12 Classic Albums 1954–1962

~ Release by Art Pepper (see all versions of this release, 1 available)

Tracklist

1▼CD: Tracks 1–8: Originally 'Modern Art' Intro Records ILP 606 1954 / Tracks 9–17: Originally 'Art Pepper Meets the Rhythm Section' Contemporary Records C3532 1957
#TitleRatingLength
1Blues In
recording engineer:
Thorne Nogar (on 1956-12-28)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1956-12-28)
double bass [bass]:
Ben Tucker (on 1956-12-28)
drums (drum set):
Chuck Flores (on 1956-12-28)
piano:
Russ Freeman (pianist) (on 1956-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-12-28)
recording of:
Blues In (on 1956-12-28)
composer:
Pepper
6:00
2Bewitched, Bothered and Bewildered
recording engineer:
Thorne Nogar (on 1956-12-28)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1956-12-28)
double bass [bass]:
Ben Tucker (on 1956-12-28)
drums (drum set):
Chuck Flores (on 1956-12-28)
piano:
Russ Freeman (pianist) (on 1956-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-12-28)
instrumental recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (on 1956-12-28)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
4:25
3Stompin’ at the Savoy
recording engineer:
Thorne Nogar (on 1956-12-28)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1956-12-28)
double bass [bass]:
Ben Tucker (on 1956-12-28)
drums (drum set):
Chuck Flores (on 1956-12-28)
piano:
Russ Freeman (pianist) (on 1956-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-12-28)
instrumental recording of:
Stompin’ at the Savoy (on 1956-12-28)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
5:03
4What Is This Thing Called Love
recording engineer:
Thorne Nogar (on 1956-12-28)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1956-12-28)
double bass [bass]:
Ben Tucker (on 1956-12-28)
drums (drum set):
Chuck Flores (on 1956-12-28)
piano:
Russ Freeman (pianist) (on 1956-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-12-28)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-12-28)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
6:05
5Blues Out
recording engineer:
Thorne Nogar (on 1956-12-28)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1956-12-28)
double bass [bass]:
Ben Tucker (on 1956-12-28)
drums (drum set):
Chuck Flores (on 1956-12-28)
piano:
Russ Freeman (pianist) (on 1956-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-12-28)
recording of:
Blues Out (on 1956-12-28)
composer:
Pepper
4:45
6When You’re Smiling
recording engineer:
Bunny Robine (on 1957-01-14)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1957-01-14)
double bass [bass]:
Ben Tucker (on 1957-01-14)
drums (drum set):
Chuck Flores (on 1957-01-14)
piano:
Russ Freeman (pianist) (on 1957-01-14)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-01-14)
instrumental recording of:
When You’re Smiling (the Whole World Smiles With You) (on 1957-01-14)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
4:50
7Cool Bunny
recording engineer:
Bunny Robine (on 1957-01-14)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1957-01-14)
double bass [bass]:
Ben Tucker (on 1957-01-14)
drums (drum set):
Chuck Flores (on 1957-01-14)
piano:
Russ Freeman (pianist) (on 1957-01-14)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-01-14)
recording of:
Cool Bunny (on 1957-01-14)
composer:
Pepper
4:12
8Diane’s Dilemma
recording engineer:
Bunny Robine (on 1957-01-14)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1957-01-14)
double bass [bass]:
Ben Tucker (on 1957-01-14)
drums (drum set):
Chuck Flores (on 1957-01-14)
piano:
Russ Freeman (pianist) (on 1957-01-14)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-01-14)
recording of:
Diane's Dilemma (on 1957-01-14)
composer:
Pepper
3:48
9You’d Be So Nice to Come Home To
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1957-01-19)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
5:22
10Red Pepper Blues
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Pepper (on 1957-01-19)
composer:
Garland
3:36
11Imagination
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
instrumental recording of:
Imagination (on 1957-01-19)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
recording of:
Imagination (on 1957-01-19)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
5:50
12Waltz Me Blues
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Waltz Me Blues (on 1957-01-19)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
2:55
13Straight Life
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Straight Life (on 1957-01-19)
composer:
Art Pepper
3:57
14Jazz Me Blues
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Jazz Me Blues (on 1957-01-19)
composer:
Tom Delaney
4:45
15Tin Tin Deo
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Tin Tin Deo (on 1957-01-19)
composer:
Walter “Gil” Fuller (jazz composer & arranger) and Chano Pozo
publisher:
Consolidated Music (a division of Music Sales Corp.), EMI Robbins Catalog Inc. (ASCAP) and Music Sales Corp. (American copyright holder in both popular and classical music)
7:40
16Star Eyes
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Star Eyes (on 1957-01-19)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
5:09
17Birks Works
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Birk's Works (on 1957-01-19)
composer:
Dizzy Gillespie
4:16
2▶CD: Tracks 1‐9: Originally 'The Marty Paich Quartet featuring Art Pepper' Tampa Records TP-28 1957 / Tracks 10‐18: Originally 'Just Friends' Pacific Jazz Records M-401 1957)
3▶CD: Tracks 1‐10: Originally 'Mucho Calor' Andex A 3002 1958 / Tracks 11‐16: Originally 'Art Pepper & Sonny Redd' Regent RMG-6069 1959
4▶CD: Tracks 1‐12: Originally 'Art Pepper + Eleven' Contemporary Records M 3568 1959 / Tracks 13‐19: Originally 'Playboys' Vogue Records LAE 12183 1959
5▶CD: Tracks 1‐12: Originally 'Surf Ride' Savoy Records MG 12089 1959 / Tracks 13‐19: Originally 'Gettin’ Together!' Contemporary Records S7573 1960
6▶CD: Tracks 1‐6: Originally 'Smack Up' Contemporary Records LAC 12316 1960 / Tracks 7‐11: Originally 'The Artistry of Pepper' Pacific Jazz Records PJ-60 1962

Credits