Rolling Stone: Funk

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Brick House
produttore:
James Anthony Carmichael
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 296)
registrazione di:
Brick House (original version)
paroliere:
William King (William Atwell King Jr. (member of Commodores)), Walter Orange e Lionel Richie
compositore:
Ronald LaPread, Thomas McClary, Lionel Richie e Milan Williams
editore:
Brenda Richie Publishing, Cambrae Music, Daddy Married a Golddigger, Drop Five, Hanna Music, Jobete Music Co., Inc., Libren Music, Old Fashion Publishing, Reservoir Media Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Commodores3.73:28
2Play That Funky Music
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
edit di:
Play That Funky Music di Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
registrazione di:
Play That Funky Music (nel 1976)
paroliere e compositore:
Robert W. Parissi (Rob Parissi)
editore:
Bema Music (publisher), RWP Music, Sweet City Records Inc. e Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:11
3Give Up The Funk (Tear The Roof Off The Sucker)
produttore:
George Clinton (US funk musician)
registrazione di:
Give Up the Funk (Tear the Roof Off the Sucker)
compositore:
Jerome Brailey, George Clinton (US funk musician) e Bootsy Collins (US funk musician & songwriter)
Parliament4.055:45
4Funkytown
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980)
edit di:
Funkytown (12″ version) di Lipps, Inc.
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 37)
registrazione di:
Funkytown
paroliere e compositore:
Steven Greenberg
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:57
5Super Freak
tecnico di registrazione e tecnico di missaggio:
Tom "Super" Flye
assistente tecnico:
Rick "Port Hole" Sanchez
tecnico:
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez e Tom "Super" Flye
produttore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
produttore esecutivo:
Alonzo Miller (Singer-songwriter, producer)
altri strumenti [flexatone] e vibraslap :
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
basso :
Oscar Alston
batteria :
Lanise Hughes
battimani e percussione :
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) e Tom McDermott (guitarist)
chitarra :
Tom McDermott (guitarist)
pianoforte elettrico e sintetizzatore [Crumar] :
Levi Ruffin, Jr.
sassofono tenore :
Daniel LeMelle
voce di accompagnamento:
Dennis Edwards (US soul & R’n’B singer), Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street e Otis Williams (US baritone singer, member of The Temptations & The Distants)
arrangiatore corno :
Daniel LeMelle e Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arrangiatore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
registrata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti (voce di accompagnamento) e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 153) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 477)
registrazione di:
Super Freak
orchestratore:
Bruce Fowler (trombone, composer, arranger, orchestrator)
paroliere e compositore:
Alonzo Miller (Singer-songwriter, producer) e Rick James (US vocalist, multi‐instrumentalist, composer & producer)
editore:
Jobete Music Co., Inc. e Stone Diamond Music Corporation
Rick James4.153:24
6Let It Whip
tecnico di registrazione:
Dale Peters
assistente tecnico:
Jim Carroccio
produttore:
Reggie Andrews
tecnico di missaggio:
Bobby Brooks (US producer/engineer/remixer)
basso [Music Mann Sabre] :
Michael Wiley (bassist of Dazz Band)
batteria :
Isaac "Ike" Wiley, Jr. (drummer of Dazz Band)
campionatore [LinnDrum] e drum machine [LinnDrum] :
Leon "Ndugu" Chancler
chitarra elettrica :
Michael Calhoun (songwriter & guitarist of Dazz Band)
pianoforte elettrico :
Kevin Kendrick (US soul/funk keyboardist/songwriter)
sintetizzatore :
Steve Cox (keyboardist)
sintetizzatore basso [Minimoog] :
Reggie Andrews
voce di accompagnamento:
Michael Calhoun (songwriter & guitarist of Dazz Band), Pierre DeMudd, Bobby Harris (Soul singer) e Michael Wiley (bassist of Dazz Band)
voce principale:
Sennie "Skip" Martin (US singer and musician)
diritti fonografici (℗) detenuti da:
Motown Record Corporation
registrata presso:
The Recording Connection in Cleveland, Ohio, Stati Uniti
mixata presso:
Hitsville West Studios (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti
registrazione di:
Let It Whip
autore e compositore:
Reggie Andrews e Leon Ndugu Chancler
Dazz Band54:45
7Love Rollercoaster
tecnico:
Barry Mraz
produttore:
Ohio Players
agogô , batteria , campanaccio e tamburello :
James “Diamond” Williams (US drummer for Ohio Players)
chitarra basso :
Marshall "Rock" Jones (US bassist & songwriter, member of Ohio Players)
chitarra elettrica e voce principale:
Leroy "Sugarfoot" Bonner (funk guitarist, aka Sugarfoot)
piano Rhodes [Fender Rhodes] e sintetizzatore [ARP String Ensemble] :
William "Billy" Beck
sassofono tenore :
Clarence "Satch" Satchell
tromba :
Ralph “Pee Wee” Middlebrooks e Marvin “Merv” Pierce
voce di accompagnamento:
William "Billy" Beck e James “Diamond” Williams (US drummer for Ohio Players)
registrata presso e mixata presso:
Paragon Studios in Chicago, Illinois, Stati Uniti
registrazione di:
Love Rollercoaster
autore:
Billy Beck, Leroy Bonner (funk guitarist, aka Sugarfoot), Marshall Jones (US bassist & songwriter, member of Ohio Players), Ralph “Pee Wee” Middlebrooks, Mervin Pierce (Ohio Players), Clarence Satchell e James “Diamond” Williams (US drummer for Ohio Players)
editore:
Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc. e Segundo Sueños LLC
Ohio Players54:46
8She's A Bad Mama Jama (She's Build, She's Stacked)
registrazione di:
She's a Bad Mama Jama (She's Built, She's Stacked)
compositore:
Leon Haywood (funk and soul singer, songwriter, record producer)
Carl Carlton3:55
9Let's Groove
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrazione di:
Let’s Groove
autore:
Wayne Vaughn e Maurice White (Earth, Wind & Fire)
editore:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Earth, Wind & Fire4.455:35
10Hollywood Swinging
registrazione di:
Hollywood Swinging
autore:
Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Robert Spike Mickens, Richard Westfield (Kool & The Gang member), Robert Bell e Claydes Smith
editore:
Old River Music, Planetary Nom (London) Ltd. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Kool & the Gang54:38
11Superfly
tecnico:
Roger Anfinsen
produttore:
Curtis Mayfield
batteria :
Morris Jennings
chitarra :
Curtis Mayfield e Craig McMullen
chitarra basso :
Joseph Scott (US funk/soul bassist)
percussione :
Master Henry Gibson (Percussionist with Curtis Mayfield, Stan Getz, Ramsey Lewis)
voce principale:
Curtis Mayfield
arrangiatore e orchestratore:
Johnny Pate
diritti fonografici (℗) detenuti da:
Curtom Records (nel 1972)
registrazione di:
Superfly
paroliere e compositore:
Curtis Mayfield
editore:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Curtom Publishing Co Inc (dal 1972 al ????)
Curtis Mayfield4.253:52
12That Lady (Part 1 & 2)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 17), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 346) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 349)
registrazione di:
That Lady
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
editore:
Bovina Music Inc., EMI April Music Inc. e EMI Songs Ltd.
versione di:
Who’s That Lady
The Isley Brothers45:34
13For The Love of Money
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1973)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
registrazione di:
For the Love of Money (nel 1973)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) e Anthony Jackson (US bassist)
editore:
Mighty Three Music (conclusa), Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
MJ: The Musical
The O’Jays4.657:20
14Tell Me Something GOod
tecnico di registrazione e tecnico di missaggio:
Don Sciarrotta (US Engineer, and producer)
assistente tecnico:
Tony Sciarrotta
produttore:
Bob Monaco
registrazione di:
Tell Me Something Good
paroliere e compositore:
Stevie Wonder
editore:
EMI Music Publishing (do not use as a release label!)
Rufus44:40
15Express Yourself
produttore:
Charles Wright
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2022)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 57)
registrazione di:
Express Yourself
paroliere e compositore:
Charles Wright (nel 1970)
Charles Wright & the Watts 103rd Street Rhythm Band4.53:52
16(Get Up I feel Like A) Sex Machine, Pt.1
basso :
Bootsy Collins (US funk musician & songwriter) (il 1970-04-25)
chitarra :
Catfish Collins (il 1970-04-25)
membranofono :
John Starks (il 1970-04-25)
organo e voce di accompagnamento:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (il 1970-04-25)
pianoforte e voce principale:
James Brown (The Godfather of Soul) (il 1970-04-25)
sassofono tenore :
Robert McCollough (il 1970-04-25)
tromba :
Clayton Gunnells (il 1970-04-25) e Darryl Hassan Jamison (il 1970-04-25)
registrata presso:
Starday Sound Studios in Nashville, Tennessee, Stati Uniti (il 1970-04-25)
registrazione parziale di:
Get Up (I Feel Like Being Like a) Sex Machine (il 1970-04-25)
autore:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) e Ron Lenhoff
editore:
Dynatone Publishing Co. e Intersong Music Ltd.
James Brown42:50

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