Sixties Soul Machine

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Stop! In the Name of Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (von 1965-01-05 bis 1965-01-11)
Hintergrundgesang:
The Andantes (von 1965-01-05 bis 1965-01-11), Florence Ballard (von 1965-01-05 bis 1965-01-11) und Mary Wilson (von 1965-01-05 bis 1965-01-11)
Sologesang:
Diana Ross (von 1965-01-05 bis 1965-01-11)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1965-01-05 bis 1965-01-11)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 13) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 254)
recording of:
Stop! In the Name of Love (von 1965-01-05 bis 1965-01-11)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes4.152:52
2This Old Heart of Mine (Is Weak for You)
recording of:
This Old Heart of Mine (Is Weak for You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Sylvia Moy
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) und Stone Agate Music Division
The Isley Brothers2:50
3Think
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-15) und Floyd Newman (am 1968-04-15)
Bassgitarre:
Jerry Jemmott (am 1968-04-15)
Gitarre:
Tommy Cogbill (am 1968-04-15) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-15)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-15)
Orgel:
Spooner Oldham (am 1968-04-15)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-15)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-15) und Andrew Love (am 1968-04-15)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-15)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-15)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-15)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 10)
recording of:
Think (am 1968-04-15)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Aretha Franklin3.652:19
4The Loco‐Motion
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Little Eva22:24
5Standing in the Shadows of Love
recording of:
Standing in the Shadows of Love
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music Ltd
Four Tops2:38
6Chain Gang
recording of:
Chain Gang (Sam Cooke song)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
Sam Cooke2:35
7(I’m in with) The in Crowd
recording of:
The “In” Crowd
Orchestrator(in):
Gene Page (conductor, composer, arranger and record producer)
Texter und Komponist(in):
Billy Page (US soul/pop songwriter & producer)
publisher:
Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) und Unichappell Music, Inc. (in 1964)
Dobie Gray2:52
8Going to a Go‐Go
recording of:
Going to a Go‐Go
Verfasser(in):
Warren “Pete” Moore, Smokey Robinson, Bobby Rogers und Marvin Tarplin
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
The Miracles2:50
9The Clapping Song
recording of:
The Clapping Song
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation und EMI Al Gallico Music Corp.
Shirley Ellis2:43
10Love on a Mountain Top
recording of:
Love on a Mountain Top
Verfasser(in):
James “Buzz” Cason und Mac Gayden
publisher:
Peter Maurice Music Pub. Co. Ltd.
Robert Knight2:29
11Mustang Sally
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-10-13)
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Jerry Wexler
E-Bass [electric bass]:
Tommy Cogbill (von 1966-10-13 bis 1966-10-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-10-13 bis 1966-10-14)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (von 1966-10-13 bis 1966-10-14)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1966-10-13 bis 1966-10-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-10-13 bis 1966-10-14)
Tenorsaxophon:
Gilbert Caples (von 1966-10-13 bis 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-10-13 bis 1966-10-14) und Eddie Logan (von 1966-10-13 bis 1966-10-14)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1966-10-13 bis 1966-10-14)
vocals:
Wilson Pickett (von 1966-10-13 bis 1966-10-14)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-10-13 bis 1966-10-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 434)
cover recording of:
Mustang Sally (von 1966-10-13 bis 1966-10-14)
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:04
12Spanish Harlem
Ben E. King2:51
13Tramp
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-01 bis 1967-02)
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-01 bis 1967-02)
Gitarre:
Steve Cropper (von 1967-01 bis 1967-02)
Keyboard:
Isaac Hayes (von 1967-01 bis 1967-02) und Booker T. Jones (von 1967-01 bis 1967-02)
Klavier:
Booker T. Jones (von 1967-01 bis 1967-02)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (von 1967-01 bis 1967-02)
Tenorsaxophon:
Joe Arnold (von 1967-01 bis 1967-02) und Andrew Love (von 1967-01 bis 1967-02)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-01 bis 1967-02)
Hintergrundgesang:
Carla Thomas (von 1967-01 bis 1967-02)
vocals:
Otis Redding (von 1967-01 bis 1967-02) und Carla Thomas (von 1967-01 bis 1967-02)
Interpret(in):
Carla Thomas (von 1967-01 bis 1967-02)
cover recording of:
Tramp (von 1967-01 bis 1967-02)
Verfasser(in):
Lowell Fulson und Jimmy McCracklin (blues singer, songwriter)
publisher:
Budget Music, Careers–BMG Music Publishing, Inc. und Powerforce Music
Otis Redding & Carla Thomas3.853:01
14Here I Go Again
Archie Bell & the Drells2:11
15How Sweet It Is (to Be Loved by You)
Jr. Walker & the All Stars3:00
16California Soul
Produzent(in):
Richard Evans (US jazz/soul bassist, composer, arranger and producer) und Charles Stepney (musician, producer, arranger and songwriter)
arranger:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) und Charles Stepney (musician, producer, arranger and songwriter)
cover recording of:
California Soul
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music Co., Inc. (am 1969-01-17)
Marlena Shaw52:58
17Private Number
Produzent(in):
Booker T. Jones
Interpret(in):
Judy Clay (American soul and gospel singer)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (in 1968)
recording of:
Private Number (in 1968)
Verfasser(in):
William Bell und Booker T. Jones
publisher:
Irving Music, Inc. und Music for Africa (South Africa)
Judy Clay & William Bell22:39
18Uptight
Produzent(in):
Henry Cosby und William Stevenson (Motown songwriter)
Sologesang:
Stevie Wonder (in 1965)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
Texter und Komponist(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music und Stone Agate Music
Stevie Wonder4.72:53
19What a Man
cover recording of:
What a Man
Texter und Komponist(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Laura Lee2:54
20Comin’ Home Baby
Mel Tormé2:40
21Save the Last Dance for Me
recording of:
Save the Last Dance for Me
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters2:27
22Warm & Tender Love
cover recording of:
Warm and Tender Love
Texter und Komponist(in):
Bobby Robinson
publisher:
Duane Music Inc., Pronto Music (publisher), Quinvy Music Publishing Company, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Percy Sledge3:10
23Rainy Night in Georgia
Produzent(in):
Arif Mardin
Bass:
Harold Cowart (am 1969-09-11)
Gitarre:
Cornell Dupree (in 1969) und Jim O’Rourke (US musician & producer, b. 1969) (am 1969-09-11)
Instrumente:
Cold Grits (in 1969)
Klavier:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (am 1969-09-11)
Mundharmonika:
Toots Thielemans (in 1969)
Orgel:
Billy Carter (organ, jazz) (am 1969-09-11)
Schlagzeug:
Ron Ziegler (drummer) (am 1969-09-11)
Hintergrundgesang:
The Sweet Inspirations (am 1969-09-11)
arranger:
Arif Mardin
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1969-09-11)
spätere Veröffentlichungen:
Rainy Night in Georgia von Brook Benton
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 498)
cover recording of:
Rainy Night in Georgia (am 1969-09-11)
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Songs Limited
Brook Benton43:51
24Stay With Me Baby
Produzent(in):
Jerry Ragovoy
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor)
arranger:
Jerry Ragovoy und Garry Sherman (mid-20th century composer, arranger & conductor)
recording of:
Stay With Me (in 1966-07)
Verfasser(in):
Jerry Ragovoy und George David Weiss
publisher:
TRO Essex Music Ltd.
Lorraine Ellison43:28
25Patches
cover recording of:
Patches
Verfasser(in):
Ronald Dunbar (Songwriter, A&R director and record producer) und Norman Johnson (US soul singer, R&B songwriter & producer)
Clarence Carter3:09

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