A Walk to Remember: Music From the Motion Picture (BMG club edition)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 6 disponibili)

Annotazione

CD Info:

Matrix / Runout: DIDP-107008 H2 1A 07
Mastering SID Code: IFPI L422
Mould SID Code: IFPI 720F

Album Info:

Soundtrack executive producers: Debra Baum, Denise di Novi, Casey la Scala, Hunt Lowry, Adam Shankman
Soundtrack producer: Jon Leshay
Music Coordinator: Samantha Pogue
Mastered by Stephen Marcussen for Marcussen Mastering, Hollywood, CA

Motion Picture Artwork, Photos, TM & Copyright: © 2002 Pandora, Inc.
All Rights Reserved.
© 2002 Sony Music Entertainment Inc. / Compilation: ℗ 2002 Sony Music Entertainment Inc. / Manufactured by Epic, A Division of Sony Music / 550 Madison Avenue, New York, NY 10022-3211 / “Epic” Reg. U.S. Pat. & Tm. Off. Marca Registrada. / Epic is a trademark of Sony Entertainment Inc. / Warning: All Rights Reserved. Unauthorized duplication is a violation of applicable laws.

Mfd. For BMG Direct
6550 East 30th Street, Indianapolis, IN 46219
Under license. Printed in USA.

Track Info:

1. Dare You to Move
Performed by Switchfoot
Published by Meadowgreen Music / Sugar Pete Songs (ASCAP) / Admin. by EMI Christian Music Publishing
Produced by Charlie Peacock
Executive producer: Lynn A. Nichols
Recorded by Shane D. Wilson
Recorded at Charlie Peacock Productions
Mixed by Shane D. Wilson at re:think Studio
Additional keys by Tony Miracle
Courtesy of Sparrow Records
Under license from EMI-Capitol Music Special Markets
℗ 2000 re:think

2. Cry
Performed by Mandy Moore
Written by J. Renald
Published by EMI Blackwood Music, Inc. (BMI) / Audiospunk (SOCAN)
Produced by James Renald & Peter Mokran
Engineered by Peter Mokran, Tony Flores
Mixed by Peter Mokran
Assisted by Tony Flores at Conway Studios, Los Angles
Recorded at Conway Studios, Los Angles
Peter Mokran: Additional programming, guitar & keyboards
Strings performed by the Greene String Quartet
Richard Greene: 1st violin and string arranger
Margaret Wooten: 2nd violin
Karie Prescott: Viola
Armen Ksajikian: Cello
℗ 2001 Sony Music Entertainment Inc.

3. Someday We’ll Know
Performed by Mandy Moore and Jonathan Foreman
Written by Gregg Alexander, Danielle A. Brisebois, Debra Holland
Published by Grosse Pointe Harlem Publishing, Gator Baby, EMI Blackwood Music, Inc. (BMI) / Holland Tunnel Music (ASCAP)
Produced by Gregg Alexander and Danielle Brisebois
Track recorded by Bill Cooper
Vocals recorded by Jess Sutcliffe
Mixed by Dave Way
Drums: Tal Bergman
Guitars: Rusty Anderson
Bass: John Pierce
Piano: Paul Gordon
Background vocals: Danielle Brisebois
Production coordinator/contractor: Shari Sutcliffe
Track recorded at American Recording Co., Calabasas, CA
Vocals recorded at Record Plant Studios and Westlake Audio, Hollywood, CA
Mixed at Pacifique, North Hollywoord, CA
Instrumental portion performed by the New Radicals
Courtesy of MCA Records under license from Universal Music Enterprises
Jonathan Foreman appears courtesy of Sparrow Records
Under license from EMI-Capitol Music Special Markets
℗ 2002 Sony Music Entertainment Inc.

4. Dancin’ in the Moonlight
Performed by Toploader
Written by Sherman Kelly
Published by EMI U Catalog Inc. (ASCAP) obo itself and St. Nathanson Music Ltd.
Produced by George Drakoulias
Engineered by Alan Douglas
Recorded at Rak Studios
Mixed by Greg Fidelman and Dave Shiftman at Ocean Wave Studios, Los Angeles
℗ 2002 Sony Music Entertainment (UK) Ltd.

5. Learning to Breathe
Performed by Switchfoot
Written by Jonathan Foreman
Published by Meadowgreen Music / Sugar Pete Songs (ASCAP) / Admin. by EMI Christian Music Publishing
Produced by Charlie Peacock
Executive producer: Lynn A. Nichols
Recorded by Shane D. Wilson
Recorded at Charlie Peacock Productions
Mixed by Jacquire King at Vital Recording
Additional keys by Tony Miracle
Courtesy of Sparrow Records
Under license from EMI-Capitol Music Special Markets
℗ 2000 re:think

6. Only Hope
Performed by Mandy Moore
Written by Jonathan Foreman
Published by Meadowgreen Music / Sugar Pete Songs (ASCAP) / Admin. by EMI Christian Music Publishing
Produced and arranged by Mervyn Warren
Recorded by Tony Shepperd, Pete Karam, and Frank Wold at Leapyear Studio, NorthStar Studios, and Studio X
Mixed by Frank Wolf at Signet Sound
Piano, orchestration, & MIDI programming by Mervyn Warren
Cello by Mary Anne Steinberger
℗ 2002 Sony Music Entertainment Inc.

7. It’s Gonna be Love
Performed by Mandy Moore
Written by Anthony Michael Bruno & Thomas V. Byrnes
Published by Tony Bruno Music (BMI) / To Burn Music (BMI)
Produced by Tony Bruno & Tommy Byrnes
Recorded at Horizont Productions, NY & Soundtrack, NY
Engineered by Jeff Jones
Mixed by Bob Rosa at Bogart Recording Studio, Miami
Bass: Schuyler Deale
Keyboards: Doug Petty
Drums: Shawn Pelton
Guitars: Tommy Byrnes
All programming by Tony Bruno
℗ 2001 Sony Music Entertainment Inc.

8. You
Performed by Switchfoot
Written by Jonathan Foreman
Published by Meadowgreen Music / Sugar Pete Songs (ASCAP) / Adim. by Jimmy Lee Sloas
Recorded at Signature Sound, re:think Studio & Dogface Studio
Mixed by Rick Will at October Sound
Strings arranged by Matt Slocum
Strings performed by David Davidson, Peter Hyrka, Kristin Wilkinson and Matt Slocum
Courtesy of Sparrow Records
Under license from EMI-Capitol Music Special Markets
℗ 1997 re:think

9. If You Believe
Performed by Rachael Lampa
Written by Guy Roche and Shelly Peiken
Published by Manuiti L.A. (ASCAP) / Peermusic III, Ltd. o/b/o itself & Shellayla Songs (BMI)
Produced by Guy Roche
Mixed by Dushyant Bhakta
Recorded and mixed at Bananaboat Studios, Burbank, CA
Engineered by Dushyant Bhakta and Cory Fite
Drum and keyboard programming by Guy Roche and Dorian Cheah
Guitars: Dorian Cheah
Courtesy of Words Records
℗ 2002 Ro Entertainment, Inc.

10. No One
Performed by Cold
Written by Terry P. Baisamo, Stephen D. Hayes, Jeremy D. Marshall, Samuel Alan McCandless, Ronald Ward, Jr.
Published by WB Music Corp. / Into Everything Music (ASCAP)
Produced by Adam Kasper, Chris Vrenna and Cold
Mixed by Tom Lord-Alge
Recorded at Amethyst Digital, Los Angeles, CA
Engineered by Chris Vrenna
Courtesy of Flip/Geffen Records under license from Universal Music Enterprises
℗ 2000 Flip Records / Geffen Records

11. So What Does It All Mean?
Performed by West, Gould & Fitzgerald
Written by Shane West
Published by Fast-Moving Animals Music (BMI)
Produced by Sandy Pearlman
Engineered by Rob Beaton at Alpha Omega, San Rafael, CA
℗ 2002 Hopeless Romantic, Inc.
West, Gould & Fitzgerald appear courtesy of Hopeless Romantic, Inc.

12. Mother, We Just Can’t Get Enough
Performed by New Radicals
Written by Gregg Alexander
Published by Grosse Point Harlem Publishing / EMI Blackwood Music, Inc. (BMI)
Produced by Gregg Alexander
Courtesy of MCA Records under license from Universal Music Enterprises
℗ 1998 MCA Records, Inc.

13. Only Hope
Performed by Switchfoot
Written by Jonathan Foreman
Published by Meadowgreen Music / Sugar Pete Songs (ASCAP) / Admin. by EMI Christian Music Publishing
Produced by Charlie Peacock
Recorded and mixed by Richie Biggs at re:think Studio
Violin: David Davidson
Cello: Bob Mason
Bass clarinet, flutes: Sam Levine
Courtesy of Sparrow Records
Under license from EMI-Capitol Music Special Markets
℗ 1999 re:think

Annotazione modificata l'ultima volta il 2016-12-11 16:23 UTC.

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Dare You to Move
tecnico di registrazione e tecnico di missaggio:
Shane D. Wilson
produttore:
Charlie Peacock
produttore esecutivo:
Lynn A. Nichols
tastiera [additional keys] aggiunto:
Tony Miracle
diritti fonografici (℗) detenuti da:
re:think (nel 2000) e Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 2003)
mixata presso:
re:think Studio
video musicali:
Dare You to Move di Switchfoot
registrazione di:
Dare You to Move
paroliere:
Jonathan Foreman
compositore:
Jon Foreman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Meadowgreen Music, Penny Farthing Music, Reservoir Media Music e Sugar Pete
versione di:
I Dare You to Move
Switchfoot2.754:09
2Cry
programmazione aggiuntiva:
Peter Mokran
tecnico:
Tony Flores (engineer) e Peter Mokran
produttore:
Peter Mokran e James Renald (producer)
assistente tecnico di missaggio:
Tony Flores (engineer)
tecnico di missaggio:
Peter Mokran
archi :
Greene String Quartet
chitarra e tastiera :
Peter Mokran
viola :
Karie Prescott
violino [1st violin] :
Richard Greene (US fiddler)
violino [2nd violin] :
Margaret Wooten
violoncello :
Armen Ksajikian
arrangiatore archi :
Richard Greene (US fiddler)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 2001)
registrata presso e mixata presso:
Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Cry
autore:
James Renald (producer)
editore:
Audiospunk e EMI Blackwood Music Inc.
Mandy Moore53:44
3Someday We’ll Know
tecnico di registrazione:
Bill Cooper (recording engineer) e Jess Sutcliffe
supporto a vario titolo:
Shari Sutcliffe
produttore:
Gregg Alexander e Danielle Brisebois
tecnico di missaggio:
Dave Way
basso :
John Pierce (US session bassist)
chitarra e famiglia delle chitarre :
Rusty Anderson
membranofono :
טל ברגמן (Tal Bergman, production music)
pianoforte :
Paul Gordon (production music composer / B-52s keyboardist)
strumenti:
New Radicals
voce di accompagnamento:
Danielle Brisebois
esecutore:
Jon Foreman e Mandy Moore
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 2002)
registrata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
mixata presso:
Pacifique Recording Studios (Burbank) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Someday We’ll Know
autore:
Gregg Alexander, Danielle Brisebois e Debra Holland
editore:
EMI Blackwood Music Inc., Gator Baby, Grosse Pointe Harlem Publishing e Holland Tunnel Music
Mandy Moore & Jonathan Foreman3:43
4Dancin’ in the Moonlight
tecnico:
Alan Douglas (Scottish born engineer)
produttore:
George Drakoulias
tecnico di missaggio:
Dave Shiftman (American producer/audio engineer) e Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 2000)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito
mixata presso:
Ocean Wave Studios
registrazione cover di:
Dancing in the Moonlight
paroliere e compositore:
Sherman Kelly
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Toploader4.53:52
5Learning to Breathe
tecnico di registrazione:
Shane D. Wilson
tecnico di registrazione aggiunto:
Richie Biggs
tecnico aggiunto:
Ryan Fisher
produttore:
Charlie Peacock
produttore esecutivo:
Lynn A. Nichols
tecnico di missaggio:
Jacquire King
sintetizzatore :
Kip Kuban e Tony Miracle
tastiera [additional keys] :
Tony Miracle
diritti fonografici (℗) detenuti da:
re:think (nel 2000)
registrata presso:
Charlie Peacock Productions in Nashville, Tennessee, Stati Uniti
mixata presso:
Vital Recordings in Nashville, Tennessee, Stati Uniti
registrazione di:
Learning to Breathe
compositore:
Jon Foreman
editore:
Meadowgreen Music e Sugar Pete
Switchfoot24:36
6Only Hope
tecnico di registrazione:
Pete Karam, Tony Shepperd (producer/mixing engineer) e Frank Wolf (engineer at Skyline Recording)
programmazione e produttore:
Mervyn Warren
tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
pianoforte :
Mervyn Warren
violoncello :
Mary Anne Steinberger
arrangiatore e orchestratore:
Mervyn Warren
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 2002)
registrata presso:
Leapyear Studio, NorthStar Studios (Boulder) in Boulder, Colorado, Stati Uniti e Studio X in Seattle, Washington, Stati Uniti
mixata presso:
Signet Sound Studios in Los Angeles, California, Stati Uniti
registrazione cover di:
Only Hope
paroliere e compositore:
Jon Foreman
editore:
Meadowgreen Music e Sugar Pete
Mandy Moore3:53
7It’s Gonna Be Love
programmazione:
Tony Bruno (US songwriter)
tecnico:
Jeff Jones (The JediMaster)
produttore:
Tony Bruno (US songwriter) e Tommy Byrnes
tecnico di missaggio:
Bob Rosa
basso :
Schuyler Deale
chitarra :
Tommy Byrnes
membranofono :
Shawn Pelton
tastiera :
Doug Petty (pianist, orchestrator, arranger, producer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 2001)
registrata presso:
Horizont Productions e Soundtrack Studios in New York, New York, Stati Uniti
mixata presso:
Bogart Recording in North Miami, Florida, Stati Uniti
registrazione di:
It’s Gonna Be Love
autore:
Anthony Michael Bruno (US songwriter) e Thomas V. Byrnes
editore:
To Burn Music e Tony Bruno Music
Mandy Moore3:51
8You
tecnico di missaggio:
Rick Will
archi :
David Davidson (violinist), Peter Hyrka, Matt Slocum (lead guitarist for Sixpence None the Richer) e Kristin Wilkinson (Nashville songwriter and viola player)
arrangiatore archi :
Matt Slocum (lead guitarist for Sixpence None the Richer)
diritti fonografici (℗) detenuti da:
re:think (nel 1997)
registrata presso:
Dogface Studio, re:think Studio e Signature Sound in San Diego, California, Stati Uniti
mixata presso:
October Sound
registrazione di:
You
paroliere e compositore:
Jon Foreman
editore:
Meadowgreen Music e Sugar Pete
Switchfoot24:14
9If You Believe
programmazione degli strumenti:
Dorian Cheah e Guy Roche
tecnico:
Dushyant Bhakta e Cory Fite
produttore:
Guy Roche
tecnico di missaggio:
Dushyant Bhakta
chitarra :
Dorian Cheah
membranofono :
Dorian Cheah e Guy Roche
diritti fonografici (℗) detenuti da:
Ro Entertainment, Inc.
registrata presso e mixata presso:
Bananaboat Studios in Burbank, California, Stati Uniti
registrazione di:
If You Believe
autore:
Shelly Peiken e Guy Roche
editore:
Manuiti L.A., Peermusic III, Ltd. (BMI) e Shellayla Songs
Rachael Lampa3:49
10No One
tecnico:
Chris Vrenna (member of Tweaker)
produttore:
Cold (US post‐grunge band), Adam Kasper e Chris Vrenna (member of Tweaker)
tecnico di missaggio:
Tom Lord‐Alge
voce di accompagnamento ospite:
Sierra Swan
diritti fonografici (℗) detenuti da:
Flip Records (94- California label, division of Universal) e Geffen Records
registrata presso:
Amethyst Digital in Los Angeles, California, Stati Uniti
registrazione di:
No One
autore:
Jeremy D. Marshall (American bassist), Ronald Ward, Jr., Samuel Alan McCandless, Stephen D. Hayes e Terry P. Baisamo
editore:
Into Everything Music e WB Music Corp. (1929–2019)
Cold43:17
11So What Does It All Mean?
tecnico:
Rob Beaton
produttore:
Sandy Pearlman
diritti fonografici (℗) detenuti da:
Hopeless Romantic, Inc. (nel 2002)
lavorazione tecnica effettuata presso:
Alpha Omega in San Rafael, California, Stati Uniti
registrazione di:
So What Does It All Mean?
autore:
Shane West
editore:
Fast‐Moving Animals Music
West, Gould & Fitzgerald3:00
12Mother, We Just Can’t Get Enough
produttore:
Gregg Alexander
basso :
John Pierce (US session bassist)
chitarra :
Gregg Alexander e Rusty Anderson
membranofono :
Josh Freese (American drummer)
percussione :
Lenny Castro
pianoforte :
Greg Phillinganes
voce di accompagnamento:
Danielle Brisebois
arrangiatore:
Gregg Alexander
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1998) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1998)
registrazione di:
Mother We Just Can’t Get Enough
paroliere e compositore:
Gregg Alexander
editore:
EMI Blackwood Music Inc. e Grosse Pointe Harlem Publishing
New Radicals3.55:45
13Only Hope
tecnico di registrazione e tecnico di missaggio:
Richie Biggs
produttore:
Charlie Peacock
clarinetto basso e flauto :
Sam Levine (session musician, multi-instrumentalist)
violino :
David Davidson (violinist)
violoncello :
Bob Mason (cellist)
diritti fonografici (℗) detenuti da:
re:think (nel 1999)
registrata presso e mixata presso:
re:think Studio
registrazione di:
Only Hope
paroliere e compositore:
Jon Foreman
editore:
Meadowgreen Music e Sugar Pete
Switchfoot24:14

Accreditamenti

Pubblicazione

supporto a vario titolo:Samantha Pogue
produttore:Jon Leshay
produttore esecutivo:Debra Baum
Hunt Lowry
Denise di Novi
Casey la Scala
Adam Shankman
tecnico di mastering:Stephen Marcussen (mastering engineer)
fabbricata da:Epic (US label founded by CBS in 1953, now owned by Sony)
copyright (©) detenuto da:Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 2002)
diritti fonografici (℗) detenuti da:Pandora, Inc.
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 2002)
licenziata a:BMG Direct Marketing, Inc. (BMG company that owned their direct marketing company/club editions)
mastering effettuato presso:Marcussen Mastering in Hollywood, Los Angeles, California, Stati Uniti
parte di:BMG Club Edition (numero: D142333) (ordine: 131)