Don Carlo (Modena version, 1886)

~ Release by Giuseppe Verdi; Gorchakova, Borodina, Hvorostovsky, Scandiuzzi, Margison, Robert Lloyd, Chorus and Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink (see all versions of this release, 2 available)

Tracklist

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#TitleArtistRatingLength
1Don Carlo: Atto II. No. 8. Grande scena e duetto “Io vengo a domandar grazia alla mia regina”
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Io vengo a domandar” (Carlo, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
translator:
Achille de Lauzières
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi10:59
2Don Carlo: Atto II. No. 9. Scena e romanza “Il re!”
bass vocals [Filippo]:
Roberto Scandiuzzi (italian operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Tebaldo]:
Elizabeth Norberg-Schulz (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I, scena 2. N°10 “Il Re!… Perché sola è la Regina?” (Tebaldo, Filippo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:19
3Don Carlo: Atto II. “Non pianger, mia compagna”
baritone vocals [Rodrigo]:
Dmitri Hvorostovsky (Russian operatic baritone)
bass vocals [Filippo]:
Roberto Scandiuzzi (italian operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:35
4Don Carlo: Atto II. No. 10. Scena e duetto “Restate!”
baritone vocals [Rodrigo]:
Dmitri Hvorostovsky (Russian operatic baritone)
bass vocals [Filippo]:
Roberto Scandiuzzi (italian operatic bass)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I, scena 2. N°12. “Restate! Presso alla mia persona” (Filippo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:17
5Don Carlo: Atto II. “O signor, di Fiandra arrivo”
baritone vocals [Rodrigo]:
Dmitri Hvorostovsky (Russian operatic baritone)
bass vocals [Filippo]:
Roberto Scandiuzzi (italian operatic bass)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I, scena 2. N°13 “O signor, di Fiandra arrivo” (Filippo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi6:33
6Don Carlo: Atto II. “Osò lo sguardo tuo”
baritone vocals [Rodrigo]:
Dmitri Hvorostovsky (Russian operatic baritone)
bass vocals [Filippo]:
Roberto Scandiuzzi (italian operatic bass)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Osò lo sguardo tuo penetrar il mio soglio” (Filippo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:28
7Don Carlo: Atto III. No. 11. Preludio
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto III. Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:05
8Don Carlo: Atto III. No. 12. Scena, duetto e terzetto “A mezzanotte, ai giardin della regina”
mezzo-soprano vocals [Eboli]:
Olga Borodina (mezzo-soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto II, scena 1. N°1 “A mezzanotte, ai giardin della Regina” … “Sei tu, sei tu, bell'adorata” (Carlo, Eboli)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi5:40
9Don Carlo: Atto III. “Al mio furor sfuggite invano”
baritone vocals [Rodrigo]:
Dmitri Hvorostovsky (Russian operatic baritone)
mezzo-soprano vocals [Eboli]:
Olga Borodina (mezzo-soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto II, scena 1. N°3 “Che disse mai!” … “Il mio furore sfuggite invano” (Rodrigo, Eboli, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi7:45
10Don Carlo: Atto III. No. 13. Gran Finale “Spuntato ecco il dì d’esultanza”
choir vocals:
Chorus of the Royal Opera House, Covent Garden
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene)
composer:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi11:17
11Don Carlo: Atto III. “Sire, no, l’ora estrema”
baritone vocals [Rodrigo]:
Dmitri Hvorostovsky (Russian operatic baritone)
bass vocals [Filippo]:
Roberto Scandiuzzi (italian operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto II, scena 2. N°7 “Nel posar sul mio capo la corona” – “Qui Carlo! O ciel” (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi4:54
12Don Carlo: Atto III. “Sire! Egli è tempo ch’io viva!”
baritone vocals [Rodrigo]:
Dmitri Hvorostovsky (Russian operatic baritone)
bass vocals [Filippo]:
Roberto Scandiuzzi (italian operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
soprano vocals [Tebaldo]:
Elizabeth Norberg-Schulz (soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto II, scena 2. N°8 “Sire! Egli è tempo ch'io viva!” (Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi5:13
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