The Classics (deluxe edition)

~ Veröffentlichung von Tony Bennett (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Anmerkung

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Titelliste

1▶Digitales Medium
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1How Do You Keep the Music Playing?
cover recording of:
How Do You Keep the Music Playing?
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Michel Legrand
publisher:
Warner Olive Music LLC und WB Music Corp. (1929–2019) (in 1982)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Tony Bennett & Ralph Sharon Trio4:18
2When Do the Bells Ring for Me?
Produzent(in):
Danny Bennett
Klavier:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
aufgenommen bei:
Master Sound Astoria in Astoria, New York, New York, Vereinigte Staaten (am 1989-05-18)
recording of:
When Do the Bells Ring for Me
Texter und Komponist(in):
Charles DeForest
publisher:
Benedetto Music
cover recording of:
When Do the Bells Ring for Me
Texter und Komponist(in):
Charles DeForest
publisher:
Benedetto Music
Tony Bennett2:58
3New York, New York
recording engineer und Mix:
Al Schmitt
assistierende(r) Mix:
Carl Glanville
Bass:
Chuck Berghofer (Jazz bassist) (in 1993)
Gitarre:
Ron Anthony (in 1993)
Schlagzeug:
Gregg Field (drums, producer) (in 1993)
vocals:
Tony Bennett (US jazz/standards vocalist) (am 1979-09-19, am 1993-08-11) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1993-07-06)
arranger:
Don Costa (US pop music arranger & producer)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (am 1979-09-19)
gewidmet:
New York, New York, Vereinigte Staaten
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beendet), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
New York, New York (1977 musical film soundtrack)
cover recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (in 1993)
gewidmet:
New York, New York, Vereinigte Staaten
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beendet), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
New York, New York (1977 musical film soundtrack)
Frank Sinatra with Tony Bennett43:30
4Evenin’
Techniker(in):
Christina Paakkari
leitende(r) Produzent(in):
Danny Bennett
Produzent(in):
Phil Ramone
Bass:
Paul Langosch
Gitarre:
Gray Sargent
Klavier:
Ralph Sharon
Schlagzeug:
Clayton Cameron
vocals:
Tony Bennett (US jazz/standards vocalist) und Ray Charles (soul musician, singer and songwriter)
cover recording of:
Evenin’
Texter:
Mitchell Parish (in 1934)
Komponist(in):
Harry White (jazz trombonist) (in 1934)
recording of:
Evenin’
Texter:
Mitchell Parish (in 1934)
Komponist(in):
Harry White (jazz trombonist) (in 1934)
Tony Bennett with Ray Charles4:13
5What a Wonderful World
recording engineer und Mix:
Dae Bennett
Techniker(in):
Tom Young (engineer)
leitende(r) Produzent(in):
Danny Bennett
Produzent(in):
T‐Bone Burnett (musician, songwriter and producer)
Bass:
Paul Langosch
Gitarre:
Gray Sargent
membranophone:
Clayton Cameron
vocals:
Tony Bennett (US jazz/standards vocalist) und k.d. lang
Interpret(in):
k.d. lang
vocals arranger:
Rob Mathes
cover recording of:
What a Wonderful World
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Tony Bennett & k.d. lang3:20
6Smile
Gast vocals:
Barbra Streisand
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 2006-02-03)
cover recording of:
Smile (song version w/ lyrics)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
Tony Bennett with Barbra Streisand4:40
7The Shadow of Your Smile
Gast-Interpret(in):
Juanes (Colombian singer)
teilweise cover recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”)
Texter:
Paul Francis Webster
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 38th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1965 winner)
Tony Bennett with Juanes4:33
8The Best Is Yet to Come
Gast-Interpret(in):
Diana Krall
cover recording of:
The Best Is Yet to Come
Texter:
Carolyn Leigh (in 1959)
Komponist(in):
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. und WB Music Corp. (1929–2019)
Tony Bennett with Diana Krall3:40
9For Once in My Life
Gast-Interpret(in):
Stevie Wonder
cover recording of:
For Once in My Life
Texter:
Ronald Miller (Motown songwriter Ronald Norman Miller)
Komponist(in):
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Tony Bennett with Stevie Wonder3:23
10One for My Baby (and One More for the Road)
recording engineer und Mix:
Dae Bennett
assistierende(r) Techniker(in):
Alessandro Perrotta, Adam Bancroft und Brian Chirlo
Produzent(in):
Dae Bennett und Phil Ramone
alto saxophone:
Lawrence Feldman (flutist and saxophonist) und Lou Marini
baritone saxophone:
Roger Rosenberg
Bass:
Marshall Wood
Bassposaune:
George Flynn (trombone)
Gitarre:
Gray Sargent
Klavier:
Lee Musiker
Schlagzeug:
Harold Jones (jazz drummer)
Tenorposaune:
Larry Farrell, Mike Davis (US jazz trombonist) und Keith O’Quinn (trombonist)
Tenorsaxophon:
Charlie Pillow und Dave Mann (saxophonist)
Trompete:
Bud Burridge (trunpet player), John Owens (US trumpeter), Tony Kadleck und Bob Millikan (trumpeter)
Sologesang:
Tony Bennett (US jazz/standards vocalist) und John Mayer (US singer‐songwriter)
conductor:
Marion Evans
arranger:
Marion Evans
aufgenommen bei und mixed at:
Bennett Studios in Englewood, New Jersey, Vereinigte Staaten
cover recording of:
One for My Baby (and One More for the Road)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
Tony Bennett & John Mayer42:56
11Don’t Get Around Much Anymore
recording engineer und Mix:
Dae Bennett
assistierende(r) Techniker(in):
Alessandro Perrotta, Adam Bancroft und Brian Chirlo
Produzent(in):
Dae Bennett und Phil Ramone
alto saxophone:
Lawrence Feldman (flutist and saxophonist) und Lou Marini
baritone saxophone:
Roger Rosenberg
Bass:
Marshall Wood
Bassposaune:
George Flynn (trombone)
Gitarre:
Gray Sargent
Klavier:
Lee Musiker
Schlagzeug:
Harold Jones (jazz drummer)
Tenorposaune:
Larry Farrell, Mike Davis (US jazz trombonist) und Keith O’Quinn (trombonist)
Tenorsaxophon:
Charlie Pillow
Trompete:
Bud Burridge (trunpet player), John Owens (US trumpeter), Tony Kadleck und Bob Millikan (trumpeter)
Sologesang:
Tony Bennett (US jazz/standards vocalist) und Michael Bublé
conductor:
Marion Evans
arranger:
Marion Evans
aufgenommen bei und mixed at:
Bennett Studios in Englewood, New Jersey, Vereinigte Staaten
cover recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
Tony Bennett & Michael Bublé42:39
12The Lady Is a Tramp
recording engineer und Mix:
Dae Bennett
assistierende(r) Techniker(in):
Alessandro Perrotta, Adam Bancroft und Brian Chirlo
Produzent(in):
Dae Bennett und Phil Ramone
alto saxophone:
Dave Mann (saxophonist) und Lawrence Feldman (flutist and saxophonist)
baritone saxophone:
Ron Janelli
Bass:
Marshall Wood
Bassposaune:
George Flynn (trombone)
Gitarre:
Gray Sargent
Klavier:
Lee Musiker
Schlagzeug:
Harold Jones (jazz drummer)
Tenorposaune:
Larry Farrell, Mike Davis (US jazz trombonist) und Keith O’Quinn (trombonist)
Tenorsaxophon:
Mark Phaneuf (saxaphonist) und Andy Snitzer
Trompete:
Bud Burridge (trunpet player), John Owens (US trumpeter), Tony Kadleck und Bob Millikan (trumpeter)
Sologesang:
Tony Bennett (US jazz/standards vocalist) und Lady Gaga
conductor:
Marion Evans
arranger:
Marion Evans
aufgenommen bei und mixed at:
Bennett Studios in Englewood, New Jersey, Vereinigte Staaten
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
Tony Bennett & Lady Gaga43:17
13Body and Soul
recording engineer und Mix:
Dae Bennett
assistierende(r) Techniker(in):
Alessandro Perrotta, Adam Bancroft und Brian Chirlo
leitende(r) Produzent(in):
Danny Bennett
Produzent(in):
Dae Bennett und Phil Ramone
Bass:
Marshall Wood
Bassklarinette und Klarinette:
Charles Pillow
Bassposaune:
George Flynn (trombone)
Bratsche / Viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard (viola), David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith und Judy Witmer
Cello:
Diane Barere, Stephanie Cummins (cello), Dave Eggar, Jeanne LeBlanc, Richard Locker (cellist) und Ellen Westermann
Englischhorn [English horn] und Oboe:
Diane Lesser
Fagott:
Marc Goldberg (bassoonist)
flute und Piccoloflöte:
Katherin Fink und Pamela Sklar
Geige / Violine:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Yoon Kwon, Ann Leathers (US violinist), Matthew Lehmann, Katherine Livolsi, Laura McGinniss (violin), Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) und Nancy Wu (violinist)
Gitarre:
Gray Sargent
Harfe:
Grace Paradise
Klavier:
Lee Musiker
Kontrabass:
Tim Cobb (double bassist) und David Finck
Perkussion:
Ben Herman (American percussionist), Erik Charlston und Gordon Gottlieb (American percussionist and conductor)
Schlagzeug:
Harold Jones (jazz drummer)
Tenorposaune:
Mike Davis (US jazz trombonist)
Trompete:
Tony Kadleck
Waldhorn:
Bob Carlisle (french hornist), Barbara Jöstlein, Thomas Jöstlein, Philip Myers (hornist), Ann Scherer und Currie Scherer
Sologesang:
Tony Bennett (US jazz/standards vocalist) und Amy Winehouse
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2011) und Island Records (Island, imprint of Island Records, a division of Universal Music Group) (in 2015)
aufgenommen bei und mixed at:
Bennett Studios in Englewood, New Jersey, Vereinigte Staaten
Teil von:
Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2012 winner)
cover recording of:
Body and Soul (in 2011-03)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Tony Bennett & Amy Winehouse2.63:21
14It Had to Be You
recording engineer und Mix:
Dae Bennett
assistierende(r) Techniker(in):
Alessandro Perrotta, Adam Bancroft und Brian Chirlo
Produzent(in):
Dae Bennett und Phil Ramone
Bass:
Marshall Wood
Bassklarinette und Klarinette:
Charles Pillow
Bassposaune:
George Flynn (trombone)
Bratsche / Viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard (viola), David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith und Judy Witmer
Cello:
Diane Barere, Stephanie Cummins (cello), David Eggar, Ellen Westerman, Jeanne LeBlanc und Richard Locker (cellist)
Englischhorn [English horn] und Oboe:
Diane Lesser
Fagott:
Marc Goldberg (bassoonist)
flute und Piccoloflöte:
Katherine Fink und Pamela Sklar
Geige / Violine:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Cornelius Duffalo, Jonathan Dinklage, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Laura McGinnis (violin), Ann Leathers (US violinist), Matthew Lehmann, Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) und Nancy Wu (violinist)
Gitarre:
Gray Sargent
Harfe:
Grace Paradise
Klavier:
Lee Musiker
Kontrabass:
Tim Cobb (double bassist) und David Finck
Perkussion:
Ben Herman (American percussionist), Erik Charlston und Gordon Gottlieb (American percussionist and conductor)
Schlagzeug:
Harold Jones (jazz drummer)
Tenorposaune:
Mike Davis (US jazz trombonist)
Trompete:
Tony Kadleck
Waldhorn:
Barbara Jostlein Currie, Bob Carlisle (french hornist), Philip Myers (hornist), Ann Scherer und Thomas Jostlein
Sologesang:
Tony Bennett (US jazz/standards vocalist) und Carrie Underwood
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
aufgenommen bei und mixed at:
Bennett Studios in Englewood, New Jersey, Vereinigte Staaten
cover recording of:
It Had to Be You
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Tony Bennett & Carrie Underwood3:49
15Steppin’ Out With My Baby
recording engineer und Mix:
Dae Bennett
Produzent(in):
Dae Bennett (Sologesang) und Phil Ramone
Bass:
Paul Langosch
Gitarre:
Gray Sargent
Klavier:
Lee Musiker
Schlagzeug:
Harold Jones (jazz drummer)
mixed at:
Bennett Studios in Englewood, New Jersey, Vereinigte Staaten
cover recording of:
Steppin’ Out With My Baby (Easter Parade)
Texter und Komponist(in):
Irving Berlin (in 1948)
publisher:
Irving Berlin Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Teil von:
Easter Parade (full musical)
Tony Bennett & Christina Aguilera52:03