| # | Title | Artist | Rating | Length |
|---|
| 1 | Heard It Through the Grapevine- producer:
- Norman Whitfield
- bass [1962 Fender Precision Bass]:
- James Jamerson (from 1967-02-03 until 1967-04-10)
- congas and tambourine:
- Jack Ashford (from 1967-02-03 until 1967-04-10)
- drums (drum set):
- Uriel Jones (from 1967-02-03 until 1967-04-10)
- French horn:
- Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (from 1967-02-03 until 1967-04-10)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (from 1967-02-03 until 1967-04-10)
- Hammond organ [B-3]:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- tom-tom:
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
- Wurlitzer electric piano:
- Johnny Griffith (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- strings arranger:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- orchestrator:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- cover recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 3.7 | 3:15 |
| 2 | It’s a Man’s Man’s Man’s World | James Brown | 4.4 | 2:46 |
| 3 | Harlem Shuffle | Bob & Earl | 2 | 2:49 |
| 4 | Many Rivers to Cross | Jimmy Cliff | 5 | 3:00 |
| 5 | Babylove | Diana Ross & The Supremes | 4.35 | 2:36 |
| 6 | I Can’t Help Myself- recording engineer:
- Russ Terrana
- producer:
- Lamont Dozier and Brian Holland
- baritone saxophone:
- Mike Terry (in 1965)
- bass [1962 Fender Precision Bass]:
- James Jamerson
- drums (drum set):
- Richard "Pistol" Allen (in 1965)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (in 1965)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (in 1965)
- guitar [Gibson L-5]:
- Robert White (in 1965)
- instruments:
- The Funk Brothers (in 1965)
- piano:
- Earl Van Dyke (in 1965)
- strings:
- Detroit Symphony Orchestra (in 1965)
- tambourine:
- Jack Ashford (in 1965)
- vibraphone:
- Jack Brokensha (in 1965)
- background vocals:
- The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul “Duke” Fakir (in 1965), Jackie Hicks (in 1965) and Lawrence Payton (in 1965)
- lead vocals:
- Levi Stubbs (in 1965)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (in 1965)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 30), Billboard: The 500 Best Pop Songs (number: 148), Rolling Stone: 500 Greatest Songs of All Time (number: 415) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 483)
- recording of:
- I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
- lyricist:
- Lamont Dozier, Brian Holland and Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- Stone Agate Music Division
| Four Tops | 3.6 | 2:45 |
| 7 | What Becomes of the Brokenhearted | Jimmy Ruffin | | 2:53 |
| 8 | Nowhere to Run | Martha and the Vandellas | | 2:57 |
| 9 | I Second That Emotion | Smokey Robinson & The Miracles | | 2:42 |
| 10 | Keep On Running | The Spencer Davis Group | | 2:44 |
| 11 | Anyone Who Had a Heart | Dusty Springfield | | 2:53 |
| 12 | Get Ready | The Temptations | | 2:32 |
| 13 | Johnny B. Goode- producer:
- Leonard & Phil Chess
- double bass:
- Willie Dixon (on 1958-01-06)
- drums (drum set):
- Jasper Thomas (on 1958-01-06)
- guitar and lead vocals:
- Chuck Berry (on 1958-01-06)
- piano:
- Johnnie Johnson (on 1958-01-06)
- recorded at:
- Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1958 (number: 1), NME: 50 Greatest Guitar Riffs of All Time (number: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 6), Rolling Stone: 500 Greatest Songs of All Time (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Johnny B. Goode (on 1958-01-06)
- lyricist and composer:
- Chuck Berry (in 1955)
- publisher:
- Arc Music , Arc Music Corp. , Isalee Music, Jewel Music Publishing Co. Ltd. and ロックンロール ミュージック
- part of:
- Back to the Future: the Musical
| Chuck Berry | 4.25 | 2:38 |
| 14 | Downtown | Petula Clark | 4.4 | 3:04 |
| 15 | Monday Monday | The Mamas & the Papas | | 3:21 |
| 16 | Behind a Painted Smile | The Isley Brothers | | 2:42 |
| 17 | Secret Love | Kathy Kirby | | 2:27 |
| 18 | Somebody Help Me | The Spencer Davis Group | | 1:59 |
| 19 | Venus in Blue Jeans | Jimmy Clanton | | 2:24 |
| 20 | Apache | The Shadows | 4.65 | 2:59 |
| 21 | Like Dreamers Do | The Applejacks | | 2:31 |
| 22 | Sailor | Anne Shelton | | 2:45 |
| 23 | Diane | The Bachelors | | 2:30 |
| 24 | Ain’t No Mountain High Enough | Diana Ross | 4.15 | 3:32 |
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