Another Lost Decade: The ’80s Second British Invasion

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Black Coffee in Bed
recording of:
Black Coffee in Bed
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
Squeeze6:12
2Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:47
3The Reflex
Produzent(in):
Duran Duran (English rock band), Ian Little (producer, engineer, songwriter) und Alex Sadkin
Mix:
Jason Corsaro (U.S. music engineer, and record producer) und Nile Rodgers
remixer:
Jason Corsaro (U.S. music engineer, and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983, in 1998)
Bearbeitung von:
The Reflex von Duran Duran (English rock band)
recording of:
The Reflex
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
Beechwood de México, S.A. de C.V., EMI Music Publishing (do not use as a release label!) und Gloucester Place Music Ltd.
Duran Duran3.854:25
4If You Leave
Techniker(in):
Tom Lord‐Alge
Produzent(in):
Tom Lord‐Alge und Orchestral Manoeuvres in the Dark
Herausgeber:
A&M Records und Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recording of:
If You Leave
Verfasser(in):
Martin Cooper (OMD and The Listening Pool), Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. Albert & Son Pty. Ltd., Virgin Music, Inc. (US arm of Virgin’s publishing company), Warner/Chappell Music Australia Pty. Ltd. und WB Music Corp. (1929–2019)
Orchestral Manoeuvres in the Dark3.94:29
5(Keep Feeling) Fascination
Produzent(in):
Martin Rushent
remixer:
Chris Thomas (UK record producer / remixer)
Musikvideos:
(Keep Feeling) Fascination von The Human League
recording of:
(Keep Feeling) Fascination
Verfasser(in):
Jo Callis und Philip Oakey
The Human League3.253:45
6You Take Me Up
recording engineer, Techniker(in) und Mix:
Phil Thornalley
Schlagzeug-Programmierung:
Tom Bailey (Thompson Twins)
Produzent(in):
Tom Bailey (Thompson Twins) und Alex Sadkin
Conga und Synthesizer [Prophet V]:
Joe Leeway
Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
Tom Bailey (Thompson Twins)
Marimba, Perkussion, Schlagzeug und xylophone:
Alannah Currie
Hintergrundgesang:
Alannah Currie und Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. und Arista Records Ltd. (not for release label use!) (in 1984)
recording of:
You Take Me Up
Verfasser(in) und vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
Point Music Ltd.
Thompson Twins3.54:26
7It’s a Miracle
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
It’s a Miracle von Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Culture Club3.63:25
8Eye to Eye (single remix)
Produzent(in):
Gary Stevenson
recording of:
Eye to Eye
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
Go West3:34
9Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:51
10How to Be a Millionaire (UK single version)
assistierende(r) Techniker(in):
Paul Corkett, Charles Harrowell, Mark Stent (producer, engineer), Mike Drake, Heff Moraes, Dietmar Schillinger und Paul Wright (UK recording engineer)
Techniker(in):
Martyn Webster (engineer)
Produzent(in):
Martin Fry und Mark White (ABC/Vice Versa)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Gitarre:
David Williams (session guitarist and songwriter)
Hintergrundgesang:
Jackie Challenor, Lorenza Johnson (singer) und Maye MacKenna (vocalist)
Sologesang:
Martin Fry
arranger:
Mark White (ABC/Vice Versa)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1984, in 1985, in 1987), Mercury Records Ltd. (not for release label use!) (in 1985) und Universal Music Operations (not release label) (in 2005)
aufgenommen bei:
Jacobs Studios in Farnham, Surrey, England, Vereinigtes Königreich (von 1984 bis 1985)
mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
The Downloader’s Music Source Book (Nummer: 72)
recording of:
(How to Be A) Millionaire
Texter und Komponist(in):
Martin Fry und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Neutron Music und Nymph Music, Inc.
ABC4.353:34
11Mad World
Programmierung:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
Bassgitarre:
Curt Smith
Gitarre:
Roland Orzabal (UK musician, songwriter and producer)
Keyboard:
Roland Orzabal (UK musician, songwriter and producer), Curt Smith und Ian Stanley
Perkussion:
Chris Hughes (producer, aka “Merrick”)
Schlagzeug:
Manny Elias
vocals:
Curt Smith
conductor:
Chris Hughes (producer, aka “Merrick”)
Interpret(in):
Ross Cullum und Phil Palmer (guitarist)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1985)
Musikvideos:
Mad World von Tears for Fears
recording of:
Mad World
Texter und Komponist(in):
Roland Orzabal (UK musician, songwriter and producer)
publisher:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing und Virgin Music Ltd.
Tears for Fears3.73:34
12Will You Still Be There
drum machine-Programmierung und Perkussion-Programmierung:
Howard Jones (English singer, songwriter)
Techniker(in):
Kevin Killen
Produzent(in):
Arif Mardin
Keyboard und Sologesang:
Howard Jones (English singer, songwriter)
aufgenommen bei:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Will You Still Be There?
Texter und Komponist(in):
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones4:46
13Dancing With Tears in My Eyes
recording engineer:
Rick Walton
Produzent(in):
Ultravox
Mix:
John Hudson (producer, recording and mixing engineer)
Sologesang:
Midge Ure
recording of:
Dancing With Tears in My Eyes
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox4.54:10
14Let Me Go
Produzent(in):
B.E.F. und Greg Walsh (producer and engineer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recording of:
Let Me Go!
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Heaven 1754:16

Nennungen

Veröffentlichungsgruppe

Teil von:Another Lost Decade The 80s (Reihenfolge: 3)