Top of the Pops: 1985–1989

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1My Prerogative
registrazione di:
My Prerogative
autore:
Bobby Brown (R&B singer, New Edition member), Gene Griffin e Teddy Riley (US R&B singer & producer)
editore:
Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., MCA Music Ltd., Unicity Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music–Z Tunes LLC e Virgin Music (Publishers) Ltd.
Bobby Brown4:32
2Teardrops
produttore:
Chris Blackwell (Island Records), Lee Hamblin e The Gypsy Wave Power Co.
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1988)
registrazione di:
Teardrops
autore:
Cecil Womack e Linda Womack
editore:
Zomba Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988)
Womack & Womack33:49
3Rhythm of the Night
produttore:
Richard Perry (producer)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1985), Motown Records (not for label use; use “Motown” instead) (nel 1985, nel 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (dal 2016 a oggi)
video musicali:
Rhythm of the Night di DeBarge
registrazione di:
Rhythm of the Night
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Edition Sunset Publishing Ltd. e Realsongs
DeBarge3.63:55
4Word Up!
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1986) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1986)
video musicali:
Word Up! di Cameo (American soul-influenced funk group)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 70) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 81)
registrazione di:
Word Up!
autore:
Larry Blackmon e Tomi Jenkins
editore:
All Seeing Eye Music, Better Days Music e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:20
5Ain’t Nothin’ Goin’ on but the Rent
tecnico:
Matthew “Krash” Kasha ("Krash")
produttore:
Gwen Guthrie (US singer, songwriter & pianist)
produttore associato:
David “Pick” Conley (soul musician)
tecnico di missaggio e editor:
Larry Levan
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 5) (numero: 8)
registrazione di:
Ain’t Nothin’ Goin’ On but the Rent
paroliere e compositore:
Gwen Guthrie (US singer, songwriter & pianist)
Gwen Guthrie6:01
6Axel F
produttore:
Harold Faltermeyer
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) e Geffen Records (nel 1984)
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 70)
registrazione di:
Axel F (Beverly Hills Cop)
compositore:
Harold Faltermeyer
Harold Faltermeyer4.153:05
7Lessons in Love
tecnico e tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
assistente produttore:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Wally Badarou e Level 42
sassofono ospite :
Gary Barnacle
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1986) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1986)
registrazione di:
Lessons in Love
paroliere:
Boon Gould
autore:
Wally Badarou e Mark King (bass guitarist and vocalist)
editore:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Level 423.64:01
8Human
co-produttore:
Jimmy Jam (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
voce di accompagnamento:
Susan Ann Sulley
voce di accompagnamento e voce parlata e voce parlata:
Joanne Catherall
voce principale:
Philip Oakey
mixata presso:
Flyte Tyme Studios in Edina, Minnesota, Stati Uniti
registrazione di:
Human
autore:
James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
editore:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e Flyte Tyme Tunes
The Human League44:25
9Back to Life (However Do You Want Me)
tecnico:
Arabella Rodriguez
produttore e tecnico di missaggio:
Nellee Hooper e Jazzie B
voce e esecutore:
Caron Wheeler (English singer, songwriter, and record producer)
voce principale ospite:
Caron Wheeler (English singer, songwriter, and record producer)
diritti fonografici (℗) detenuti da:
10 Records (nel 1989)
registrata presso e mixata presso:
Brittania Row (first location, 1975–1995 Islington) in Islington, London (Greater London), England, Regno Unito
registrazione di:
Back to Life
autore:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo e Caron Wheeler (English singer, songwriter, and record producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul feat. Caron Wheeler4.153:46
10Breakout
produttore:
Paul Staveley O’Duffy
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 72)
registrazione di:
Breakout (nel 1986)
autore:
Andy Connell (nel 1986), Corinne Drewery (nel 1986) e Martin Jackson (nel 1986)
editore:
10 Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishers, Sony Music Publishing (worldwide except Japan, ended 1995) e Virgin 10 Music Ltd.
Swing Out Sister3.83:48
11Obsession
tecnico di registrazione:
Jeff Harris (recording engineer)
programmazione:
Jeff Harris (recording engineer) e Holly Knight
produttore:
John Ryan (producer a/k/a “The Chicago Kid”)
chitarra :
Bill Wadhams
chitarra basso :
Charles Ottavio
membranofono :
Frenchy O'Brien
tastiera :
Paul Antonelli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 12)
registrazione cover di:
Obsession
autore:
Michael Des Barres e Holly Knight
editore:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) e The Makiki Publishing Co. Ltd.
registrazione di:
Obsession
autore:
Michael Des Barres e Holly Knight
editore:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) e The Makiki Publishing Co. Ltd.
Animotion5:37
12I Didin’t Mean to Turn You On
tecnico:
Jason Corsaro (U.S. music engineer, and record producer)
produttore:
Bernard Edwards (American bassist and record producer)
tecnico di missaggio:
Eric "E.T." Thorngren
batteria :
Tony Thompson (drummer, best known for his work in CHIC)
chitarra :
Eddie Martinez (guitar)
chitarra basso :
Bernard Edwards (American bassist and record producer)
registrazione cover di:
I Didn’t Mean to Turn You On
autore:
James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
editore:
Avant Garde Music Publishing (nel 1985) e Flyte Tyme Tunes (nel 1985)
Robert Palmer4.353:37
13Heartache
registrazione di:
Heartache
autore:
Wayne Brown, Iris Fernando e Tambi Fernando
Pepsi & Shirlie23:35
14Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.94:14
15When the Going Gets Tough the Tough Get Going
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1986)
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3:01
16Everywhere
programmazione:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
produttore:
Lindsey Buckingham (guitarist, singer, songwriter and producer) e Richard Dashut
basso elettrico :
John McVie (nel 1987)
batteria e percussione :
Mick Fleetwood (nel 1987)
campionatore [Fairlight CMI] e chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
tastiera :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987) e Christine McVie (nel 1987)
voce di accompagnamento:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987), Christine McVie (nel 1987) e Stevie Nicks (nel 1987)
voce principale:
Christine McVie (nel 1987)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987) e Warner Music International (trademark of Warner Music International the company) (nel 1988)
registrazione di:
Everywhere (nel 1987)
paroliere e compositore:
Christine McVie
editore:
Bright Music Ltd. (publisher)
Fleetwood Mac43:48
17Slave to Love
assistente tecnico:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs e Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Rhett Davies
tecnico aggiunto:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita e Bryan McGee (sound engineer)
produttore:
Rhett Davies e Bryan Ferry
tecnico di missaggio:
Bob Clearmountain
voce principale:
Bryan Ferry
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1985) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985, nel 1999, nel 2004)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Stati Uniti, RPM Studios in New York, New York, Stati Uniti, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e The White House in Nashville, Tennessee, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
Slave to Love di Bryan Ferry
registrazione di:
Slave to Love
paroliere e compositore:
Bryan Ferry
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (nel 1985), E.G. Music Ltd. (publisher) (nel 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1985) e Virgin EG Records Ltd. (nel 1985)
Bryan Ferry3.654:25
18Stop
voce:
Sam Brown (UK singer/songwriter)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1988)
registrazione di:
Stop
autore:
Bruce Brody, Sam Brown (UK singer/songwriter) e Gregg Sutton
editore:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) e WayBlue Ltd. (publisher)
Sam Brown4.354:56
19Don’t Turn Around
produttore:
Aswad (British reggae group)
registrazione cover di:
Don’t Turn Around
paroliere e compositore:
Albert Hammond e Diane Warren (US songwriter)
editore:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs e Warner Chappell
Aswad43:41
3▶CD

Accreditamenti

Pubblicazione

parte di:Top of the Pops (series released by Spectrum Music) (ordine: 1)
Discogs:https://www.discogs.com/release/9431425 [info]
ASIN:UK: B01LAJ37NQ [info]

Gruppo di pubblicazioni

parte di:Top of the Pops (UMC) (numero: 5) (ordine: 5)