The Classic Rhythm + Blues Collection: 1967-1969

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Offered by Time Life Music; Amazon shows the ASIN to be B000MART08

Annotazione modificata l'ultima volta il 2015-08-06 23:56 UTC.

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Ain’t Nothing Like the Real Thing
produttore:
Nickolas Ashford e Valerie Simpson
strumenti:
The Funk Brothers (il 1967-10-06)
voce di accompagnamento:
Valerie Simpson (nel 1967) e Nickolas Ashford (il 1967-10-06)
voce principale:
Marvin Gaye (il 1967-10-06) e Tammi Terrell (il 1967-10-06)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-10-06)
registrazione di:
Ain’t Nothing Like the Real Thing (il 1967-10-06)
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music Co., Inc. (dal 1967 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Marvin Gaye and Tammi Terrell3.752:16
2I Can’t Get Next to You
produttore:
Norman Whitfield
strumenti:
The Funk Brothers (dal 1969-06-23 al 1969-07-03)
voce:
Melvin Franklin (dal 1969-06-23 al 1969-07-03) e Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1969-06-23 al 1969-07-03)
voce principale:
Dennis Edwards (US soul & R’n’B singer) (dal 1969-06-23 al 1969-07-03), Eddie Kendricks (dal 1969-06-23 al 1969-07-03) e Paul Williams (member of The Temptations) (dal 1969-06-23 al 1969-07-03)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1969-06-23 al 1969-07-03)
registrazione di:
I Can’t Get Next to You (dal 1969-06-23 al 1969-07-03)
autore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd. e Stone Agate Music
The Temptations2.52:57
3I Never Loved a Man (The Way I Love You)
tecnico di registrazione:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-01-24)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-01-24) e Chips Moman (il 1967-01-24)
chitarra basso :
Tommy Cogbill (il 1967-01-24)
pianoforte :
Aretha Franklin (il 1967-01-24) e Spooner Oldham (il 1967-01-24)
sassofono tenore :
Joe Arnold (il 1967-01-24) e Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-01-24)
tromba :
Ken Laxton (il 1967-01-24)
trombone :
David Hood (Muscle Shoals, AL guitarist and trombonist) (il 1967-01-24)
voce:
Aretha Franklin (il 1967-01-24)
direttore d'orchestra:
Tom Dowd (il 1967-01-24)
arrangiatore corno :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Muscle Shoals Sound Studio in Sheffield, Alabama, Stati Uniti (il 1967-01-24)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 186)
registrazione di:
I Never Loved a Man (The Way I Love You) (il 1967-01-24)
paroliere e compositore:
Ronnie Shannon
editore:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music e Pronto Music (publisher)
Aretha Franklin42:44
4Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex “Sam and Dave”) (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:39
5What Does It Take (to Win Your Love)
produttore:
Johnny Bristol e Harvey Fuqua
registrata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti (fino al 1968-01-30)
registrazione di:
What Does It Take (to Win Your Love) (fino al 1968-01-30)
autore:
Johnny Bristol, Vernon Bullock (Soul and R&B singer-songwriter and producer) e Harvey Fuqua
editore:
Jobete Music Co., Inc., Stone Agate Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Jr. Walker and the All Stars52:30
6Too Busy Thinking About My Baby
produttore:
Norman Whitfield
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrazione cover di:
Too Busy Thinking About My Baby
autore:
Janie Bradford, Barrett Strong e Norman Whitfield
editore:
Jobete Music (UK) Ltd. e Stone Agate Music
Marvin Gaye2.52:59
7Slip Away
tecnico di registrazione e produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
basso :
David Hood (Muscle Shoals, AL guitarist and trombonist) (il 1968-04-08)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-08)
chitarra :
Clarence Carter (il 1968-04-08)
organo :
Barry Beckett (il 1968-04-08)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-08), Andrew Love (il 1968-04-08) e Aaron Varnell (il 1968-04-08)
tromba :
Gene Miller (American trumpeter) (il 1968-04-08) e Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-08)
voce:
Clarence Carter (il 1968-04-08)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (il 1968-04-08)
registrazione di:
Slip Away (il 1968-04-08)
autore:
William Armstrong, Marcus Daniel e Wilbur Terrell
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter4.52:35
8Grazing in the Grass
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Chuck Carter (drums) (il 1968-03-14)
contrabbasso :
Henry Franklin (American jazz double-bassist) (il 1968-03-14)
percussione :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1968-03-14)
pianoforte :
William Henderson (jazz pianist) (il 1968-03-14)
sassofono tenore :
Al Abreu (il 1968-03-14)
tromba :
Hugh Masekela (il 1968-03-14)
esecutore:
Bruce Langhorne (il 1968-03-14)
registrazione di:
Grazing in the Grass (instrumental) (il 1968-03-14)
compositore:
Philemon Hou
Hugh Masekela52:38
9Can I Change My Mind
registrazione di:
Can I Change My Mind
autore:
Barry Despenza e Carl Wolfolk
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Tyrone Davis2:48
10Tighten Up
tecnico di registrazione:
Bert Frilot
produttore:
Skipper Lee Frazier
voce:
Billy Buttier (nel 1967-10), Joe Cross (nel 1967-10) e James Wise (singer in Archie Bell & The Drells) (nel 1967-10)
voce principale:
Archie Bell (vocals, of Archie Bell & the Drells) (nel 1967-10)
esecutore:
The TSU Toronadoes (nel 1967-10)
registrata presso:
Jones Town Studio in Houston, Texas, Stati Uniti (nel 1967-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Tighten Up (nel 1967-10)
paroliere:
Billy Butler (60-70s R&B singer)
compositore:
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell and the Drells3:11
11Stay in My Corner
produttore:
Bobby Miller (US songwriter & record producer)
registrazione di:
Stay in My Corner (nel 1967)
autore:
Wade Flemons, Bobby Miller (US songwriter & record producer) e Barrett Strong
editore:
Conrad Music (publisher; do NOT use as release label)
The Dells6:10
12The Chokin’ Kind
registrazione cover di:
The Chokin’ Kind
paroliere e compositore:
Harlan Howard
editore:
Sony/ATV Songs (SOCAN) e Wilderness Music Publishing Co.
Joe Simon2:46
13Bernadette
registrazione di:
Bernadette
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Four Tops3:00
14Hey, Western Union Man
produttore:
Gamble & Huff
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
registrazione di:
Hey Western Union Man
autore:
Jerry Butler (soul singer), Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Melody e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jerry Butler2:44
15Oh, What a Nite
registrazione di:
Oh, What a Night
autore:
Johnny Funches e Marvin Junior
editore:
Conrad Music (publisher; do NOT use as release label)
The Dells3:59