1992-03-19: Palace Theatre, New Haven, CT, USA

Phish
Palace Theater
New Haven, CT
3/19/92

TAPER: John Redmond
SOURCE Nak 300s (11th Row center, seat 46) > D5

AUD MCass (Maxell XLII-S Cass1= 90 min, Cass2= 100min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)>
Mastering (see notes)> SHNv3

Transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 12/6/2003)
Mastering, editing and WAV > SHN were performed on REBA by Arty- imthemarmar@stny.rr.com

**24/48 Masters do exist at the unedited/pre-processed level**

Soundcheck: SBD > DAT > Cass/2
Transfer: Cass/2 Sony TC-KA3ES > REBA @ 24bit/48kHz via tc electronic Finalizer 96K
Cassette Transfer > 24/48 Mastering > SHN by Arty- imthemarmar@stny.rr.com

*DISC 1*
Set 1:
01. The Landlady
02. Rift
03. Split Open and Melt
04. Sparkle
05. Golgi Apparatus
06. The Horse->
07. Silent in the Morning
08. Dinner and a Movie->
09. Colonel For//bin's Ascent->
10. Famous Mockingbird >
11. All Things Reconsidered
12. David Bowie^

*DISC 2*
Set 2:
01. Glide
02. Chalk Dust Torture
03. NICU+
04. My Sweet One
05 .Stash
06. Oh Kee Pa Ceremony->
07. Suzy Greenberg >
08. My Friend My Friend
09. The Squirming Coil//
10. Cracklin' Rosie > Cold as Ice
11. YEM

*DISC 3*
Encore:
01. Sleeping Monkey >
02. Rocky Top
03. Sweet Adeline%
-Soundcheck-
04. Shaggy Dog//
05. Andrew!?*
06. Lullabye of Birdland
07. Noodling
08. Mound*
09. Discussing what to play
10. Maze

-Notes
All the cuts//flips have been crossfaded...the only one that's real noticable is the one in Forbin. There are also some volume changes that were left as is.
^ has an amazing opening section...teases almost the entire 1st set...has 2 singals in the beginning...
+ slow version
% has some volume weirdness right at the start....
* these tracks have instances of tape weirdness....they are unfixable.

**Show Mastering**
24bit 48kHz FLAC > wav > Montage to reconstruct sets and add fades over flips > Internal 24bit rendering (no dither) > BBE @ 2/2/-2 > Waves Broadband LinearEQ > Internal 24bit renerding (no dither) > Rendered 24/48 wav files > Waves S-1 Imager > Waves L1+ (24bit, no dither, +7.5 gain make-up) > 48kHz>44.1/High and 24bit>16bit/Mode 3/Extreme via tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3

**Soundcheck Mastering**
(SBD>DAT)Cass/2 > Sony TC-KA3ES > REBA @ 24bit/48kHz via tc electronic Finalizer 96K > SHN
BBE Processing was applied, as well as slight phase cancellation on the high frequencies to lessen the audible tape hiss.

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