Mass in B minor

~ Release by Johann Sebastian Bach; Berliner Philharmoniker, Herbert von Karajan (see all versions of this release, 6 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Credo: I. Credo in unum Deum (Chorus)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:48
2Mass in B minor, BWV 232: Credo: II. Patrem omnipotentem (Chorus)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:15
3Mass in B minor, BWV 232: II. Credo: c. et in unum Dominum (Soprano I, Alto)
producer:
Hans Weber (producer/engineer)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
soprano vocals [Soprano I]:
Gundula Janowitz (soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:36
4Mass in B minor, BWV 232: Credo: IV. Et incarnatus est (Chorus)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:02
5Mass in B minor, BWV 232: Credo: V. Crucifixus etiam pro nobis (Chorus)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:41
6Mass in B minor, BWV 232: Credo: VI. Et resurrexit tertia die (Chorus)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:17
7Mass in B minor, BWV 232: Credo: VII. Et in Spiritum Sanctum (Aria)
producer:
Hans Weber (producer/engineer)
bass vocals:
Robert Kerns (baritone) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:30
8Mass in B minor, BWV 232: Credo: VIII. Confiteor unum baptisma (Chorus)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:40
9Mass in B minor, BWV 232: Credo: IX. Et exspecto resurrectionem (Chorus)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:11
10Mass in B minor, BWV 232: Sanctus: I. Sanctus, Domine Deus (Chorus)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:14
11Mass in B minor, BWV 232: Sanctus: II. Osanna in excelsis (Chorus)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:43
12Mass in B minor, BWV 232: Benedictus: I. Benedictus qui venit (Tenor)
producer:
Hans Weber (producer/engineer)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:30
13Mass in B minor, BWV 232: Benedictus: II. Osanna in excelsis (Chorus)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:46
14Mass in B minor, BWV 232: Agnus Dei: I. Agnus Dei (Aria)
producer:
Hans Weber (producer/engineer)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:33
15Mass in B minor, BWV 232: Agnus Dei: II. Dona nobis pacem (Chorus)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:02