Magnificats & Messa di Santa Cecilia

~ Release by J. S. Bach, C. P. E. Bach, A. Scarlatti; King's College Choir, St. John's College Choir (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Magnificat in E-flat major, BWV 243a: I. Magnificat
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:11
2Magnificat in E-flat major, BWV 243a: II. Et exsultavit spiritus meus
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:29
3Magnificat in E-flat major, BWV 243a: A. Vom Himmel hoch
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: IIb. Coro (a-cappella) "Vom Himmel hoch"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:46
4Magnificat in E-flat major, BWV 243a: III. Quia respexit humilitatem / IV. Omnes generationes
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: III. Aria (Sopran I) "Quia respexit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
recording of:
Magnificat Es-Dur, BWV 243a: IV. Coro "Omnes generationes"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach4:14
5Magnificat in E-flat major, BWV 243a: V. Quia fecit mihi magna
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:10
6Magnificat in E-flat major, BWV 243a: B. Freut euch und jubiliert
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: Vb. Coro "Freut euch und jubiliert"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:28
7Magnificat in E-flat major, BWV 243a: VI. Et misericordia
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: VI. Aria (Alt, Tenor) "Et misericordia"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:16
8Magnificat in E-flat major, BWV 243a: VII. Fecit potentiam
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:08
9Magnificat in E-flat major, BWV 243a: C. Gloria in excelsis
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIIb. Coro "Gloria in excelsis Deo"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:08
10Magnificat in E-flat major, BWV 243a: VIII. Deposuit potentes
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIII. Aria (Tenor) "Deposuit potentes"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:18
11Magnificat in E-flat major, BWV 243a: IX. Esurientes implevit bonis
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:13
12Magnificat in E-flat major, BWV 243a: D. Virga Jesse floruit
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:27
13Magnificat in E-flat major, BWV 243a: X. Suscepit Israel
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:00
14Magnificat in E-flat major, BWV 243a: XI. Sicut locutus est
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: XI. Coro "Sicut locutus est"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:27
15Magnificat in E-flat major, BWV 243a: XII. Gloria Patri
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:33
16Messa di Santa Cecilia (1720): Kyrie
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1978-08)
recording of:
Messa di Santa Cecilia: Kyrie
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti6:35
17Messa di Santa Cecilia (1720): Gloria: Gloria in excelsis Deo
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1978-08)
recording of:
Messa di Santa Cecilia: Gloria in excelsis Deo
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti5:07
18Messa di Santa Cecilia (1720): Gloria: Gratias agimus tibi
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1978-08)
recording of:
Messa di Santa Cecilia: Gloria - Gratias agimus tibi
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti7:18
19Messa di Santa Cecilia (1720): Gloria: Qui tollis peccata mundi
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1978-08)
recording of:
Messa di Santa Cecilia: Gloria - Qui tollis peccata mundi
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti6:41
20Messa di Santa Cecilia (1720): Gloria: Quoniam tu solus Sanctus
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1978-08)
recording of:
Messa di Santa Cecilia: Gloria - Quoniam tu solus sanctus
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti4:36
2▶CD

Credits

Release

part of:Double Decca (order: 98)