Goldfinger

~ Veröffentlichung von John Barry (alle Versionen dieser Veröffentlichung ansehen, 10 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Main Title: Goldfinger
Techniker(in):
John Richards (engineer)
Produzent(in):
John Barry (English score composer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
4.252:48
2Into Miami
Techniker(in):
John Richards (engineer)
conductor:
John Barry (English score composer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Into Miami (in 1964-07)
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
Teil von:
Goldfinger
30:57
3Alpine Drive / Auric’s Factory
Techniker(in):
John Richards (engineer)
conductor:
John Barry (English score composer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Alpine Drive / Auric’s Factory (in 1964-07)
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
4:28
4Oddjob’s Pressing Engagement
Techniker(in):
John Richards (engineer)
conductor:
John Barry (English score composer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Oddjob’s Pressing Engagement (in 1964-07)
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
3:08
5Bond Back in Action Again
Techniker(in):
John Richards (engineer)
conductor:
John Barry (English score composer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Bond Back in Action Again (in 1964-07)
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
2:31
6Teasing the Korean
Techniker(in):
John Richards (engineer)
conductor:
John Barry (English score composer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Teasing the Korean (in 1964-07)
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
2:17
7Gassing the Gangsters
Techniker(in):
John Richards (engineer)
conductor:
John Barry (English score composer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Gassing the Gangsters (in 1964-07)
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
1:05
8Goldfinger (instrumental)
Techniker(in):
John Richards (engineer)
conductor:
John Barry (English score composer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
instrumental recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
2:10
9Dawn Raid on Fort Knox
Techniker(in):
John Richards (engineer)
conductor:
John Barry (English score composer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Dawn Raid on Fort Knox (in 1964-07)
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
5:48
10The Arrival of the Bomb and Count Down
Techniker(in):
John Richards (engineer)
conductor:
John Barry (English score composer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
The Arrival of the Bomb and Count Down (in 1964-07)
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
3:29
11The Death of Goldfinger / End Titles
Techniker(in):
John Richards (engineer)
conductor:
John Barry (English score composer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
The Death of Goldfinger / End Titles (in 1964-07)
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
2:35
12Golden Girl
Techniker(in):
John Richards (engineer)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Golden Girl
Komponist(in):
John Barry (English score composer)
publisher:
EMI Unart Catalog Inc.
Teil von:
Goldfinger
2:11
13Death of Tilley
Techniker(in):
John Richards (engineer)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Death of Tilley
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
2:05
14The Laser Beam
Techniker(in):
John Richards (engineer)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
The Laser Beam
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
2:54
15Pussy Galore’s Flying Circus
Techniker(in):
John Richards (engineer)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Pussy Galore’s Flying Circus
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
2:48

Nennungen

Veröffentlichung

hergestellt in:EU (Europa)
gedruckt in:EU (Europa)
art direction und design:Peter Grant (visual art direction, design)
liner notes:Jeff Bond (liner notes)
sonstige Unterstützung:Sid Margo (violinist and orchestra contractor)
Produzent(in):Frank Collura
remastering:Bob Fisher (producer, recording artist & mastering engineer)
Solo-Gitarre:Vic Flick (in 1964-07)
Solo-Saxophon:Johnny Scott (saxophonist) (in 1964-07)
Verwertungsgesellschaft:bel (Bureau Européen des Licences)
BIEM (international rights organization representing member societies from 58 countries)
urheberrechtlich geschützt (©) von:Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964)
United Artists Corporation (in 1964)
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2003)
phonographisches Urheberrecht (℗) von:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2003)
remastered at:Pacific Multimedia in Los Angeles, California (Kalifornien), Vereinigte Staaten
Remaster von:Goldfinger (stereo)
Discogs:https://www.discogs.com/release/2073783 [Info]
ASIN:UK: B00008BL4N [Info]

Veröffentlichungsgruppe

A&R-Management:Gregg Ogorzelec
künstlerische Leitung:Michelle Azzopardi (producer, creative director)
ausgekoppelte Singles/EPs:Goldfinger von Shirley Bassey (Welsh singer)
Teil von:James Bond film soundtracks (Film Soundtracks) (Nummer: 1964) (Reihenfolge: 4)
Billboard 200 Decade-End Chart 1960s (Nummer: 38) (Reihenfolge: 38)
Discogs:https://www.discogs.com/master/87552 [Info]
IMDb:https://www.imdb.com/title/tt0058150/ [Info]
Allmusic:https://www.allmusic.com/album/mw0000652931 [Info]
Wikidata:Q3405315 [Info]