Sacred Works: Masses / Messiah / Missa Solemnis / Requiem / Kyrie

~ Release by Wolfgang Amadeus Mozart; Gürzenich-Kammerorchester Köln, WDR Sinfonieorchester, Bach‐Collegium Stuttgart, Limburger Domsingknaben, Gächinger Kantorei, Helmuth Rilling, Karl Richter, Günter Wand, Sir Colin Davis (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
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1Der Messias, K. 572: Zweier Teil, Nr. 16. Chor: Kommt her und seht das Lamm!
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 16. Coro: “Kommt her und seht das Lamm!” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart2:22
2Der Messias, K. 572: Zweier Teil, Nr. 17. Arie (Sopran II): Er ward verschmähet
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 17. Aria: “Er ward verschmähet” (soprano II) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart11:32
3Der Messias, K. 572: Zweier Teil, Nr. 18. Chor: Wahrlich, wahrlich! Er litt unsre Qual
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 18. Coro: “Wahrlich, wahrlich!” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart1:59
4Der Messias, K. 572: Zweier Teil, Nr. 19. Chor: Durch seine Wunden sind wir geheilet
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 19. Coro: “Durch seine Wunden sind wir geheilet” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart1:49
5Der Messias, K. 572: Zweier Teil, Nr. 20. Chor: Wie Schafe geh‘n
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 20. Coro: “Wie Schafe geh'n” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart3:50
6Der Messias, K. 572: Zweier Teil, Nr. 21. Accompagnato-Rezitativ (Sopran I): Und alle, die ihn seh‘n
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 21. Recitativo strumentato: “Und alle, die ihn seh'n” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart0:44
7Der Messias, K. 572: Zweier Teil, Nr. 22. Chor: Er trauete Gott
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 22. Coro: “Er trauete Gott” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart2:25
8Der Messias, K. 572: Zweier Teil, Nr. 23. Accompagnato-Rezitativ (Sopran II): Die Schmach bricht ihm sein Herz
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 23a. Recitativo strumentato: “Die Schmach bricht ihm sein Herz” (soprano II) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart2:12
9Der Messias, K. 572: Zweier Teil, Nr. 23. Arie (Sopran II): Schau hin und sieh!
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 23b. Aria: “Schau hin und sieh!” (soprano II) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart1:38
10Der Messias, K. 572: Zweier Teil, Nr. 24. Accompagnato-Rezitativ (Sopran I): Er ist dahin aus dem Lande der Lebenden
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 24a. Recitativo strumentato: “Er ist dahin aus dem Lande der Lebenden” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart0:33
11Der Messias, K. 572: Zweier Teil, Nr. 24. Arie: (Sopran I) Doch du ließest ihn im Grabe nicht
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 24b. Aria: “Doch du ließest ihn im Grabe nicht” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart2:11
12Der Messias, K. 572: Zweier Teil, Nr. 25. Chor: Machet das Tor weit
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 25a. Coro: “Machet das Tor weit” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart3:15
13Der Messias, K. 572: Zweier Teil, Nr. 25. Rezitativ (Sopran II): Zu welchen von den Engeln hat er je gesag
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 25b. Recitativo: “Zu welchen von den Engeln hat er je gesagt” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart0:15
14Der Messias, K. 572: Zweier Teil, Nr. 26. Chor: Der Herr gab das Wort
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 26. Coro: “Der Herr gab das Wort” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart1:09
15Der Messias, K. 572: Zweier Teil, Nr. 27. Arie (Sopran I): Wie lieblich ist der Boten Schritt
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 27. Aria: “Wie lieblich ist der Boten Schritt” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart2:08
16Der Messias, K. 572: Zweier Teil, Nr. 28. Chor: Ihr Schall ging aus
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 28. Coro: “Ihr Schall ging aus” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart1:23
17Der Messias, K. 572: Zweier Teil, Nr. 29. Arie (Bass): Warum entbrennen die Heiden
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
bass vocals:
Alastair Miles (operatic bass) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 29. Aria: “Warum entbrennen die Heiden” (bass) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart4:53
18Der Messias, K. 572: Zweier Teil, Nr. 30. Chor: Brecht entzwei die Ketten alle
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 30a. Coro: “Brecht entzwei die Ketten alle” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart1:52
19Der Messias, K. 572: Zweier Teil, Nr. 30. Rezitativ (Tenor): Der da wohnet im Himmel
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 30b. Recitativo: “Der da wohnet im Himmel” (tenor) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart0:12
20Der Messias, K. 572: Zweier Teil, Nr. 31. Arie (Tenor): Du zerschlägst sie mit dem Eisenszepter
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 31. Aria: “Du zerschlägst sie” (tenor) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart2:08
21Der Messias, K. 572: Zweier Teil, Nr. 32. Chor: Halleluja
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 32. Coro: “Hallelujah” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart4:29
22Der Messias, K. 572: Dritter Teil, Nr. 33. Arie (Sopran I): Ich weiß, dass mein Erlöser lebe
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 33. Aria: “Ich weiß, daß mein Erlöser lebet” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart5:24
23Der Messias, K. 572: Dritter Teil, Nr. 34. Chor: Wie durch Einen der Tod
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 34a. Coro primo: “Wie durch Einen der Tod” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 34b. Coro secondo: “So man durch Einen die Auferstehung” (in 1991)
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 34c. Coro terzo: “Denn wie durch Adam alle sterben” (in 1991)
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 34d. Coro quarto: “Also wird, wer starb” (in 1991)
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart2:10
24Der Messias, K. 572: Dritter Teil, Nr. 35. Accompagnato-Rezitativ (Bass): Merkt auf!
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
bass vocals:
Alastair Miles (operatic bass) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 35a. Recitativo strumentato: “Merkt auf!” (bass) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart0:38
25Der Messias, K. 572: Dritter Teil, Nr. 35. Arie (Bass): Sie schallt, die Posaun‘
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
bass vocals:
Alastair Miles (operatic bass) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 35b. Aria: “Sie schallt, die Posaun” (bass) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart2:26
26Der Messias, K. 572: Dritter Teil, Nr. 35. Rezitativ (Sopran II): Dann wird erfüllt
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 35c. Recitativo: “Dann wird erfüllt” (soprano II) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart0:21
27Der Messias, K. 572: Dritter Teil, Nr. 36. Duett (Sopran II, Tenor): O Tod, wo ist dein Pfeil
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 36. Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart1:42
28Der Messias, K. 572: Dritter Teil, Nr. 37. Chor: Doch Dank sei Dir Gott
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 37a. Coro: “Doch Dank sei Dir Gott” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart2:16
29Der Messias, K. 572: Dritter Teil, Nr. 37. Accompagnato-Rezitativ (Sopran I): Wenn Gott ist für uns
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 37b. Recitativo strumentato: “Wenn Gott ist für uns” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart1:35
30Der Messias, K. 572: Dritter Teil, Nr. 38. Chor: Würdig ist das Lamm
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 38a. Coro: “Würdig ist das Lamm” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart3:36
31Der Messias, K. 572: Dritter Teil, Nr. 38. Chor: Amen
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 38b. Coro ultimo: “Amen” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart3:08
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ASIN:US: B08DSX73T1 [info]