Mass in B minor / Magnificat in D major, BWV 243

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
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1Mass in B minor, BWV 232: II. Symbolum Nicenum: Et in Spiritum
bass vocals:
Robert Holl (bass‐baritone) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:14
2Mass in B minor, BWV 232: II. Symbolum Nicenum: Confiteor
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:55
3Mass in B minor, BWV 232: II. Symbolum Nicenum: Et Expecto
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:28
4Mass in B minor, BWV 232: III. Sanctus: Sanctus
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:21
5Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agneus Dei et Dona Nobis Pacem: Osanna
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:37
6Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agneus Dei et Dona Nobis Pacem: Benedictus
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
tenor vocals:
Kurt Equiluz (tenor) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:49
7Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agneus Dei et Dona Nobis Pacem: Agnus Dei
alto vocals:
Jadwiga Rappé (alto)
contralto vocals:
Jadwiga Rappé (alto) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:15
8Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agneus Dei et Dona Nobis Pacem: Dona Nobis Pacem
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:58
9Magnificat in D major, BWV 243: Chorus "Magnificat"
choir vocals:
Chorus Viennensis (in 1984) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
chorus master:
Uwe Harrer (chorus master/conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:20
10Magnificat in D major, BWV 243: Aria "Et exultavit spiritus meus"
soprano vocals [Sop II]:
Helrun Gardow (German mezzo-soprano) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:41
11Magnificat in D major, BWV 243: Aria "Quia respexit humilitatem"
soprano vocals [Sop I] and soprano vocals [soprano I]:
Hildegard Heichele (soprano) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:01
12Magnificat in D major, BWV 243: Chorus "Omnes generationes"
choir vocals:
Chorus Viennensis (in 1984) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
chorus master:
Uwe Harrer (chorus master/conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:28
13Magnificat in D major, BWV 243: Aria "Quia mihi fecit magna"
bass vocals:
Robert Holl (bass‐baritone) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:59
14Magnificat in D major, BWV 243: Duet "Et nisericordia"
alto vocals:
Paul Esswood (countertenor) (in 1984)
tenor vocals:
Kurt Equiluz (tenor) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:34
15Magnificat in D major, BWV 243: Chorus "Fecit potentiam"
choir vocals:
Chorus Viennensis (in 1984) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
chorus master:
Uwe Harrer (chorus master/conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:00
16Magnificat in D major, BWV 243: Aria "Deposuit potentes"
tenor vocals:
Kurt Equiluz (tenor) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:08
17Magnificat in D major, BWV 243: Aria "Esurientes implevit bonis"
alto vocals:
Paul Esswood (countertenor) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:00
18Magnificat in D major, BWV 243: Trio "Suscepit Israel"
alto vocals:
Paul Esswood (countertenor) (in 1984)
soprano vocals [Sop I] and soprano vocals [soprano I]:
Hildegard Heichele (soprano) (in 1984)
soprano vocals [Sop II] and soprano vocals [soprano II]:
Helrun Gardow (German mezzo-soprano) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:25
19Magnificat in D major, BWV 243: Chorus "Sicut Locutus Est"
choir vocals:
Chorus Viennensis (in 1984) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
chorus master:
Uwe Harrer (chorus master/conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:34
20Magnificat in D major, BWV 243: Chorus "Gloria Patri"
choir vocals:
Chorus Viennensis (in 1984) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
chorus master:
Uwe Harrer (chorus master/conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:17

Credits

Release

manufactured in:Germany
manufactured by:Warner Music Manufacturing Europe (aka WMME Alsdorf; manufacturing company; not for release label use!)
copyrighted (©) by:TELDEC Classics International GmbH (in 2000)
part of:Bach 2000 (Teldec) (number: 72) (order: 5)
Das Alte Werk (order: 31)