought of You (am 1958-02-08)
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
6:36
8Mean to Me
Gitarre:
Herb Ellis (jazz guitarist) (am 1958-02-08)
Klavier:
Hank Jones (piano) (am 1958-02-08)
Kontrabass:
George Duvivier (am 1958-02-08)
Schlagzeug:
Mickey Sheen (am 1958-02-08)
Tenorsaxophon:
Lester Young (saxophonist) (am 1958-02-08)
Trompete:
Harry “Sweets” Edison (am 1958-02-08) und Roy Eldridge (am 1958-02-08)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1958-02-08)
instrumental recording of:
Mean to Me (in 1958-02)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
7:00
9I Didn't Know What Time It Was
Klavier:
Jimmy Gourley (am 1959-03-02)
Kontrabass:
Jamil Nasser (am 1959-03-02)
Schlagzeug:
Kenny Clarke (am 1959-03-02)
Tenorsaxophon:
Lester Young (saxophonist) (am 1959-03-02)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1959-03-02)
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey) (am 1959-03-02)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
4:19
10Oh, Lady, Be Good!
Klavier:
Jimmy Gourley (am 1959-03-02)
Kontrabass:
Jamil Nasser (am 1959-03-02)
Schlagzeug:
Kenny Clarke (am 1959-03-02)
Tenorsaxophon:
Lester Young (saxophonist) (am 1959-03-02)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1959-03-02)
instrumental recording of:
Oh, Lady Be Good! (am 1959-03-02)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
3:36
11Almost Like Being in Love
Klavier:
Jimmy Gourley (am 1959-03-02)
Kontrabass:
Jamil Nasser (am 1959-03-02)
Schlagzeug:
Kenny Clarke (am 1959-03-02)
Tenorsaxophon:
Lester Young (saxophonist) (am 1959-03-02)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1959-03-02)
instrumental recording of:
Almost Like Being in Love (from “Brigadoon”) (am 1959-03-02)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
3:59
12Three Little Words
Klavier:
Jimmy Gourley (am 1959-03-02)
Kontrabass:
Jamil Nasser (am 1959-03-02)
Schlagzeug:
Kenny Clarke (am 1959-03-02)
Tenorsaxophon:
Lester Young (saxophonist) (am 1959-03-02)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1959-03-02)
instrumental recording of:
Three Little Words (am 1959-03-04)
Texter:
Bert Kalmar (in 1930)
Komponist(in):
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell und MPL Music Publishing Inc.
adaptations:
As três palavrinhas
4:18
13I Cover the Waterfront
Klavier:
Jimmy Gourley (am 1959-03-02)
Kontrabass:
Jamil Nasser (am 1959-03-02)
Schlagzeug:
Kenny Clarke (am 1959-03-02)
Tenorsaxophon:
Lester Young (saxophonist) (am 1959-03-02)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1959-03-02)
instrumental recording of:
I Cover the Waterfront (am 1959-03-02)
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) und Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music, Inc.
3:48
14I Can't Get Started
Klavier:
Jimmy Gourley (am 1959-03-02)
Kontrabass:
Jamil Nasser (am 1959-03-02)
Schlagzeug:
Kenny Clarke (am 1959-03-02)
Tenorsaxophon:
Lester Young (saxophonist) (am 1959-03-02)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1959-03-02)
instrumental recording of:
I Can’t Get Started (am 1959-03-02)
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:10
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