Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

1▶CD: Bellini: Beatrice di Tenda (I)
2▶CD: Bellini: Beatrice di Tenda (II)
3▶CD: Donizetti: La fille du régiment (I)
4▶CD: Donizetti: La fille du régiment (II)
5▶CD: Verdi: Messa da Requiem
6▶CD: Mascagni: L'amico Fritz (I)
7▶CD: Mascagni: L'amico Fritz (II)
8▶CD: R. Strauss: Der Rosenkavalier (I)
9▶CD: R. Strauss: Der Rosenkavalier (II)
10▶CD: R. Strauss: Der Rosenkavalier (III)
11▶CD: Donizetti: L'elisir d'amore (I)
12▶CD: Donizetti: L'elisir d'amore (II)
13▶CD: Verdi: Un ballo in maschera (I)
14▶CD: Verdi: Un ballo in maschera (II)
15▶CD: Verdi: Macbeth (I)
16▶CD: Verdi: Macbeth (II)
17▶CD: Rossini: Stabat Mater
18▶CD: Verdi: Rigoletto (I)
19▶CD: Verdi: Rigoletto (II)
20▶CD: Donizetti: Lucia di Lammermoor (I)
21▶CD: Donizetti: Lucia di Lammermoor (II)
22▶CD: Puccini: Turandot (I)
23▶CD: Puccini: Turandot (II)
24▶CD: Puccini: La bohème (I)
25▶CD: Puccini: La bohème (II)
26▶CD: Bellini: I puritani (I)
27▶CD: Bellini: I puritani (II)
28▶CD: Bellini: I puritani (III)
29▶CD: Puccini: Madama Butterfly (I)
30▶CD: Puccini: Madama Butterfly (II)
31▶CD: Donizetti: La favorita (I)
32▶CD: Donizetti: La favorita (II)
33▶CD: Donizetti: Maria Stuarda (I)
34▶CD: Donizetti: Maria Stuarda (II)
35▶CD: Verdi: Luisa Miller (I)
36▶CD: Verdi: Luisa Miller (II)
37▶CD: Mascagni: Cavalleria rusticana
38▶CD: Leoncavalla: Pagliacci
39▶CD: Verdi: Il trovatore (I)
40▶CD: Verdi: Il trovatore (II)
41▶CD: Puccini: Tosca (I)
42▶CD: Puccini: Tosca (II)
43▶CD: Rossini: Petite messe solennelle
44▶CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45▶CD: Rossini: Guglielmo Tell (I)
46▶CD: Rossini: Guglielmo Tell (II)
47▶CD: Rossini: Guglielmo Tell (III)
48▼CD: Rossini: Guglielmo Tell (IV)
#TitleArtistRatingLength
1Guglielmo Tell: Atto IV. “Ah.. non mi lasciar, o speme di vendetta” (Arnoldo)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
tenor vocals [Arnoldo]:
Luciano Pavarotti (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 1. “Non mi lasciare, o speme di vendetta” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini3:45
2Guglielmo Tell: Atto IV. “O muto asil del pianto...Vendetta!” (Arnoldo)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
tenor vocals [Arnoldo]:
Luciano Pavarotti (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 2. “O muto asil del pianto” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini9:33
3Guglielmo Tell: Atto IV. “Resta omai; ah! ti perde il duolo” (Donne Svizzere)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 3. “Resta omai! ah, ti perde il duolo” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini2:19
4Guglielmo Tell: Atto IV. “Sottratto a orribil nembo” (Matilde)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (soprano) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 4. “Sottratto a orribil nembo” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini5:28
5Guglielmo Tell: Atto IV. “E per partir i nostri mali estremi” (Edwige)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (soprano) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 4. “E per partire i nostri mali estremi” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini2:19
6Guglielmo Tell: Atto IV. “Tu che l'appogio del debol sei” (Edwige)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (soprano) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 5. “Tu che l’appogio del debol sei” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini2:59
7Guglielmo Tell: Atto IV. “Io lo vidi” (Leutoldo)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
bass vocals [Leutoldo]:
Richard van Allan (operatic bass-baritone) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (soprano) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 6. “Io lo vidi, io lo vidi!” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini2:43
8Guglielmo Tell: Atto IV. “Io ti rivedo!” (Edwige)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
bass vocals [Gessler]:
Ferruccio Mazzoli (operatic bass) (from 1978-09 until 1979-08)
bass vocals [Gualtiero]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (soprano) (from 1978-09 until 1979-08)
tenor vocals [Arnoldo]:
Luciano Pavarotti (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 7. “Io ti rivedo” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini3:17
9Guglielmo Tell: Atto IV. “Tutto cangia, il ciel s'abbella” (Guglielmo)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
bass vocals [Gualtiero]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (soprano) (from 1978-09 until 1979-08)
tenor vocals [Arnoldo]:
Luciano Pavarotti (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 10. “Tutto cangia, il ciel si abbella” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini3:07
49▶CD: Verdi: La traviata (I)
50▶CD: Verdi: La traviata (II)
51▶CD: Bellini: La sonnambula (I)
52▶CD: Bellini: La sonnambula (II)
53▶CD: Ponchielli: La Gioconda (I)
54▶CD: Ponchielli: La Gioconda (II)
55▶CD: Ponchielli: La Gioconda (III)
56▶CD: Boito: Mefistofele (I)
57▶CD: Boito: Mefistofele (II)
58▶CD: Verdi: Un ballo in maschera (I)
59▶CD: Verdi: Un ballo in maschera (II)
60▶CD: Giordano: Andrea Chénier (I)
61▶CD: Giordano: Andrea Chénier (II)
62▶CD: Mozart: Idomeneo (I)
63▶CD: Mozart: Idomeneo (II)
64▶CD: Mozart: Idomeneo (III)
65▶CD: Bellini: Norma (I)
66▶CD: Bellini: Norma (II)
67▶CD: Bellini: Norma (III)
68▶CD: Verdi: Aida (I)
69▶CD: Verdi: Aida (II)
70▶CD: Verdi: Aida (III)
71▶CD: Verdi: Ernani (I)
72▶CD: Verdi: Ernani (II)
73▶CD: Berlioz: Requiem
74▶CD: Verdi: Rigoletto (I)
75▶CD: Verdi: Rigoletto (II)
76▶CD: Donizetti: L'elisir d'amore (I)
77▶CD: Donizetti: L'elisir d'amore (II)
78▶CD: Verdi: Il trovatore (I)
79▶CD: Verdi: Il trovatore (II)
80▶CD: Verdi: Otello (I)
81▶CD: Verdi: Otello (II)
82▶CD: Verdi: La traviata (I)
83▶CD: Verdi: La traviata (II)
84▶CD: Leoncavallo: Pagliacci
85▶CD: Puccini: Manon Lescaut (I)
86▶CD: Puccini: Manon Lescaut (II)
87▶CD: Verdi: Don Carlo (I)
88▶CD: Verdi: Don Carlo (II)
89▶CD: Verdi: Don Carlo (III)
90▶CD: Verdi: Rigoletto (I)
91▶CD: Verdi: Rigoletto (II)
92▶CD: Verdi: I Lombardi (I)
93▶CD: Verdi: I Lombardi (II)
94▶Blu-ray: Donizetti: L'elisir d'amore
95▶Blu-ray: Verdi: Rigoletto
96▶Blu-ray: Donizetti: Lucia di Lammermoor
97▶Blu-ray: Puccini: Turandot
98▶Blu-ray: Puccini: La bohème
99▶Blu-ray: Puccini: Madama Butterfly
100▶CD: Puccini: La bohème (I)
101▶CD: Puccini: La bohème (II)

Credits

Release group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]