American Popular Music: From Minstrelsy to MTV

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Medium
Nr.TitelKünstlerBewertungLänge
1The Wild Side of Life
Hank Thompson2:43
2It Wasn’t God Who Made Honky‐Tonk Angels
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1952-05-03)
Bass:
Johnnie Wright (US country music singer-songwriter) (am 1952-05-03)
Fiddle:
Paul Warren (US fiddler) (am 1952-05-03)
Gitarre:
Jack Anglin (am 1952-05-03)
Steel-Gitarre:
Harold "Shot" Jackson (US country music guitar and dobro player) (am 1952-05-03)
Sologesang:
Kitty Wells (am 1952-05-03)
vocals:
Kitty Wells (am 1952-05-03)
recording of:
It Wasn’t God Who Made Honky Tonk Angels (am 1952-05-03)
Texter und Komponist(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
publisher:
Peer International Corporation (BMI)
quotes lyrics from:
The Wild Side of Life
Kitty Wells52:32
3I’m So Lonesome I Could Cry
aufgenommen bei:
E.T. Herzog Recording Company in Cincinnati, Ohio, Vereinigte Staaten
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 2), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 111) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 165)
recording of:
I’m So Lonesome I Could Cry (am 1949-08-30)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Sony/ATV Music Publishing (Germany) GmbH (2002–today), Acuff-Rose Publications, Inc. (BMI) (am 1949-10-31) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (vom 2002 bis heute)
Hank Williams4.252:48
4Shake, Rattle and Roll
Bill Haley & His Comets2:31
5Sh-Boom (Life Could Be a Dream)
cover recording of:
Sh‐Boom
Verfasser(in):
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes und Floyd McRae
uraufgeführt von:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts52:46
6Maybellene
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1955-05-21)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1955-05-21)
Kontrabass:
Willie Dixon (am 1955-05-21)
Maracas / Rumba-Rasseln [possibly]:
Leonard Chess (am 1955-05-21) und Jerome Green (am 1955-05-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-05-21)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 102)
recording of:
Maybellene (am 1955-05-21)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Salee Music Company
Chuck Berry3.92:21
7Long Tall SallyLittle Richard2:10
8That’ll Be the Day
recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly2:17
9My Girl
Produzent(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
Bass:
James Jamerson (von 1964-09-25 bis 1964-11-17)
Gitarre:
Robert White (US funk/soul guitarist) (von 1964-09-25 bis 1964-11-17)
Instrumente:
The Funk Brothers (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente:
Detroit Symphony Orchestra (von 1964-09-25 bis 1964-11-17)
Schlagzeug:
Benny Benjamin (US drummer) (von 1964-09-25 bis 1964-11-17)
Hintergrundgesang:
Eddie Kendricks (von 1964-09-25 bis 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1964-09-25 bis 1964-11-17) und Paul Williams (member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Interpret(in):
The Temptations (Motown soul vocal group) (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1964-09-25 bis 1964-11-17)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 43) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 88)
recording of:
My Girl (von 1964-09-25 bis 1964-11-17)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations4.452:44
10You Can’t Hurry Love
recording engineer:
Russ Terrana
Techniker(in):
Lamont Dozier
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (am 1966-06-11)
Blechblasinstrumente [horns]:
Detroit Symphony Orchestra (am 1966-06-11)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (am 1966-06-11)
Instrumente:
The Funk Brothers (am 1966-06-11)
Klavier:
Earl Van Dyke (am 1966-06-11)
Schlagzeug:
Benny Benjamin (US drummer) (am 1966-06-11)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1966-06-11)
Hintergrundgesang:
Florence Ballard (am 1966-07-05) und Mary Wilson (am 1966-07-05)
Sologesang:
Diana Ross (am 1966-07-05)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966) und Motown Records (not for label use; use “Motown” instead) (in 2015, in 2017)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1966-06-11 bis 1966-07-05)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 280)
recording of:
You Can’t Hurry Love (von 1966-06-11 bis 1966-07-05)
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music (UK) Ltd. (in 1965) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes4.752:48
11Good Vibrations
recording engineer:
Bruce Botnick (von 1966-02 bis 1966-06), Chuck Britz (von 1966-02 bis 1966-06) und Larry Levine (von 1966-02 bis 1966-06)
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co‐founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06) und Carl Wilson (Beach Boys) (von 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06), Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06) und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (von 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:39
12Papa’s Got a Brand New Bag
recording of:
Papa’s Got a Brand New Bag
Texter und Komponist(in):
James Brown (The Godfather of Soul)
Teil von:
MJ: The Musical
James Brown2:07
13Crocodile Rock
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
E-Gitarre:
Davey Johnstone
Farfisa-Orgel und Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1972, in 1973) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
recording of:
Crocodile Rock
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.453:54
14Love’s Theme
Produzent(in):
Barry White
Orchester:
Love Unlimited Orchestra
conductor:
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
Bearbeitung von:
Love’s Theme (instrumental version) von Love Unlimited Orchestra
recording of:
Love’s Theme (instrumental version) (in 1973)
Komponist(in):
Barry White
publisher:
January Music Corp. und Sa‐Vette Music Inc.
Love Unlimited Orchestra3:35
15What’s Going On
recording of:
What’s Going On
Texter und Komponist(in):
Renaldo Benson, Al Cleveland (songwriter 1930-1996) und Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. und Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Marvin Gaye3:57
16Oye como va
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-08)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1970-07-08)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-08)
Gitarre:
Carlos Santana (am 1970-07-08)
Keyboard und Sologesang:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-08)
Perkussion:
Rico Reyes (am 1970-07-08)
Schlagzeug:
Michael Shrieve (drummer) (am 1970-07-08)
tabla:
Steven Saphore (am 1970-07-08)
Hintergrundgesang:
Rico Reyes (am 1970-07-08) und Carlos Santana (am 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-08)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 479)
cover recording of:
Oye como va (am 1970-07-08)
Texter und Komponist(in):
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) und Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Chanchullo
basiert auf:
Te enseñaré
Santana3.854:18
17The Harder They Come
Produzent(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
Herausgeber:
Island Music (Island Music Ltd.)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 342) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 361)
recording of:
The Harder They Come
Texter und Komponist(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Ackee Music Inc., Island Music Ltd., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc. und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Jimmy Cliff4.653:41
18Give Up the Funk (Tear the Roof Off the Sucker)
Produzent(in):
George Clinton (US funk musician)
recording of:
Give Up the Funk (Tear the Roof Off the Sucker)
Komponist(in):
Jerome Brailey, George Clinton (US funk musician) und Bootsy Collins (US funk musician & songwriter)
Parliament4.055:47
19Bad Girls
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
remixer:
Dj Iraí Campos
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), UMG Recordings Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003, in 2013) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2003)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 2)
recording of:
Bad Girls
Verfasser(in):
Donna Summer (soul/disco diva), Joe Esposito, Eddie Hokenson und Bruce Sudano
publisher:
Earborne Music, Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Donna Summer4.754:58
20Night of the Living BassheadsPublic Enemy3:16
21Holiday in Cambodia
Techniker(in):
Oliver DiCicco (in 1980-06)
assistierende(r) Produzent(in):
Ray Pepperell (in 1980-06)
Produzent(in):
Norm (fictitious producer for Dead Kennedys) (in 1980-06)
E-Bass:
Klaus Flouride (Geoffrey Lyall) (in 1980-06)
E-Gitarre:
East Bay Ray (Ray Pepperell) (in 1980-06)
Schlagzeug:
Ted (Bruce Slesinger, Former (original) member of Dead Kennedys) (in 1980-06)
vocals:
Jello Biafra (former lead singer of Dead Kennedys) (in 1980-06)
aufgenommen bei:
Möbius Music, San Francisco in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1980-06)
recording of:
Holiday in Cambodia (in 1980-06)
Texter:
Jello Biafra (former lead singer of Dead Kennedys)
Komponist(in):
Jello Biafra (former lead singer of Dead Kennedys), Bruce Slesinger (Former (original) member of Dead Kennedys), Klaus Flouride (Geoffrey Lyall) und East Bay Ray (Ray Pepperell)
publisher:
Decay Music
Dead Kennedys4.34:35
22Not a Pretty Girl
recording of:
Not a Pretty Girl
Texter und Komponist(in):
Ani DiFranco
Ani DiFranco3:55