Aangenaam klassiek 2000

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Soirées Musicales: Las Pastorella
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
executive producer:
Jeremy Caulton
producer:
Grace Row (engineer/producer)
vocals:
Charlotte Church
orchestra:
London Symphony Orchestra
conductor:
Siân Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1999)
recording of:
La pastorella "Odia la pastorella"
lyricist:
N. di Santo-Mango
composer:
Gioachino Rossini (composer)
Gioachino Rossini2:29
2Engelse suite No. 3 in G, BWV 808: Prelude
piano:
Ivo Janssen (Dutch pianist)
recording of:
Englische Suite Nr. 3 g-Moll, BWV 808: I. Prélude
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 3 g-Moll, BWV 808 (English Suite No. 3 in G minor, BWV 808)
Johann Sebastian Bach3:02
3Wachet auf, ruft uns die Stimme (arr.)
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (catch-all for arrangements) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
Johann Sebastian Bach3:47
4Messiah HWV 56: "For unto us a Child is born"
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:37
5Non temer, amato bene, KV 490
recording of:
Recitative and Aria for Tenor & Orchestra in B‐flat major, K. 490: “Non più, tutto ascoltai” … “Non temer, amato bene”
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 490), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 490) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 490)
Wolfgang Amadeus Mozart6:35
6Carmina Burana: III. Cour d'amour: "In trutina Christiane Oelze"
recording engineer:
Reinhard Lagemann (in 1998-10)
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock and Ingmar Haas (engineer)
solo soprano vocals:
Christiane Oelze (German soprano) (in 1998-10)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1998-10)
conductor:
Christian Thielemann (German conductor) (in 1998-10)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1998-10)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1998-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:28
7Notenkraker, Op. 71: Pas de deux: Variation II, Dance of the Sugar-Plum Fairy
recording engineer:
Thijs Hoekstra (in 1998-08)
producer:
Anna Barry (classical producer)
editor:
Carl Schuurbiers
orchestra:
Kirov Orchestra (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) (in 1998-08)
conductor:
Valery Gergiev (conductor) (in 1998-08)
balance engineer:
Jaap de Jong (in 1998-08)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 1998-08)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy) (in 1998-08)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский2:11
8Pagliacci: Vesti la Giubba
audio engineer:
Philip Siney (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Hermine Sterringa
producer:
Andrew Cornall (engineer / producer)
tenor vocals [Canio]:
José Cura (tenor) (from 1999-09-03 until 1999-09-06)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (from 1999-09-03 until 1999-09-06)
conductor:
Riccardo Chailly (conductor) (from 1999-09-03 until 1999-09-06)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-09-03 until 1999-09-06)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1999-09-03 until 1999-09-06)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:21
9Violconcert, Op. 53 in A: Adagio ma non troppo
recording engineer:
Eberhard Sengpiel (in 1997-01)
assistant engineer:
Jens Schünemann (in 1997-01) and Dirk Sobotka (in 1997-01)
producer:
Friedemann Engelbrecht
editor:
Jens Schünemann
violin:
Maxim Vengerov (violinist) (in 1997-01)
orchestra:
New York Philharmonic (in 1997-01)
conductor:
Kurt Masur (conductor) (in 1997-01)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (in 1997-01)
live recording of:
Violin Concerto in A minor, op. 53: II. Adagio ma non troppo (in 1997-01)
composer:
Antonín Dvořák (composer) (in 1879)
part of:
Violin Concerto in A minor, op. 53, B. 96/B. 108
Antonín Dvořák11:19
10Sonate in E, K 380 (L23)
piano:
Christian Zacharias (pianist and conductor)
recording of:
Sonata in E major, K. 380, L. 23: Andante comodo
composer:
Domenico Scarlatti (composer)
part of:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 23) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 380)
Domenico Scarlatti6:08
11Ständchen D920
piano:
Bengt Forsberg (pianist) (in 1996-05)
choir vocals:
Radiokören (Swedish Radio Choir) (in 1996-05)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1996-05)
chorus master:
Gunnar Andersson (in 1996-05)
recording of:
Ständchen (Zögernd leise), D. 920 (in 1996-05)
lyricist:
Franz Grillparzer
composer:
Franz Schubert (composer) (in 1827-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 920)
Franz Schubert5:23
12Sinfonia & Chor: "Ich liege und schlafe"
instruments and vocals:
Collegium Vocale Gent (in 1999-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-09)
recorded at:
Église Saint-Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1999-09)
recording of:
Kantate "Ich liege und schlafe": I. Sinfonia - Chor "Ich liege und schlafe" (in 1999-09)
composer:
Nicolaus Bruhns (Danish-German organist, violinist, and composer)
part of:
Kantate "Ich liege und schlafe"
Nicolaus Bruhns4:51
13Spiegel im Spiegel
piano:
Sergej Bezrodny (Sergei Bezrodnyi)
violin:
Vladimir Spivakov (Russian violinist/conductor)
balance engineer:
Markus Heiland
recorded at:
Festeburgkirche in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (in 1995-07)
recording of:
Spiegel im Spiegel (for violin and piano)
composer:
Arvo Pärt (Estonian composer) (in 1978)
part of:
Classic 100: Piano (2025) (number: 12)
Arvo Pärt10:34
14Requiem for my friend: Meeting
recording engineer and mixer:
Rafał Paczkowski (engineer)
executive producer:
Urszula Chajdecka
producer:
Zbigniew Preisner
alto saxophone:
Jerzy Główczewski (saxaphonist) (from 1997-12 until 1998-02)
piano:
Leszek Możdżer (pianist) (from 1997-12 until 1998-02)
recorder:
Jacek Ostaszewski (from 1997-12 until 1998-02)
choir vocals:
Varsov Chamber Choir (from 1997-12 until 1998-02)
countertenor vocals:
Piotr Łykowski (from 1997-12 until 1998-02)
other vocals [voice]:
Dorota Ślęzak (from 1997-12 until 1998-02)
soprano vocals:
Elżbieta Towarnicka (soprano) (from 1997-12 until 1998-02)
orchestra:
Sinfonia Varsovia (from 1997-12 until 1998-02)
conductor:
Jacek Kaspszyk (Polish conductor) (from 1997-12 until 1998-02)
phonographic copyright (℗) by:
New Music B.V. (in 1998)
recorded at:
Emaus Church (Congregation of the Resurrection of our Lord Jesus Christ) in Kraków, Małopolskie (Lesser Poland Voivodeship), Poland (in 1997-12, in 1998-02) and Studio S2/S4 (Polish Radio) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 1998-02)
mixed at:
Studio S2/S4 (Polish Radio) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 1998-02)
recording of:
Requiem for My Friend: Part 2, “Life”: The Beginning: Meeting (from 1997-12 until 1998-02)
composer:
Zbigniew Preisner
part of:
Requiem for My Friend: Part 2, “Life”: The Beginning
Zbigniew Preisner5:20
15Misa Criolla: Gloria
vocals and performer:
Mercedes Sosa
conductor:
Ricardo Hagman
arranger:
Ricardo Hagman
recording of:
Misa criolla: II. Gloria
composer:
Ariel Ramírez (Argentinian composer, pianist and music director) (in 1964)
part of:
Misa criolla
Anibal Ramirez8:19

Credits

Release group

part of:Aangenaam Klassiek (number: 2000) (order: 5)