The Psychedelic Years 1966-1969

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1Eight Miles High
producer:
Allen Stanton
12 string guitar:
Roger McGuinn (on 1966-01-25)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 150) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 181)
recording of:
Eight Miles High (on 1966-01-25)
writer:
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby and Roger McGuinn
publisher:
Gene Clark Music, Reservoir One America, Tickson Music Co. and TRO Essex Music Ltd.
The Byrds4.23:36
A2White Rabbit
recorded in:
San Francisco, California, United States (from 1969-05-07 to present)
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 455) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 478)
recording of:
White Rabbit (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Grace Slick
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
is based on:
Alice’s Adventures in Wonderland (novel)
is based on:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.352:29
A3For What It’s Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.252:34
A4Happy Together
phonographic copyright (℗) by:
White Whale (late 60s/early 70s California) (in 1967)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 257)
recording of:
Happy Together (in 1967)
writer:
Garry Bonner (singer and songwriter) and Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) and Trio Music Co., Inc.
part of:
Freaky Friday (2003)
The Turtles4.42:52
A5Green Tambourine
phonographic copyright (℗) by:
Buddha Records (1998–2002, formerly known as Buddah Records) (in 1967)
recording of:
Green Tambourine
writer:
Paul Leka and Shelley Pinz
publisher:
BMG Music Publishing Ltd. and Dominion Music Co. Ltd.
The Lemon Pipers3.652:22
A6Along Comes Mary
recording of:
Along Comes Mary
lyricist and composer:
Tandyn Almer
The Association2:50
A7You Keep Me Hangin' On
cover recording of:
You Keep Me Hangin’ On (in 1967)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Vanilla Fudge3.57:24
B1Somebody to Love
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
vocals:
Marty Balin (from 1966-10-31 until 1966-11-22) and Paul Kantner (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Music (in 1967) and RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:56
B2Psychotic Reaction
recorded in:
Los Angeles, California, United States (in 1966)
producer:
Joe Hooven and Hal Winn
bass:
Roy Chaney (in 1966)
drums (drum set):
Craig “Butch” Atkinson (in 1966)
guitar:
John “Sean” Byrne (in 1966) and John “Mouse” Michalski (in 1966)
harmonica:
Kenn Ellner (in 1966)
lead vocals:
John “Sean” Byrne (in 1966)
performer:
Count Five and The Countdown Singers (sound-alike cover band associated with the Madacy labels)
recording of:
Psychotic Reaction (in 1966)
composer:
Craig “Butch” Atkinson, John “Sean” Byrne, Roy Chaney, Kenn Ellner and John “Mouse” Michalski
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Lovolar Music
Count Five53:00
B3I Had Too Much to Dream (Last Night)
producer:
Dave Hassinger
recording of:
I Had Too Much to Dream (Last Night)
writer:
Nancie Mantz and Annette Tucker
The Electric Prunes42:52
B4Little Girl
The Syndicate of Sound2:25
B5(We Ain't Got) Nothin' Yet
producer:
Art Polhemus and Bob Wyld (independent producer based in New York City)
recording of:
(We Ain’t Got) Nothin’ Yet
writer:
Emil Thielhelm, Mike Esposito (guitarist in the Blues Magoos), Ronnie Gilbert (bass player for the Blues Magoos) and Ralph Scala
publisher:
Musicville Ltd.
Blues Magoos42:13
B6In‐A‐Gadda‐Da‐Vida
phonographic copyright (℗) by:
ATCO Records (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
In‐A‐Gadda‐Da‐Vida
lyricist and composer:
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly42:51
B7Time Has Come Today
producer:
David Rubinson
performer:
The Chambers Brothers
phonographic copyright (℗) by:
IDOL (Independent Distribution On Line) (in 2013)
edit of:
Time Has Come Today (original unedited studio mix) by The Chambers Brothers
recording of:
Time Has Come Today (on 1967-08-09)
writer:
Joseph Chambers (The Chambers Brothers) and Willie Chambers
The Chambers Brothers44:52
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