Tracklist

1CD
#TitleArtistRatingLength
1Zar und Zimmermann: “O sancta justitia! Ich möchte rasen”
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2001-09)
recording of:
Zar und Zimmermann: Akt I. Nr. 4 Arie „O sancta justitia!“ (van Bett) (in 2001-09)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt I
Albert Lortzing6:43
2Zar und Zimmermann: “Den hohen Herrscher würdig zu empfangen”
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2001-09)
recording of:
Zar und Zimmermann: Akt III. Nr. 13 Ensemble „Den hohen Herrscher würdig zu empfangen“ (van Bett, Chor) (in 2001-09)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
Albert Lortzing9:46
3Zar und Zimmermann: “Sonst spielt ich mit Zepter, mit Krone und Stern”
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2001-09)
recording of:
Zar und Zimmermann: Akt III. Nr. 14 Lied „Sonst spielt’ ich mit Zepter“ (Peter I.) (in 2001-09)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
Albert Lortzing5:27
4Der Wildschütz: “Fünftausend Taler! Träum oder wach ich?”
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2001-09)
recording of:
Der Wildschütz: Aufzug II. Nr. 12. Arie „Fünftausend Taler!“ (Baculus) (in 2001-09)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
part of:
Der Wildschütz: Aufzug II
Albert Lortzing5:26
5Der Wildschütz: “Laß Er doch hören!” - “Bei diesem schlimmen Fall”
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2001-09)
recording of:
Der Wildschütz: Aufzug I. Nr. 2 Duett „Laß er doch hören!“ (Baculus, Gretchen) (in 2001-09)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing8:13
6Der Wildschütz: “Wie freundlich strahlt die holde Morgensonne”
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2001-09)
recording of:
Der Wildschütz: Aufzug III. Nr. 13. Rezitativ und Arie „Wie freundlich strahlt die helle Morgensonne“… „Heiterkeit und Fröhlichkeit“ (Graf) (in 2001-09)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug III
Albert Lortzing4:57
7Euryanthe: “Wo berg ich mich? ... Schweigt, glühnden Sehnens”
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2001-09)
recording of:
Euryanthe: Akt II, Szene 10. Szene und Arie "Wo berg' ich mich?" (in 2001-09)
composer:
Carl Maria von Weber (composer)
part of:
Euryanthe: Akt II
Carl Maria von Weber9:17
8Tannhäuser: “Gar viel und schön ward hier in dieser Halle”
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2001-09)
partial recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste) (in 2001-09)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II
Richard Wagner7:06
9Tannhäuser: “Wie Todesahnung… O du, mein holder Abendstern”
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer) (in 2001-09)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2001-09)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern” (in 2001-09)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Richard Wagner5:38
10Die schweigsame Frau: “Wie schön ist doch die Musik”
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2001-09)
recording of:
Die schweigsame Frau, op. 80: Act III: "Wie schön ist doch die Musik" (in 2001-09)
composer:
Richard Strauss (German composer)
part of:
Die schweigsame Frau, op. 80: Act III
Richard Strauss4:02

Credits

Release

ASIN:DE: B00005Y35A [info]

Release group

included in:111 Years of Deutsche Grammophon: The Collectors’ Edition by Various Artists (add compilations to this artist)
standalone website:http://deutschegrammophon.com/cat/4716932 [info]