Bach 300

~ Release by Johann Sebastian Bach; German Brass (see all versions of this release, 2 available)

Annotation

SPARS code: DDD
Mastering SID code: none
Mould SID code: IFPI 0721
Matrix: SONOPRESS B-5438 / 7474302 C

Annotation last modified on 2020-09-18 08:25 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Brandenburgisches Konzert Nr. 3, BWV 1048: 2. Satz (Allegro)
audio engineer:
Wolfgang Gülich (engineer) (from 1984-07-20 until 1984-07-25)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for unknown versions) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
5:23
2Toccata und Fuge C‐Dur, BWV 564: Adagio
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564 (catch all for arrangements)
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio
3:33
3Kantate ‘Herz und Mund und Tat und Leben’, BWV 147: Jesus bleibet meine Freude
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:36
4Partita Nr. 2 c‐Moll, BWV 826: Sinfonia
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Partita no. 2 in C minor, BWV 826: I. Sinfonia (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Partita no. 2 in C minor, BWV 826: I. Sinfonia
5:35
5Orgelbüchlein: Ich ruf’ zu dir, Herr Jesu Christ (Choralvorspiel)
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639 (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639
3:23
6Kleine Suite für Blechbläser aus den Orchestersuiten: I. Bourrée (Ouvertüre C‐Dur, BWV 1066)
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: I. Ouverture (Suite for Orchestra No. 1 in C major, BWV 1066: Ouverture) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
2:55
7Kleine Suite für Blechbläser aus den Orchestersuiten: II. Air (Ouvertüre D‐Dur, BWV 1068)
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
4:48
8Kleine Suite für Blechbläser aus den Orchestersuiten: III. Badinerie (Ouvertüre h‐Moll, BWV 1067)
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
1:30
9Toccata und Fuge d‐Moll, BWV 565
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
8:53
10Matthäus‐Passion, BWV 244: Wie wunderbarlich ist doch diese Strafe
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe"
1:00
11Sonate für Flöte und Cembalo Es‐Dur, BWV 1031: Siciliano
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
part of:
Flute Sonata in E-flat major, BWV 1031 (catch-all for arrangements)
4:14
12Orgelbüchlein: Wachet auf ruft uns die Stimme (Choralvorspiel)
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
4:54
13Matthäus‐Passion, BWV 244: O Haupt voll Blut und Wunden
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden"
1:55
14Italienisches Konzert F‐Dur, BWV 971: 1. Satz (Allegro spiritoso e con brio)
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. Allegro (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro])
part of:
Italienisches Konzert F-Dur, BWV 971 (catch-all for arrangements)
4:44
15Kantate ‘O Ewigkeit du Donnerwort’, BWV 60: Choral. Es ist genug
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (Uruguayan-German trombonist and composer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Kantate, BWV 60: V. Choral "Es ist genug; Herr, wenn es dir gefällt" (catch all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": V. Choral "Es ist genug; Herr, wenn es dir gefällt"
1:26