The Atlantic Story

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1For What It’s Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.252:37
2Sweet Jane
engineer:
Adrian Barber (producer/engineer) and Geoffrey Haslam
producer:
Geoffrey Haslam and Shel Kagan
bass guitar and drums (drum set):
Doug Yule
electric guitar:
Sterling Morrison
electric guitar [rhythm guitar] and lead vocals:
Lou Reed
phonographic copyright (℗) by:
Warner Special Products and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1970-04 until 1970-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 294) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 335)
recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground53:18
3Rock and Roll
engineer and mixer:
Andy Johns
executive producer:
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
producer:
Jimmy Page
electric guitar:
Jimmy Page
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971)
recorded at:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, United Kingdom
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Rock and Roll
writer:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page and Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Superhype Music, Inc. and Superhype Publishing, Inc.
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Led Zeppelin3.553:43
4Can’t Get Enough
recording engineer and mixer:
Ron Nevison
engineer:
Ron Fawcus (task: tape operator)
producer:
Bad Company (British blues-rock supergroup)
bass:
Boz Burrell (English musician) (in 1973-11)
drums (drum set):
Simon Kirke (in 1973-11)
guitar:
Mick Ralphs (in 1973-11)
guitar [second guitar] and lead vocals:
Paul Rodgers (in 1973-11)
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1974)
recorded at:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, United Kingdom (in 1973-11)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Can’t Get Enough (in 1973-11)
lyricist and composer:
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company3.654:16
5Could It Be I’m Falling In Love
recording of:
Could It Be I’m Falling in Love
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4:16
6Such a Night
recording engineer:
Karl Richardson
producer:
Allen Toussaint
mixer:
Jimmy Douglass (engineer) and Arif Mardin
acoustic guitar, congas, electric piano, piano and tambourine:
Allen Toussaint
bass guitar:
George Porter, Jr.
drums (drum set):
Joseph Modeliste
guitar:
Leo Nocentelli
organ:
Art Neville
percussion:
Ralph MacDonald
saxophone:
Gary Brown (US saxophonist from Louisiana)
background vocals:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery and Allen Toussaint
lead vocals:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
conductor:
Allen Toussaint
performer:
The Bonaroo horn section and The Meters
arranger and vocals arranger:
Allen Toussaint
recording of:
Such a Night
lyricist and composer:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
Dr. John32:58
7Chanson d’amour
recording of:
Chanson d’amour (1958 song)
lyricist and composer:
Wayne Shanklin
publisher:
Carlin Music and Intersong (publisher) (in 1982)
The Manhattan Transfer2:55
8Soul Man
cover recording of:
Soul Man
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Blues Brothers3:03
9Good Times (single version)
bass:
Bernard Edwards (American bassist and record producer) (in 1979)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
electric piano:
Raymond Jones (in 1979)
guitar:
Nile Rodgers (in 1979)
piano:
Rob Sabino (in 1979)
lead vocals:
Alfa Anderson (in 1979) and Luci Martin (in 1979)
performer:
Chic (US disco group) (in 1979)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 68) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 224)
recording of:
Good Times (in 1979)
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs and Tommy Jymi Inc.
Chic53:42
10We Are Family
recording of:
We Are Family
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:28
11Gloria
recording engineer:
Jürgen Koppers (engineer, producer) (from 1981 until 1982) and John Kovarek (from 1981 until 1982)
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
music videos:
Gloria (music video) by Laura Branigan
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 448)
recording of:
Gloria (English version) (from 1981 until 1982)
lyricist and composer:
Giancarlo Bigazzi, Umberto Tozzi and Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) and Sugar Song Publications, Inc.
translated version of:
Gloria (original Italian version)
Laura Branigan54:52
12I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott “Abada” Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.955:06
13Casanova (single version)
recording of:
Casanova
lyricist and composer:
Reggie Calloway
publisher:
Calloco Music and Hip Trip Music (publisher)
LeVert4:06
14From a Distance
producer:
Arif Mardin and Bette Midler
lead vocals:
Bette Midler (in 1990)
arranger:
Arif Mardin and Steve Skinner
vocals arranger:
Marc Shaiman (American score composer and lyricist)
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US)
cover recording of:
From a Distance (in 1990)
lyricist and composer:
Julie Gold (in 1985)
publisher:
Grow Your Own Music, Wing and Wheel Music, ビクターミュージックアーツ 第四事業部, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bette Midler2.54:41
15Black Velvet (single version)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 79)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4:05
16Walking in Memphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) and Warner Music H.K. Ltd. (in 1997)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 415)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:19
17It’s a Shame About Ray
producer:
Evan Dando and Robb Brothers
recording of:
It's a Shame About Ray
lyricist:
Evan Dando and Tom Morgan (Smudge / Sneeze member)
composer:
Evan Dando
The Lemonheads43:08
18Silent All These Years
additional recording engineer:
Leslie Ann Jones (recording engineer)
recording engineer:
John Beverly Jones
producer:
Davitt Sigerson
mixer:
Ross Cullum
finger cymbals:
Philly (finger cymbalist) (from 1990 until 1990-06)
piano and background vocals and lead vocals:
Tori Amos (from 1990 until 1990-06)
conductor:
Nick de Caro (from 1990 until 1990-06)
orchestrator:
Nick de Caro
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1990 until 1990-06)
recording of:
Silent All These Years (from 1990 until 1990-06)
lyricist and composer:
Tori Amos
publisher:
Sword and Stone (in 1991)
Tori Amos3.84:12
19Hold On (7’’ edit)
recording of:
Hold On
composer:
Terry Ellis (US R&B singer, member of En Vogue), Denzil Foster (songwriter, musician, producer), Cindy Herron, Maxine Jones, Thomas McElroy (songwriter, musician, producer) and Dawn Robinson
En Vogue4:21

Credits

Release

ASIN:UK: B000025H98 [info]