| # | Title | Artist | Rating | Length |
|---|
| 1 | Got 'Til It's Gone | Janet Jackson | | 4:03 |
| 2 | All That She Wants | Ace of Base | 3.85 | 3:31 |
| 3 | This Is How We Do It | Montell Jordan | 4.5 | 3:56 |
| 4 | Locomotion | Kylie Minogue | 3.5 | 3:14 |
| 5 | Venus | Bananarama | 3 | 3:38 |
| 6 | Baby Love | The Supremes | 4.35 | 2:37 |
| 7 | Echo Beach | Martha and the Muffins | 3.6 | 3:35 |
| 8 | I Get Around | The Beach Boys | | 2:15 |
| 9 | The Tide Is High- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals:
- Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980) and Chrysalis Records, Inc. (in 1980)
- recorded at:
- United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett (in 1967) and Tyrone Evans (in 1967)
- writer:
- John Holt (in 1967)
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.45 | 3:52 |
| 10 | That's the Way (I Like It) | KC and the Sunshine Band | 4.4 | 3:04 |
| 11 | Summertime | The Sundays | 4 | 3:33 |
| 12 | Summer Rain | Belinda Carlisle | | 4:14 |
| 13 | Girls & Boys | Blur | 4.5 | 4:51 |
| 14 | You Sexy Thing | Hot Chocolate | 3.85 | 3:59 |
| 15 | Summer Breeze | The Isley Brothers | 3.8 | 6:13 |
| 16 | Bitch- drum machine [drum/loop] programming:
- Geza X
- assistant engineer:
- Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
- engineer:
- Jim Ebert and Geza X
- producer:
- Geza X
- mixer:
- Jim Ebert
- acoustic guitar, electric guitar and background vocals:
- Meredith Brooks
- bass and fretless bass:
- Paul Bushnell
- drums (drum set):
- Josh Freese
- keyboard [keyboards]:
- David Ricketts
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1997)
- recorded at:
- City Lab Sound Design in Hollywood, Los Angeles, California, United States
- mixed at:
- Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- recording of:
- Bitch
- writer:
- Meredith Brooks and Shelly Peiken
- publisher:
- Bug Music , Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music and Warner–Tamerlane Music Corp.
| Meredith Brooks | 3.85 | 4:12 |
| 17 | Shy Guy | Diana King | 2.25 | 3:41 |
| 18 | You Spin Me Round (Like a Record) (1996 version) | Dead or Alive | | 3:41 |
| 19 | Se a Vida (That's the Way Life Is) | Pet Shop Boys | 3.5 | 4:03 |
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