Arias

~ Veröffentlichung von Bach; Nuria Rial, Kammerorchester Basel, Julia Schröder (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Was mir behagt, BWV 208: Schafe können sicher weiden (Arie)
Soprangesang:
Núria Rial (soprano)
Orchester:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Premiere in:
Weißenfels, Sachsen-Anhalt, Deutschland (in 1713-02)
komponiert in:
Weimar, Thüringen, Deutschland
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
Librettist:
Salomon Franck
Teil von:
Classic 100: Piano (2025) (Nummer: 38)
Teil von:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:50
2Die ausgesöhnte Eifersucht oder Cephalus und Procris: Einsamkeit, du Qual des Hertzen (Arie)
Soprangesang:
Núria Rial (soprano)
Orchester:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recording of:
Die ausgesöhnte Eifersucht oder Cephalus und Procris: Einsamkeit, du Qual des Hertzen (Arie)
Komponist(in):
Johann Philipp Krieger
Teil von:
Die ausgesöhnte Eifersucht oder Cephalus und Procris
Johann Philipp Krieger8:37
3Durchlaucht’ster Leopold, BWV 173a: Güldner Sonnen frohe Stunden (Arie)
Soprangesang:
Núria Rial (soprano)
Orchester:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": II. Aria (Sopran) "Güldner Sonnen frohe Stunden"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach3:47
4Jauchzet Gott in allen Landen, BWV 51: Jauchzet Gott in allen Landen (Arie)
Soprangesang:
Núria Rial (soprano)
Orchester:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:07
5Concerto for Violin in G minor, BWV 1056: I. Ohne Satzbezeichnung
Geige / Violine:
Julia Schröder (violinist)
recording of:
Violin Concerto in G minor, BWV 1056R: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in G minor, BWV 1056R
Johann Sebastian Bach3:24
6Concerto for Violin in G minor, BWV 1056: II. Largo
Geige / Violine:
Julia Schröder (violinist)
recording of:
Violin Concerto in G minor, BWV 1056R: II. Largo
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in G minor, BWV 1056R
Johann Sebastian Bach2:34
7Concerto for Violin in G minor, BWV 1056: III. Presto
Geige / Violine:
Julia Schröder (violinist)
recording of:
Violin Concerto in G minor, BWV 1056R: III. Presto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in G minor, BWV 1056R
Johann Sebastian Bach3:18
8Köthener Trauermusik BWV 244a: Jedoch der schwache Mensch (Rezitativ)
Soprangesang:
Núria Rial (soprano)
Orchester:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recording of:
Köthener Trauermusik, BWV 244a: XI. Jedoch der schwache Mensch erzittert nur (Recitativo)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Köthener Trauermusik, BWV 244a
Johann Sebastian Bach1:04
9Köthener Trauermusik BWV 244a: Mit Freuden (Arie)
Soprangesang:
Núria Rial (soprano)
Orchester:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recording of:
Köthener Trauermusik, BWV 244a: XII. Mit Freuden sei die Welt verlassen (Aria)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Köthener Trauermusik, BWV 244a
Johann Sebastian Bach5:07
10Köthener Trauermusik BWV 244a: Und du betrübtes Fürstenhaus (Rezitativ)
Soprangesang:
Núria Rial (soprano)
Orchester:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recording of:
Köthener Trauermusik, BWV 244a: XXI. Und du, betrübtes Fürstenhaus (Recitativo)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Köthener Trauermusik, BWV 244a
Johann Sebastian Bach1:06
11Köthener Trauermusik BWV 244a: Hemme dein gequältes Kränken (Arie)
Soprangesang:
Núria Rial (soprano)
Orchester:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recording of:
Köthener Trauermusik, BWV 244a: XXII. Hemme dein gequältes Kränken (Aria)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Köthener Trauermusik, BWV 244a
Johann Sebastian Bach3:21
12Concerto for Violin & Oboe in C minor, BWV 1060: I. Allegro
Geige / Violine:
Julia Schröder (violinist)
Oboe:
Benoît Laurent (Belgian oboe player)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: I. Allegro (reconstructed arrangement for violin & oboe of BWV 1060)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro
Teil von:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach4:41
13Concerto for Violin & Oboe in C minor, BWV 1060: II. Adagio
Geige / Violine:
Julia Schröder (violinist)
Oboe:
Benoît Laurent (Belgian oboe player)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
basiert auf:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
Teil von:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:12
14Concerto for Violin & Oboe in C minor, BWV 1060: III. Allegro
Geige / Violine:
Julia Schröder (violinist)
Oboe:
Benoît Laurent (Belgian oboe player)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: III. Allegro (reconstructed arrangement for violin & oboe of BWV 1060)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro
Teil von:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach3:21
15Mit zarten und vergnügten Trieben, BWV 36b (Arie)
Soprangesang:
Núria Rial (soprano)
Orchester:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
teilweise recording of:
Kantate, BWV 36.3 "Die Freude reget sich" (former BWV 36b)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
Teil von:
Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 36b), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 36b), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (Nummer: BWV 36.3) und Bach Compendium (Nummer: BC G 38)
Johann Sebastian Bach7:20
16Ich habe genug, BWV 82: Ich habe genug… Schlummert ein, ihr matten Augen (Rezitativ & Arie)
Soprangesang:
Núria Rial (soprano)
Orchester:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
Teil von:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach10:20
17Bist du bei mir, BWV 508 (Arie)
Soprangesang:
Núria Rial (soprano)
Orchester:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recording of:
Arie, BWV 508 „Bist Du bei mir“ (arranged for trumpet)
Komponist(in):
Gottfried Heinrich Stölzel (composer)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
Johann Sebastian Bach3:11
18Lass Fürstin, lass noch ein Strahl, BWV 198: Verstummt, ihr holden Saiten (Arie)
Soprangesang:
Núria Rial (soprano)
Orchester:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1727-10-17)
komponiert in:
Leipzig, Sachsen, Deutschland (in 1727)
Texter:
Johann Christoph Gottsched
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
Librettist:
Johann Christoph Gottsched (in 1727)
Teil von:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach4:02