| # | Title | Artist | Rating | Length |
|---|
| 1 | A Tone Parallel to Harlem | Duke Ellington | | 13:42 |
| 2 | Serenade for Solo Violin, String Orchestra, Harp, and Percussion (After Plato's "Symposium"): I. Phaedrus; Pausanias (Lento. Allegro) | Leonard Bernstein | | 7:14 |
| 3 | Serenade for Solo Violin, String Orchestra, Harp, and Percussion (After Plato's "Symposium"): II. Aristophanes (Allegretto) | Leonard Bernstein | | 4:26 |
| 4 | Serenade for Solo Violin, String Orchestra, Harp, and Percussion (After Plato's "Symposium"): III. Erixymachus (Presto) | Leonard Bernstein | | 1:31 |
| 5 | Serenade for Solo Violin, String Orchestra, Harp, and Percussion (After Plato's "Symposium"): IV. Agathon (Adagio) | Leonard Bernstein | | 7:59 |
| 6 | Serenade for Solo Violin, String Orchestra, Harp, and Percussion (After Plato's "Symposium"): V. Socrates. Alcibiades (Molto tenuto. Allegro molto vivace) | Leonard Bernstein | | 10:45 |
| 7 | Dramatic Overture | Gunther Schuller | | 10:24 |
| 8 | Concertato (Moby Dick) for Orchestra | Peter Mennin | | 10:59 |
| 9 | Orchestra Variations | Aaron Copland | | 12:59 |