The Great American Songbook (Volume I-IV Earbook)

~ Veröffentlichung von Rod Stewart (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

List of subparts
DVD5 tracks 1 to 4: Live At The Apollo Theater Video Sampler
DVD5 track 5: Bonus Music Video

The DVD included with the box-set is in fact a video sampler with 4 live performances and an official music video of track 5, Time After Time. Tracks 1 through 4 were recorded live at The Apollo Theater, New York City, in October 2004 for AOL Music Live.

℗ 2002, 2003, 2004, 2005 & © 2005 J Records, a unit of Sony BMG Music Entertainment. Marketed, Manufactured and Distributed by J Records.
Made In The U.S.A.

Anmerkung zuletzt geändert am 2025-04-17 08:26 UTC.

Titelliste

1▶CD: It Had to Be You… The Great American Songbook, Volume I
2▼CD: As Time Goes By… The Great American Songbook, Volume II
Nr.TitelKünstlerBewertungLänge
1Time After Time
recording engineer:
Joel Moss
Produzent(in):
Phil Ramone
Mix:
Frank Filipetti
Akustikgitarre:
David Spinozza
Bass:
David Finck
Bratsche / Viola:
Adria Benjamin, Monica Gerard (viola), Mary Hammann und Vincent Lionti
Cello:
Ann S. Kim, Richard Locker (cellist) und Mark Orrin Shuman
Geige / Violine:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini (violin), Ann Leathers (US violinist), Laura McGinniss (violin), Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz und Carol Webb (violinist)
Keyboard:
Rob Mathes, Rob Mounsey und Philippe Saisse
Klavier:
Henry Hey
Schlagzeug:
Frank Vilardi
Trompete:
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
conductor:
Rob Mounsey
Saiteninstrumente arranger:
Rob Mounsey
zusätzlich arranger:
Rob Mathes
cover recording of:
Time After Time
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd. und Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Rod Stewart2:59
2I’m in the Mood for Love
recording engineer:
Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Bobby Ginsburg und Carter Humphrey
Bass:
Reggie McBride
Gitarre:
Dean Parks (American session guitarist)
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Saxophon:
Doug Webb
Schlagzeug:
John Ferraro
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
cover recording of:
I’m in the Mood for Love
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Rod Stewart3:08
3Don’t Get Around Much Anymore
recording engineer und Mix:
Frank Filipetti
Produzent(in):
Phil Ramone
Akustikgitarre:
David Spinozza
Bass:
Tom Barney
Bratsche / Viola:
Adria Benjamin, Monica Gerard (viola), Mary Hammann und Vincent Lionti
Cello:
Ann S. Kim, Richard Locker (cellist) und Mark Orrin Shuman
Geige / Violine:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini (violin), Ann Leathers (US violinist), Laura McGinniss (violin), Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz und Carol Webb (violinist)
Gitarre und Keyboard:
Rob Mathes
Keyboard:
Rob Mounsey und Philippe Saisse
Klarinette:
Lawrence Feldman (flutist and saxophonist)
Klavier:
Peter Nero (US pianist & conductor)
Schlagzeug:
Shawn Pelton
conductor:
Rob Mounsey
Saiteninstrumente arranger:
Rob Mounsey und Philippe Saisse
zusätzlich arranger:
Rob Mathes
cover recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
Rod Stewart2:49
4Bewitched, Bothered & Bewildered
recording engineer:
Bobby Ginsburg und Carter Humphrey
Produzent(in):
Richard Perry (producer)
zusätzliche(r) Produzent(in):
Lauren Wild
Mix:
Carter Humphrey
Bass:
Reggie McBride
Gitarre:
Aaron Kaplan, Larry Koonse und Dean Parks (American session guitarist)
Horn und Saxophon:
Doug Webb
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Schlagzeug:
Joe LaBarbera
conductor:
Alan Broadbent
Interpret(in):
Cher
Saiteninstrumente arranger:
Alan Broadbent
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
zusätzlich arranger:
Arnold Stiefel
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
Rod Stewart & Cher4:14
5’Till There Was You
recording engineer:
Al Hemberger und Joel Moss
zusätzliche(r) Techniker(in):
Matt Noble
Mix:
Jan Folkson
Bass:
David Finck
Cello:
Jean Le Blanc und Richard Locker (cellist)
Gitarre:
David Spinozza und Carl Sturken
Keyboard und Klavier:
Rob Mathes
Perkussion:
Shawn Pelton
Schlagzeug:
Warren Odze
Vibraphon:
Joe Locke (United States jazz vibraphonist)
Saiteninstrumente arranger:
Rob Mathes
cover recording of:
Till There Was You (The Music Man)
Texter und Komponist(in):
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing und Rinimer Corp.
Teil von:
The Music Man
Rod Stewart2:52
6Until the Real Thing Comes Along
recording engineer und Mix:
Carter Humphrey
Produzent(in):
Richard Perry (producer)
alto saxophone und Klarinette:
Doug Webb
Bass:
Reggie McBride
Gitarre:
Larry Koonse und Dean Parks (American session guitarist)
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Schlagzeug:
John Ferraro
conductor:
Colin Freeman
Klarinette und Horn arranger:
Mike Thompson (recording engineer)
Saiteninstrumente arranger:
Colin Freeman
arranger:
Richard Perry (producer)
cover recording of:
Until the Real Thing Comes Along
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
Rod Stewart3:39
7Where or When
recording engineer und Mix:
Al Hemberger
Produzent(in):
Evan Rogers (musician/producer) und Carl Sturken
Bass:
David Finck
Gitarre und Klavier:
Carl Sturken
Schlagzeug:
Warren Odze
cover recording of:
Where or When (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Rod Stewart & Lisa Ekdahl13:11
8Smile
recording engineer:
Ray Bardani und Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Carter Humphrey
Bass:
David Finck
Gitarre:
Jimmy Rip und David Spinozza
Klavier:
Henry Hey
Schlagzeug:
Shawn Pelton
Synthesizer:
Philippe Saisse und Mike Thompson (recording engineer)
zusätzlich Gitarre:
Dean Parks (American session guitarist)
zusätzlich arranger:
Rob Mathes, Richard Perry (producer), Mike Thompson (recording engineer) und Lauren Wild
cover recording of:
Smile (song version w/ lyrics)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
Rod Stewart3:13
9My Heart Stood Still
recording engineer:
Frank Filipetti und Joel Moss
Produzent(in):
Phil Ramone
Mix:
Frank Filipetti
Akustikgitarre:
David Spinozza
alto saxophone:
Dave Koz
Bass:
David Finck
Bratsche / Viola:
Adria Benjamin, Monica Gerard (viola), Mary Hammann und Vincent Lionti
Cello:
Ann S. Kim, Richard Locker (cellist) und Mark Orrin Shuman
Geige / Violine:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini (violin), Ann Leathers (US violinist), Laura McGinniss (violin), Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz und Carol Webb (violinist)
Keyboard:
Rob Mathes und Philippe Saisse
Klavier:
Henry Hey
Schlagzeug:
Frank Vilardi
conductor:
Rob Mounsey
Saiteninstrumente arranger:
Philippe Saisse
zusätzlich arranger:
Rob Mathes
cover recording of:
My Heart Stood Still
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
One Dam Thing After Another
Rod Stewart3:04
10Someone to Watch Over Me
recording engineer:
J.J. Blair und Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Bobby Ginsburg
Bass:
Chris Golden (American bassist)
Gitarre:
Dean Parks (American session guitarist) und Frank Simes
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Schlagzeug:
Jimi Paxson, Jr
conductor:
Mort Lindsey
Saiteninstrumente arranger:
Mort Lindsey
arranger:
Richard Perry (producer), Mike Thompson (recording engineer) und Lauren Wild
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
Rod Stewart3:31
11As Time Goes By
recording engineer und Mix:
Carter Humphrey
zusätzlich recording engineer:
Bobby Ginsburg
Produzent(in):
Richard Perry (producer)
Bass:
Reggie McBride
Gitarre:
Larry Koonse und Dean Parks (American session guitarist)
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Saxophon und Holzblasinstrumente:
Doug Webb
Schlagzeug:
Kendall Kay
Interpret(in):
Queen Latifah
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
cover recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Rod Stewart & Queen Latifah3:50
12I Only Have Eyes for You
recording engineer und Mix:
Frank Filipetti
Produzent(in):
Phil Ramone
Akustikgitarre:
David Spinozza
Bass:
Tom Barney
Bratsche / Viola:
Adria Benjamin, Monica Gerard (viola), Mary Hammann und Vincent Lionti
Cello:
Ann S. Kim, Richard Locker (cellist) und Mark Orrin Shuman
Geige / Violine:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini (violin), Ann Leathers (US violinist), Laura McGinniss (violin), Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz und Carol Webb (violinist)
Keyboard:
Rob Mathes, Rob Mounsey und Philippe Saisse
Klavier:
Henry Hey
Schlagzeug:
Shawn Pelton
Trompete:
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
conductor:
Rob Mounsey
Saiteninstrumente arranger:
Rob Mounsey
zusätzlich arranger:
Rob Mathes
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
Rod Stewart3:08
13Crazy She Calls Me
recording engineer:
Bobby Ginsburg und Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Carter Humphrey
Bass:
Reggie McBride
Gitarre:
Larry Koonse und Dean Parks (American session guitarist)
Klarinette, Horn und Holzblasinstrumente:
Doug Webb
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Schlagzeug:
Joe LaBarbera
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
cover recording of:
Crazy He Calls Me
Texter:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Komponist(in):
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Rod Stewart23:29
14Our Love Is Here to Stay
recording engineer:
Ray Bardani und Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Carter Humphrey
Bass:
David Finck
Gitarre:
Dean Parks (American session guitarist), Jimmy Rip und David Spinozza
Klavier:
Henry Hey
Schlagzeug:
Shawn Pelton
Synthesizer:
Philippe Saisse und Mike Thompson (recording engineer)
conductor:
Mort Lindsey
Saiteninstrumente arranger:
Mort Lindsey
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
zusätzlich arranger:
Rob Mathes
cover recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
Rod Stewart2:57
3▶CD: Stardust… The Great American Songbook, Volume III
4▶CD: Thanks for the Memory… The Great American Songbook, Volume IV

Nennungen

Veröffentlichung

hergestellt von, vertrieben von, urheberrechtlich geschützt (©) von, phonographisches Urheberrecht (℗) von und vermarkted von:J Records (US R&B)
Discogs:https://www.discogs.com/release/5400455 [Info]
ASIN:US: B000BNI99K [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/613942 [Info]