Now That’s What I Call Music! 1985: The Millennium Series

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1One Vision
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Queen (UK rock group) und Reinhold Mack (German rock producer/engineer Reinhold Mack)
Bassgitarre:
John Deacon
E-Gitarre, Gitarre und Synthesizer:
Brian May (Queen guitarist)
elektronisches Schlagzeug / E-Drums und Schlagzeug:
Roger Taylor (Queen drummer)
Sampler:
Brian May (Queen guitarist) und Freddie Mercury
Hintergrundgesang:
John Deacon, Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
Sologesang:
Freddie Mercury
phonographisches Urheberrecht (℗) von:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1985, in 2011) und Raincloud Productions Ltd. (in 1985, von 1985-??-19 bis 1985)
aufgenommen bei:
Maison Rouge in London (Greater London), England, Vereinigtes Königreich, Mountain Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1985-09 bis 1986-04), Musicland Studios (Munich) in München, Bayern, Deutschland (von 1985-09 bis 1986-04), The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1985-09 bis 1986-04) und Townhouse Three in Battersea, Wandsworth, London (Greater London), England, Vereinigtes Königreich (von 1985-09 bis 1986-04)
engineered at:
Maison Rouge in London (Greater London), England, Vereinigtes Königreich und Musicland (Munich) in München, Bayern, Deutschland
Bearbeitung von:
One Vision von Queen (UK rock group)
Musikvideos:
One Vision von Queen (UK rock group)
recording of:
One Vision
Verfasser(in):
John Deacon, Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) (in 1986) und Queen Music Ltd. (in 1986)
enthalten in:
We Will Rock You (Queen musical)
Queen3.24:03
2White Wedding
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Phil Feit (in 1982)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1982) und Steve Stevens (US guitarist and songwriter) (in 1982)
Schlagzeug:
Steve Missal (in 1982)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1982)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982)
Bearbeitung von:
White Wedding, Part 1 von Billy Idol (English rock singer‐songwriter)
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 53)
recording of:
White Wedding (in 1982)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol2.653:34
3The Power of Love
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
Huey Lewis & the News43:44
4Johnny Come Home
Produzent(in):
Andy Cox (Composer) und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
phonographisches Urheberrecht (℗) von:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1985)
Musikvideos:
Johnny Come Home von Fine Young Cannibals
recording of:
Johnny Come Home
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1985)
Fine Young Cannibals3.73:27
5A View to a Kill
Techniker(in) und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) und Bernard Edwards (American bassist and record producer)
Sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
Orchestrator(in):
John Barry (English score composer)
Verfasser(in):
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Komponist(in):
John Barry (English score composer) und Duran Duran (English rock band)
publisher:
EMI Songs und Gloucester Place Music Ltd.
Teil von:
James Bond themes
Teil von:
A View to a Kill (from the James Bond film)
Duran Duran3.653:35
6Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.94:00
7The Unforgettable Fire
assistierende(r) Techniker(in):
Randy Ezratty (engineer)
Techniker(in) und Produzent(in):
Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
zusätzliche(r) Techniker(in):
Kevin Killen
Sologesang:
Bono (singer of U2)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1984)
Musikvideos:
The Unforgettable Fire von U2 (Irish rock band)
recording of:
The Unforgettable Fire
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V. und Taiyo Music Inc.
U23.34:54
8Alive and Kicking
Bearbeitung von:
Alive and Kicking von Simple Minds (Scottish rock band)
recording of:
Alive and Kicking
Verfasser(in):
Charlie Burchill, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. und Simple Minds Ltd
Simple Minds44:35
9Running Up That Hill
assistierende(r) Techniker(in):
Pearse Dunne
Techniker(in):
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench und Nigel Walker (UK producer/engineer/guitarist)
Produzent(in):
Kate Bush
Mix:
Brian Tench
Balalaika:
Paddy Bush
Bass:
Del Palmer
Gitarre:
Alan Murphy (UK session guitarist)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
vocals:
Kate Bush
phonographisches Urheberrecht (℗) von:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) und Noble & Brite Ltd (in 2018)
aufgenommen bei:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, Vereinigtes Königreich
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
Musikvideos:
Running Up That Hill (music video) von Kate Bush
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 7), Billboard Year-End Hot 100 singles of 2022 (Nummer: 23), Billboard Hot 100: 2026-01-17 (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 60), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 279)
recording of:
Running Up That Hill
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.954:51
10Road to Nowhere
Bearbeitung von:
Road to Nowhere von Talking Heads
recording of:
Road to Nowhere
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. und Warner Bros. Music Corp.
Talking Heads44:02
11A Good Heart
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
Mix:
Shelly Yakus
arranger:
Feargal Sharkey und Dave Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
EMI Music Italy S.p.A. (company 1997–2007, not the same as "EMI Music Italy" its main imprint) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
A Good Heart
Texter und Komponist(in):
Maria McKee
publisher:
J. Albert & Son Pty. Ltd.
Feargal Sharkey3.64:29
12Nineteen
Produzent(in):
Paul Hardcastle
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
19 (music video) von Paul Hardcastle
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 73)
recording of:
19
Texter:
Bill Couturié, Paul Hardcastle und Jonas McCord
Komponist(in):
Paul Hardcastle
publisher:
Oval Music und Virgin Music (Publishing) Ltd.
Paul Hardcastle3.63:32
13If I Was
Gast-Interpret(in):
Mark King (bass guitarist and vocalist)
recording of:
If I Was
Verfasser(in):
Danny Mitchell (Scottish songwriter and member of Messengers) und Midge Ure
Midge Ure34:44
14Kayleigh
recording engineer:
Thomas Stiehler (von 1985-03 bis 1985-05)
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985)
Remix von:
Kayleigh (alternative mix) von Marillion (British progressive rock band)
Bearbeitung von:
Kayleigh von Marillion (British progressive rock band)
recording of:
Kayleigh (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. und Marillion Music
Marillion4.353:35
15St. Elmos Fire (Man in Motion)
Bearbeitung von:
St. Elmo’s Fire (Man in Motion) von John Parr
recording of:
St. Elmo’s Fire
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
John Parr33:58
16Walking on Sunshine
Produzent(in):
Pat Collier und Katrina and the Waves (British‐American rock band)
Bearbeitung von:
Walking on Sunshine von Katrina and the Waves (British‐American rock band)
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves42:49
17A New England
Bearbeitung von:
A New England von Kirsty MacColl
cover recording of:
A New England
Texter und Komponist(in):
Billy Bragg
publisher:
BMG Music Publishing Ltd. und Chappell Music Ltd.
Kirsty MacColl2.653:39
18The Riddle
assistierende(r) Techniker(in):
Dave Meegan (producer)
Techniker(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Peter Collins (producer)
Sologesang:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984, in 1985)
Musikvideos:
The Riddle von Nik Kershaw
recording of:
The Riddle
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. und Rondor Musikverlag GmbH
Nik Kershaw3.253:48
2▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call Music! The Millennium Series (UK) (Nummer: 1985) (Reihenfolge: 6)