Rock Chicks

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Just Like Jessie James
tecnico di registrazione:
Sir Arthur Payson
assistente tecnico:
George Cowan (US engineer), Bridget Daly, Debbie Johnson (engineer), Jay Lean, Richard McKernan, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Bruce Robb
produttore:
Desmond Child
tecnico di missaggio:
Mick Guzauski
batteria :
Bobby Chouinard
chitarra :
John McCurry
chitarra acustica e chitarra elettrica :
John Putnam
chitarra basso :
Hugh McDonald (bassist)
tastiera :
Alan St. Jon
voce di accompagnamento:
Desmond Child, Brenda Russell (US singer-songwriter & keyboardist) e Diane Warren (US songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1989, nel 1990)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti, Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti e The Complex Studios in Los Angeles, California, Stati Uniti
mixata presso:
Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Just Like Jesse James
autore:
Desmond Child e Diane Warren (US songwriter)
editore:
April Music Inc., Desmobile Music Co., Inc. (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), SBK April Music Inc. (dal 1989 al ????), Desmobile Inc. (dal 1989 a oggi) e Realsongs (dal 1989 a oggi)
Cher44:07
2Run Baby Run
registrazione di:
Run, Baby, Run
autore:
David Baerwald, Bill Bottrell e Sheryl Crow (American singer-songwriter and musician)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Reservoir One America e Zen of Iniquity
Sheryl Crow4:28
3We Belong
registrazione di:
We Belong
autore:
Eric Lowen e Dan Navarro (singer/songwriter/voice actor)
editore:
Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar3:32
4Holding Out for a Hero
registrazione di:
Holding Out for a Hero
paroliere:
Dean Pitchford
compositore:
Jim Steinman
editore:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody e Sony/ATV Music Publishing LLC (1995–2020)
si basa su:
Stark Raving Love
Bonnie Tyler44:50
5Chains
programmazione e produttore:
David Tyson (Canadian producer/songwriter)
tecnico:
Greg Droman (American producer, mixing and audio engineer)
assistente tecnico di missaggio:
Steve Gallagher (engineer)
tecnico di missaggio:
Chris Lord‐Alge
chitarra :
Tim Pierce (US session guitarist)
tastiera :
David Tyson (Canadian producer/songwriter)
voce di accompagnamento:
Tina Arena e Marilyn Martin
arrangiatore:
David Tyson (Canadian producer/songwriter)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1994) e Sony Music Productions Ltd. (for copyrights use only) (nel 1994)
mixata presso:
Image Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
Chains
autore:
Tina Arena (nel 1993-10), Pam Reswick (American songwriter) (nel 1993-10) e Steve Werfel (nel 1993-10)
editore:
Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Orient Pacific Music Pty. Ltd., PolyGram Music Publishing Australia Pty. Ltd., Standard Music Ltd. (publishing company associated with David Platz and Howard S. Richmond), Standard Music Publishing Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Arena34:21
6Breathless
tecnico di registrazione:
Michel Gallone e Tim Martin (engineer)
programmazione:
Richard Meyer (American folk singer-songwriter)
programmazione aggiuntiva:
Cory Churko e Kevin Churko
assistente tecnico:
Michel Gallone, Frances Murphy e Keith Roche
produttore:
Robert John “Mutt” Lange (Robert John Lange)
assistente tecnico di missaggio:
Adam Olmsted (engineer)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
batteria , bodhrán e percussione :
Caroline Corr
chitarra e tastiera :
Jim Corr
chitarra [lead guitar] :
Anthony Drennan
chitarra basso :
Keith Duffy (bass player for the Corrs)
tin whistle :
Andrea Corr
violino :
Sharon Corr
voce:
Andrea Corr
voce di accompagnamento:
Caroline Corr, Jim Corr e Sharon Corr
registrata in aggiunta presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
registrata presso:
Westland Studios in Dublin, County Dublin, Leinster, Irlanda
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Breathless di The Corrs
registrazione di:
Breathless
autore:
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr e Robert John “Mutt” Lange (Robert John Lange)
The Corrs3.653:27
7Show Me Heaven
diritti fonografici (℗) detenuti da:
MCA (1967–2003; name as in imprint during 1972–1990) (nel 1990) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1990)
registrazione di:
Show Me Heaven
autore:
Eric Rackin (Production music composer), Maria McKee e Jay Rifkin
editore:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:50
8Hazy Shade of Winter
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1987), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1987), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1987)
video musicali:
Hazy Shade of Winter di The Bangles
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 3)
registrazione cover di:
A Hazy Shade of Winter
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Paul Simon Music e Universal/MCA Music Ltd. (not for release label use!)
Bangles4.62:47
9What I Am
registrazione di:
What I Am
paroliere:
Edie Brickell (American singer-songwriter)
compositore:
Edie Brickell (American singer-songwriter) e Kenny Withrow
editore:
MCA Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Edie Brickell & New Bohemians3:39
1099 Red Balloons
produttore:
Jay Faires, Tricia Holloway, Reinhold Heil (dal 1982 al 1983) e Manne Praeker (dal 1982 al 1983)
voce principale:
Nena (the person, performing solo since 1987) (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (nel 1983) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983)
registrata presso:
Spliff Studio in Berlin, Germania (dal 1982 al 1983)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 64)
registrazione di:
99 Red Balloons (dal 1982 al 1983)
paroliere:
Carlo Karges (nel 1982)
compositore:
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
traduttore:
Kevin McAlea (nel 1983)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Songs Ltd.
versione tradotta di:
99 Luftballons
Nena3.83:51
11Toy Soldiers
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1988)
edit di:
Toy Soldiers di Martika (American singer‐songwriter and actress)
registrazione di:
Toy Soldiers
autore:
Martika (American singer‐songwriter and actress) e Michael Jay (producer/engineer)
editore:
Sony/ATV Harmony UK, Curley Top Music (nel 1988), Ensign Music Corp. (nel 1988), Famous Chappell (nel 1988), Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1988) e Tika Tunes (publisher) (nel 1988)
Martika34:20
12Damn I Wish I Was Your Lover
produttore:
Rick Chertoff e Ralph Schuckett (keyboard, composer, producer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1992) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1992)
registrazione di:
Damn I Wish I Was Your Lover
paroliere e compositore:
Sophie B. Hawkins
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Broken Plate Music Inc. (nel 1992) e The Night Rainbow Music (publisher) (nel 1992)
Sophie B. Hawkins3.354:15
13Love and Affection
tecnico e produttore:
Glyn Johns
batteria :
Dave Mattacks
chitarra a 12 corde :
Jerry Donahue
chitarra acustica e voce principale:
Joan Armatrading
chitarra basso :
Dave Markee
sassofono :
Jimmy Jewell
voce di accompagnamento:
Joan Armatrading, Leroy Champaign e Pete Clarke (US actor/singer)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1976)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Love and Affection
paroliere e compositore:
Joan Armatrading
editore:
Irving Music (BMI)
Joan Armatrading44:26
14Baby Baby
tecnico di registrazione:
Bill Whittington
programmazione degli strumenti:
Keith Thomas (CCM, country, pop producer & songwriter)
produttore:
Keith Thomas (CCM, country, pop producer & songwriter)
tecnico di missaggio:
Brian Malouf
basso :
Keith Thomas (CCM, country, pop producer & songwriter)
chitarra elettrica :
Jerry McPherson
sintetizzatore :
Brian Tankersley e Keith Thomas (CCM, country, pop producer & songwriter)
arrangiatore:
Keith Thomas (CCM, country, pop producer & songwriter)
registrazione di:
Baby Baby (nel 1990)
paroliere:
Amy Grant
compositore:
Keith Thomas (CCM, country, pop producer & songwriter)
editore:
Age to Age Music, Inc., Reservoir Media Music, Riverstone Music e Universal Music - Brentwood Benson Publishing (ASCAP)
Amy Grant53:52
15I Am I Feel
assistente tecnico:
William Garrett e Chris Scard
tecnico:
Nick Addison
produttore:
Dave Stewart (UK guitarist/singer for Eurythmics)
tecnico di missaggio:
Ash Howes (British mixer, writer and musician)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (dal 1996 a oggi)
video musicali:
I Am, I Feel di Alisha’s Attic
parte di:
The Downloader’s Music Source Book (numero: 359)
registrazione di:
I Am, I Feel
paroliere e compositore:
Terence James Martin, Karen Poole e Shelly Poole (British singer/songwriter)
editore:
PolyGram Music Publishing
Alisha’s Attic4:02
16The Ballad of Lucy Jordan
produttore:
Mark Miller Mundy
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1979)
registrazione cover di:
The Ballad of Lucy Jordan
paroliere e compositore:
Shel Silverstein
editore:
Evil Eye Music Inc.
Marianne Faithfull3.654:07
17What’s Up
tecnico di registrazione:
David Tickle (nel 1992) e Mark Hensley (nel 1992)
tecnico aggiunto:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy e Paul Dieter (American sound engineer and producer.)
produttore e tecnico di missaggio:
David Tickle
basso e voce di accompagnamento:
Christa Hillhouse (nel 1992)
batteria :
Dawn Richardson (nel 1992)
chitarra :
Louis Metoyer (nel 1992) e Roger Rocha (nel 1992)
chitarra acustica e chitarra elettrica :
Linda Perry (rock singer‐songwriter & producer) (nel 1992)
pianoforte :
Laurent Tardy (nel 1992)
voce principale:
Linda Perry (rock singer‐songwriter & producer) (nel 1992)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1992)
registrata presso:
Groove Masters in Santa Monica, California, Stati Uniti (nel 1992), The Bunker (nel 1992) e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti (nel 1992)
mixata presso:
The Bunker
video musicali:
What’s Up? di 4 Non Blondes
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 46), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 486)
registrazione di:
What’s Up? (nel 1992)
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat e Stuck in the Throat Music
4 Non Blondes3.94:55
18I Touch Myself
assistente tecnico:
Chris Albert (US engineer) e Vince Caro (engineer, music editor, producer)
produttore:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) e David Tickle
diritti fonografici (℗) detenuti da:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1989, nel 1990) e Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (nel 1990)
registrata presso:
BMG Recording Studios in Theater District, New York, New York, Stati Uniti
remixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 54) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 326)
registrazione di:
I Touch Myself
paroliere e compositore:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) e William Steinberg
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:47
19Heart and Soul
tecnico:
Jerry Napier
produttore:
Roy Thomas Baker (producer)
altri strumenti [other bits] e chitarra [guitar solos] solista :
Taj Wyzgowski
altri strumenti [some bits] e chitarra [rhythm guitar] :
Ron Rogers (Ronald Phillip Rogers, T'Pau)
basso :
Paul Jackson (T'Pau bassist)
batteria [drums] e percussione :
Tim Burgess (T'Pau drummer)
tastiera [keyboards] :
Michael Chetwood
voce:
Carol Decker
diritti fonografici (℗) detenuti da:
Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1987)
è stato produttore per:
RTB Audio Visual Productions USA (Also credited as R.T.B. Audio Visual Productions Inc., RTB Audio Visual Productions (USA) Inc. and other similar variants)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 69)
registrazione di:
Heart and Soul
autore:
Carol Decker e Ron Rogers (Ronald Phillip Rogers, T'Pau)
editore:
AMP Publishing Ltd e Virgin Music (Publishing) Ltd.
T’Pau4.254:17

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