The Capitol Recordings

~ Veröffentlichung von Louis Prima / Keely Smith / Sam Butera (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

ISBN 978-3-89795-325-3

Anmerkung zuletzt geändert am 2012-04-12 10:41 UTC.

Titelliste

1▼CD: Louis Prima
Nr.TitelKünstlerBewertungLänge
1Buona sera
Produzent(in):
Voyle Gilmore
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber (am 1956-04-19)
Kontrabass:
Amato Rodrigues (am 1956-04-19)
Posaune:
James Blount, Jr. (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Buona sera (am 1956-04-19)
Texter:
Carl Sigman
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
übersetzte Version von:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima43:00
2Oh Marie!
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Oh Marie (am 1956-04-19)
Texter und Komponist(in):
Eduardo Di Capua
arranger:
Louis Prima
Louis Prima42:28
3Just a Gigolo / I Ain’t Got Nobody
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19) und Lou Sineaux (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (am 1956-04-19)
Texter:
Julius Brammer und Roger Graham
Komponist(in):
Leonello Casucci und Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
Übersetzer:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America und Wiener Bohème Verlag GmbH
Medley von:
Just a Gigolo (English version)
Medley von:
I Ain’t Got Nobody
Louis Prima44:44
4Body and Soul (instrumental)
Solo-Posaune:
James Blount (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
instrumental cover recording of:
Body and Soul (am 1956-04-19)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Louis Prima43:25
5Jump, Jive, an’ Wail
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Jump, Jive an’ Wail (am 1956-04-19)
Texter:
Louis Prima
Komponist(in):
Louis Prima (in 1956)
Louis Prima53:29
6(Nothing’s too Good) For My Baby
Sologesang:
Louis Prima (am 1956-04-19) und Keely Smith (am 1956-04-19)
Orchester:
The Witnesses (in 1956-04)
recording of:
(Nothing’s Too Good) For My Baby (am 1956-04-19)
Komponist(in):
Ted Eddy, Mack Kay und Frederick Patrick
Keely Smith & Louis Prima2:38
7I’ll Be Glad When You’re Dead You Rascal You
Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
cover recording of:
I’ll Be Glad When You’re Dead, You Rascal You (am 1956-04-19)
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Prima3:15
8Basin Street Blues / When It’s Sleepy Time Down South
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
medley including a recording of:
Basin Street Blues (am 1956-04-19)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley including a recording of:
When It’s Sleepy Time Down South (am 1956-04-19)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
Louis Prima4:15
9Night Train (instrumental)
Solo-Tenorsaxophon:
Sam Butera (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
instrumental cover recording of:
Night Train (Jimmy Forrest’s original instrumental version) (am 1956-04-19)
Komponist(in):
Jimmy Forrest
basiert auf:
Happy Go Lucky Local
Louis Prima42:49
10The Lip
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
Sologesang:
Louis Prima (am 1956-04-19) und Keely Smith (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
The Lip (am 1956-04-19)
Verfasser(in):
Ted Klages und Vic Knight
Keely Smith & Louis Prima2:19
11Whistle Stop
Louis Prima2:29
12Five Months, Two Weeks, Two Days
Produzent(in):
Voyle Gilmore
Bass:
Amato Rodriguez (am 1956-09-13)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-09-13)
Instrumente:
Willie McCumber Jr. (am 1956-09-13)
Posaune:
Jimmy 'Little Red' Blount (am 1956-09-13)
Schlagzeug:
Bobby Morris (am 1956-09-13)
Tenorsaxophon:
Sam Butera (am 1956-09-13)
Trompete:
Louis Prima (am 1956-09-13)
vocals:
Louis Prima (am 1956-09-13)
Orchester:
The Witnesses (am 1956-09-13)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-13)
recording of:
5 Months, 2 Weeks, 2 Days (am 1956-09-13)
Verfasser(in):
Don Donaldson und Debbie Morris (songwriter)
Louis Prima52:13
13Banana Split for My Baby
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-09-13)
Trompete:
Louis Prima (am 1956-09-13)
vocals:
Louis Prima (am 1956-09-13)
Orchester:
The Witnesses (am 1956-09-13)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-13)
recording of:
Banana Split for My Baby (am 1956-09-13)
Verfasser(in):
Stan Irwin und Louis Prima
Louis Prima42:32
14Be Mine (Little Baby)
Louis Prima2:39
15When You’re Smiling / The Sheik of Araby
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1957-01-17)
Trompete:
Louis Prima (am 1957-01-17)
vocals:
Louis Prima (am 1957-01-17)
Orchester:
The Witnesses (am 1957-01-17)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-17)
medley including a cover recording of:
The Sheik of Araby (am 1957-01-17)
Texter:
Harry B. Smith (in 1921) und Francis Wheeler (in 1921)
Komponist(in):
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music und Salabert
medley including a cover recording of:
When You’re Smiling (the Whole World Smiles With You) (am 1957-01-17)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
Louis Prima4:01
16The Birth of the Blues
cover recording of:
Birth of the Blues
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
Keely Smith2:51
17Blow, Red Blow
Louis Prima & Keely Smith2:19
18When the Saints Go Marching In
Louis Prima4:20
19Sentimental Journey
Louis Prima2:28
20There’ll Be No Next Time
Produzent(in):
Voyle Gilmore (am 1957-01-17)
Tenorsaxophon:
Sam Butera (am 1957-01-17)
Trompete:
Louis Prima (am 1957-01-17)
vocals:
Sam Butera (am 1957-01-17) und Louis Prima (am 1957-01-17)
Orchester:
The Witnesses (am 1957-01-17)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-17)
recording of:
Next Time (am 1957-01-17)
Komponist(in):
Richard Berry (US singer/songwriter, composed “Louie Louie”) und Joe Josea
Sam Butera & Louis Prima3:17
21The Closer to the Bone
Louis Prima4:14
22I’ve Got the World on a String
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1957-01-31)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1957-01-31)
Klavier:
Willie McCumber Jr. (am 1957-01-31)
Posaune:
Jimmy 'Little Red' Blount (am 1957-01-31)
Schlagzeug:
Bobby Morris (am 1957-01-31)
Tenorsaxophon:
Sam Butera (am 1957-01-31)
Trompete:
Louis Prima (am 1957-01-31)
vocals:
Louis Prima (am 1957-01-31)
Orchester:
The Witnesses (am 1957-01-31)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-31)
cover recording of:
I’ve Got the World on a String (am 1957-01-31)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Louis Prima2:29
23Much Too Young to Loose My Mind
Sam Butera1:57
24Don’t Let a Memory
Keely Smith1:49
25Pennies From Heaven
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1957-01-31)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1957-01-31)
Klavier:
Willie McCumber Jr. (am 1957-01-31)
Posaune:
Jimmy 'Little Red' Blount (am 1957-01-31)
Schlagzeug:
Bobby Morris (am 1957-01-31)
Tenorsaxophon:
Sam Butera (am 1957-01-31)
Trompete:
Louis Prima (am 1957-01-31)
vocals:
Louis Prima (am 1957-01-31)
Orchester:
The Witnesses (am 1957-01-31)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-31)
cover recording of:
Pennies From Heaven (am 1957-01-31)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Louis Prima52:22
26Baby Won’t You Please Come Home
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1957-01-17)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1957-01-17)
Klavier:
Willie McCumber Jr. (am 1957-01-17)
Posaune:
Jimmy 'Little Red' Blount (am 1957-01-17)
Schlagzeug:
Bobby Morris (am 1957-01-17)
Tenorsaxophon:
Sam Butera (am 1957-01-17)
Trompete:
Louis Prima (am 1957-01-17)
vocals:
Louis Prima (am 1957-01-17) und Keely Smith (am 1957-01-17)
Orchester:
The Witnesses (am 1957-01-17)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-17)
cover recording of:
Baby Won’t You Please Come Home (am 1957-01-17)
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
Louis Prima & Keely Smith2:08
27Autumn Leaves
cover recording of:
Autumn Leaves (jazz standard, English lyrics)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
Keely Smith2:51
2▶CD: Louis Prima
3▶CD: Louis Prima / Live at Harrah’s Club (& Gia Maione)
4▶CD: Live at Harrah’s Club / Live at the Sahara
5▶CD: Keely Smith & Nelson Riddle
6▶CD: Keely Smith & Nelson Riddle, Van Alexander, Billy May
7▶CD: Sam Butera
8▶CD: Sam Butera