Puccini Favourites

~ Uitgave van Giacomo Puccini (Bekijk alle versies van deze uitgave, 4 beschikbaar)

Nummerlijst

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#TitelWaarderingDuur
1La bohème: “Si, mi chiamano Mimì…”
producent:
Ray Minshull (record producer) en Erik Smith (British producer, pianist and harpsichordist)
baritonvocalen [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
baritonvocalen [Schaunard] en bas-baritonvocalen [Schaunard]:
Renato Cesari (bass-baritone)
basvocalen:
Renato Cesari (bass-baritone) (in 1959-08)
basvocalen [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
sopraanvocalen [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenorvocalen [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orkest:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
was dirigent:
Tullio Serafin (conductor) (in 1959-08)
balanstechnicus:
Peter Attwood (in 1959-08)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
opgenomen bij:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italië (in 1959-08)
is een opname van:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1959-08)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
deel van:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
is een opname van:
La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi) (in 1959-08)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
deel van:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
is een gedeeltelijke opname van:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
deel van:
La bohème (Puccini)
6:17
2La bohème: “O soave fanciulla”
sopraanvocalen:
Renata Tebaldi (soprano) (in 1959-08)
tenorvocalen:
Carlo Bergonzi (tenor) (in 1959-08)
orkest:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
was dirigent:
Tullio Serafin (conductor) (in 1959-08)
is een opname van:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1959-08)
componist:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica en Giuseppe Giacosa (in 1896)
deel van:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:06
3Gianni Schicchi: “O mio babbino caro”
sopraanvocalen en sopraanvocalen [Lauretta]:
Leona Mitchell (soprano)
orkest:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
was dirigent:
Kurt Herbert Adler (conductor)
is een opname van:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
uitgever:
Casa Ricordi BMG S.p.A. en G. Ricordi & Co. (London) Ltd. (UK division)
deel van:
Gianni Schicchi
2:46
4La Fanciulla del West: “Ch’ella mi creda”
tenorvocalen:
Bruno Prevedi (tenor)
orkest:
Orchestra of the Royal Opera House, Covent Garden
was dirigent:
Edward Downes (conductor)
is een opname van:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
componist:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Guelfo Civinini (Italian librettist) en Carlo Zangarini
deel van:
La fanciulla del West: Atto III
2:27
5Madama Butterfly: “Vogliatemi bene” (Love Duet)
opgenomen in:
Roma (Rome), Roma, Lazio, Italië (in 1958-07)
koor:
Coro dell’Accademia di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
sopraanvocalen [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
tenorvocalen [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
orkest:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
was dirigent:
Tullio Serafin (conductor) (in 1958-07)
fonografisch auteursrecht (℗):
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) en The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
opgenomen bij:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italië (in 1958-07)
is een opname van:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1958-07)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
uitgever:
Casa Ricordi BMG S.p.A.
deel van:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
8:06
6Madama Butterfly: “Un bel dì vedremo”
producent:
Christopher Raeburn (producer) en James Walker (ballet/opera conductor, classical recordings producer for Decca)
sopraanvocalen [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
orkest:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
was dirigent:
Tullio Serafin (conductor) (in 1958-07)
uitvoerend artiest:
Renata Tebaldi (soprano)
balanstechnicus:
Kenneth Wilkinson (engineer) (in 1958-07)
fonografisch auteursrecht (℗):
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) en The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
opgenomen bij:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italië (in 1958-07)
is een opname van:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1958-07)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
deel van:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
is een opname van:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1958-07)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
deel van:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
4:57
7Madama Butterfly: Humming Chorus
koor:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1958-07)
orkest:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
was dirigent:
Tullio Serafin (conductor) (in 1958-07)
was koorleider:
Bonaventura Somma (chorus master) (in 1958-07)
fonografisch auteursrecht (℗):
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
opgenomen bij:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italië (in 1958-07)
is een opname van:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1958-07)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
deel van:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
3:26
8Manon Lescaut: “In quelle trine morbide”
sopraanvocalen [Manon]:
Maria Chiara (soprano)
orkest:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) en Vienna Volksoper Orchestra
was dirigent:
Nello Santi (conductor)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
is een opname van:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga en Giulio Ricordi
deel van:
Manon Lescaut: Atto II
2:30
9La Rondine: “Chi il bel sogno di Doretta”
sopraanvocalen:
Leona Mitchell (soprano)
orkest:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
was dirigent:
Kurt Herbert Adler (conductor)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
is een opname van:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
deel van:
La rondine: Atto I
3:28
10Tosca: “Te Deum”
baritonvocalen:
George London (bass-baritone)
bas-baritonvocalen [Scarpia]:
George London (bass-baritone) (in 1959)
koor:
Coro dell’Accademia di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1959)
tenorvocalen [Spoletta]:
Piero de Palma (tenor) (in 1959)
orkest:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
was dirigent:
Francesco Molinari‐Pradelli (conductor) (in 1959)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
is een opname van:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (in 1959)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
uitgever:
Casa Ricordi BMG S.p.A.
deel van:
Tosca: Atto I (Tosca: Act 1)
4:49
11Tosca: “Vissi d’arte”
sopraanvocalen [Tosca]:
Joan Sutherland (soprano) (in 1972)
orkest:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
was dirigent:
Richard Bonynge (conductor and pianist) (in 1972)
is een opname van:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1972)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
deel van:
Tosca: Atto II (Tosca: Act II)
3:44
12Tosca: “E lucevan le stelle”
tenorvocalen [Cavaradossi]:
James McCracken (tenor)
orkest:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
was dirigent:
Lamberto Gardelli (conductor)
is een opname van:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
componist:
Giacomo Puccini (Italian composer) (van 1896 tot 1899)
librettist:
Giuseppe Giacosa (van 1896 tot 1899) en Luigi Illica (van 1896 tot 1899)
deel van:
Tosca: Atto III (Tosca: Act III)
2:33
13Suor Angelica: “Senza mamma”
sopraanvocalen:
Felicia Weathers (soprano)
orkest:
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
was dirigent:
Argeo Quadri (conductor)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
is een opname van:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
uitgever:
Casa Ricordi BMG S.p.A.
deel van:
Suor Angelica
5:04
14Turandot: “Signore, ascolta!” … “Non piangere, Liù!” … “Ah! per l’ultima volta!”
baritonvocalen:
Renato Ercolani (tenor)
basvocalen:
Fernando Corena (operatic bass) en Nicola Zaccaria (operatic bass)
sopraanvocalen:
Renata Tebaldi (soprano)
tenorvocalen:
Mario Carlin (tenor) en Mario Del Monaco (tenor)
orkest:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
was dirigent:
Alberto Erede (conductor)
compilatie van:
Turandot: Atto I. "Non piangere, Liù" van Borkh (soprano), Tebaldi (soprano), del Monaco (tenor), Orchestra (Orchestra of the National Academy of Santa Cecilia) e Coro dell'Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Alberto Erede (conductor) en Turandot: Atto I. "Signore, ascolta!" van Borkh (soprano), Tebaldi (soprano), del Monaco (tenor), Orchestra (Orchestra of the National Academy of Santa Cecilia) e Coro dell'Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Alberto Erede (conductor)
is een opname van:
Turandot: Atto I. “Ah! per l’ultima volta!” (Timur, Liù, Ministri, Calaf, coro)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami en Renato Simoni
deel van:
Turandot: Atto I (Turandot: Act I)
is een opname van:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami en Renato Simoni
deel van:
Turandot: Atto I (Turandot: Act I)
is een opname van:
Turandot: Atto I. “Signore, ascolta!” (Liù)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami en Renato Simoni
deel van:
Turandot: Atto I (Turandot: Act I)
8:00
15Turandot: “Nessun dorma”
tenorvocalen en tenorvocalen [Calaf]:
Giuseppe Di Stefano (tenor)
orkest:
Orchestra dell’Accademia di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
was dirigent:
Franco Patanè (conductor)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
is een opname van:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
componist:
Giacomo Puccini (Italian composer) (van 1921-03 tot 1924-03)
librettist:
Giuseppe Adami en Renato Simoni
uitgever:
Casa Ricordi BMG S.p.A. en Ed. G. Ricordi & Cia. SpA (Italian publisher)
deel van:
Turandot: Atto III (Turandot: Act III)
3:34