Guardians of the Galaxy Vol. 2: Awesome Mix, Vol. 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 14 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1Mr. Blue Sky
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (in 1977)
Gitarre, Synthesizer und Sologesang:
Jeff Lynne (in 1977)
Keyboard:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1977)
Schlagzeug, andere Instrumente [fire extinguisher] und Perkussion:
Bev Bevan (English rock drummer) (in 1977)
Hintergrundgesang:
Bev Bevan (English rock drummer) (in 1977) und Kelly Groucutt (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
Epic Records (J-pop label, established 1978; use ONLY for releases by Japanese domestic artists after 2001!) (in 1977), Jet Records (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1977)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (in 1977)
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 17) und Q50 – December 2005 (Nummer: 33)
recording of:
Mr. Blue Sky (in 1977)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Concerto for a Rainy Day
Electric Light Orchestra4.555:03
A2Fox on the Run
Techniker(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Sweet (UK glam rock band)
arranger:
Sweet (UK glam rock band)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975) und Chinebridge Ltd. (The Sweet) (in 1974)
aufgenommen bei:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
engineered at:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Fox on the Run
Verfasser(in):
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) und Mick Tucker (drummer for The Sweet)
publisher:
Maxwood Music Ltd., Sweet Publishing Ltd. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Sweet4.553:25
A3Lake Shore Drive
recording of:
Lake Shore Drive
Texter und Komponist(in):
Eugene von Heitlinger
Aliotta Haynes Jeremiah3.653:49
A4The Chain
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Chain
Verfasser(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer), Mick Fleetwood, Christine McVie, John McVie und Stevie Nicks
publisher:
Gentoo Music, Inc., Now Sounds Music und Welsh Witch Music (BMI affiliated)
Revision von:
Keep Me There
Fleetwood Mac4.44:27
A5Bring It On Home to Me
Techniker(in):
Al Schmitt
Produzent(in):
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore und Hugo Peretti
Bass:
Ray Pohlman
Bratsche / Viola:
Wilbert Nuttycombe (strings) und Irving Weinper
Cello:
Cecil Figelski (String player) und Armand Kaproff
Geige / Violine:
Elliott Fisher, Marvin Limonick, Myron Sandler, Joseph Saxon, Ralph Schaeffer und Marshall Sosson
Gitarre:
Clifton White, René Hall und Tommy Tedesco (guitar)
Klavier:
Ernest Freeman
Perkussion und Schlagzeug:
Frank Capp
Saxophon:
William Green (woodwind)
Sologesang:
Sam Cooke (American singer and songwriter, “King of Soul”)
zusätzlich vocals:
Lou Rawls
conductor:
René Hall
arranger:
René Hall
aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-26)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 16)
cover recording of:
Bring It On Home to Me (am 1962-04-26)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
Sam Cooke3.652:43
A6Southern Nights
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1977)
cover recording of:
Southern Nights
Texter und Komponist(in):
Allen Toussaint
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Glen Campbell3.72:58
A7My Sweet Lord
recording engineer:
Phil McDonald (engineer and producer) (von 1970-05-26 bis 1970-08) und Ken Scott (UK record producer & engineer) (von 1970-05-26 bis 1970-08)
Produzent(in):
George Harrison (The Beatles) und Phil Spector
Akustikgitarre:
Eric Clapton (von 1970-05-26 bis 1970-08), Tom Evans (UK guitarist for Badfinger) (von 1970-05-26 bis 1970-08), Peter Frampton (von 1970-05-26 bis 1970-08), Pete Ham (von 1970-05-26 bis 1970-08), George Harrison (The Beatles) (von 1970-05-26 bis 1970-08) und Joey Molland (von 1970-05-26 bis 1970-08)
Bassgitarre:
Klaus Voormann (von 1970-05-26 bis 1970-08)
Hybrid-Piano:
Gary Wright (US singer/keyboardist) (von 1970-05-26 bis 1970-08)
Klavier:
Billy Preston (von 1970-05-26 bis 1970-08)
Schlagzeug:
Andy White (Scottish drummer) (von 1970-05-26 bis 1970-08)
Slide-Gitarre und Sologesang:
George Harrison (The Beatles) (von 1970-05-26 bis 1970-08)
Tamburin:
Mike Gibbins (drummer for Badfinger) (von 1970-05-26 bis 1970-08) und Ringo Starr (The Beatles) (von 1970-05-26 bis 1970-08)
Hintergrundgesang:
Eric Clapton (von 1970-05-26 bis 1970-08), George Harrison (The Beatles) (von 1970-05-26 bis 1970-08), Phil Spector (von 1970-05-26 bis 1970-08) und Bobby Whitlock (von 1970-05-26 bis 1970-08)
vocals:
Bobby Whitlock (von 1970-05-26 bis 1970-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) und G.H. Estate Limited (in 2014)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1970-05-26 bis 1970-08)
Musikvideos:
My Sweet Lord (50th anniversary video) von George Harrison (The Beatles)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 454)
recording of:
My Sweet Lord (von 1970-05-26 bis 1970-08)
geschrieben in:
Europa (in 1969-12)
Texter und Komponist(in):
George Harrison (The Beatles) (von 1969-12 bis 1970)
publisher:
Harrisongs Ltd.
Version von:
He’s So Fine
George Harrison4.454:38
B1Brandy (You’re a Fine Girl)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 2), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 11) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 40)
recording of:
Brandy (You’re a Fine Girl) (in 1972)
Texter und Komponist(in):
Elliot Lurie
Looking Glass4.253:03
B2Come a Little Bit Closer
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1964)
recording of:
Come a Little Bit Closer
Verfasser(in):
Tommy Boyce (US songwriter of Boyce and Hart), Wes Farrell und Bobby Hart
publisher:
Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Morris Music Inc
Jay & the Americans3.52:46
B3Wham Bam Shang‐a‐Lang
Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Tom Sellers (US musician, producer, arranger and songwriter)
Bassgitarre:
Tom Leadon
Gitarre:
John Batdorf (singer, songwriter) und Greg Collier
Keyboard:
Brent Mydland
Schlagzeug:
Harry Stinson
vocals:
John Batdorf (singer, songwriter), Greg Collier, Tom Leadon, Brent Mydland und Harry Stinson
arranger:
Silver (70s US country rock band “Wham Bam”) und Tom Sellers (US musician, producer, arranger and songwriter)
recording of:
Wham Bam Shang‐A‐Lang
Texter und Komponist(in):
Rick Giles (US country musician)
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Silver3.13:32
B4Surrender
assistierende(r) Techniker(in):
Mike Beiriger
Techniker(in):
Gary Ladinsky (engineer)
Produzent(in):
Tom Werman
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 356) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 465)
recording of:
Surrender (von 1978-04-30 bis 1978-05-03)
Texter und Komponist(in):
Rick Nielsen
publisher:
Adult Music (in 1978) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
sub-publisher:
イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Cheap Trick3.854:14
B5Father and Son
Produzent(in):
Paul Samwell-Smith
Bassgitarre:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
Gitarre und Keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Gitarre [2nd]:
Alun Davies (in 1970-07)
Schlagzeug:
Harvey Burns (in 1970-07)
Solo-Geige / Violine:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Saiteninstrumente arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) und Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1970-07)
instrumental version of:
Father and Son von Giacomo Bucci
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 408)
recording of:
Father and Son (Cat Stevens) (in 1970-07)
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Cat Stevens4.253:39
B6Flash Light
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 92), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 199) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 252)
recording of:
Flash Light
Verfasser(in):
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) und Bernie Worrell (keyboardist, composer and record producer)
publisher:
Bridgeport Music, Inc., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Rick’s Music, Inc. (publishing company associated with Casablanca) und Rubberband Music, Inc.
Parliament4.44:29
B7Guardians Inferno
Produzent(in):
Tyler Bates (American musician and score composer)
Mix:
Gustavo Borner
recording of:
Guardians Inferno
Verfasser(in):
Tyler Bates (American musician and score composer) und James Gunn (United States filmmaker/actor)
The Sneepers feat. David Hasselhoff3.453:17