Mystery Train, The SUN Recordings

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Remastered, Special Edition

Annotazione modificata l'ultima volta il 2022-10-23 17:36 UTC.

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1▼CD
#TitoloValutazioneDurata
1Mystery Train
registrazione cover di:
Mystery Train
autore:
Junior Parker e Sam Phillips (founder of Sun Records)
editore:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Hilo Music Inc. (nel 1953)
2:32
2That’s All Right
registrazione cover di:
That’s All Right
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
2:00
3Blue Moon of Kentucky
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05, il 1954-07-07)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05, il 1954-07-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05, il 1954-07-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05, il 1954-07-07)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05, il 1954-07-07)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 49)
registrazione cover di:
Blue Moon of Kentucky (il 1954-07-05)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
registrazione cover di:
Blue Moon of Kentucky (il 1954-07-07)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2.652:07
4Good Rockin’ Tonight
voce:
Elvis Presley (“The King of Rock and Roll”)
registrazione cover di:
Good Rockin’ Tonight
paroliere e compositore:
Roy Brown (blues musician) (nel 1947-07)
editore:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. e Wixen Music UK Ltd.
2:15
5I Don’t Care If the Sun Don’t Shine
registrazione cover di:
I Don’t Care If the Sun Don’t Shine
paroliere e compositore:
Mack David (American lyricist and songwriter)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:32
6Milkcow Blues Boogie
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1954-11 al 1954-12)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1954-11 al 1954-12)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-11 al 1954-12)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-11 al 1954-12)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1953)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (dal 1954-11 al 1954-12)
registrazione cover di:
Milk Cow Blues (Kokomo Arnold's version) (dal 1954-11 al 1954-12)
paroliere e arrangiatore:
Kokomo Arnold
compositore:
[traditional] (special purpose artist) e Kokomo Arnold
editore:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) e Universal Music Corp. (USA, affiliated with ASCAP)
versione di:
Milk Cow Blues
2.52:39
7You’re a Heartbreaker
registrazione cover di:
You’re a Heartbreaker
autore:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:13
8Baby Let’s Play House
registrazione cover di:
Baby Let’s Play House
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
2:19
9I’m Left, You’re Right, She’s Gone
registrazione cover di:
I’m Left, You’re Right, She’s Gone
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
2:39
10I Forgot to Remember to Forget
registrazione cover di:
I Forgot to Remember to Forget
autore:
Charlie Feathers e Stan Kesler (US session musician, composer and producer)
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:32
11I Love You Because
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05) e Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954, nel 1956, nel 1957)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05)
registrazione cover di:
I Love You Because (il 1954-07-05)
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
32:43
12Blue Moon
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
2:44
13I’ll Never Let You Go
registrazione cover di:
I’ll Never Let You Go Little Darlin’
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
2:27
14Just Because
registrazione cover di:
Just Because (il 1954-09-12)
paroliere:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) e Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
compositore:
Leon Chappelear e Sid Robin (US lyricist & composer)
editore:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) e State Street Music Publ. Co. Inc. (il 1936-03-19)
12:34
15Tryin’ to Get to You
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07, il 1955-07-11)
batteria :
Johnny Bernero (nel 1955-07, il 1955-07-11)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07, il 1955-07-11) e Scotty Moore (American guitarist and recording engineer) (il 1955-07-11)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-07) e Sun Studios in Memphis, Tennessee, Stati Uniti (il 1955-07-11)
registrazione cover di:
Trying to Get to You (il 1955-07-11)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
registrazione cover di:
Trying to Get to You (nel 1955-07)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
3.352:36
16Harbor Lights
registrazione cover di:
Harbour Lights
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
2:38
17Tomorrow Night
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1954-09-12 al 1954-09-16)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (dal 1954-09-12 al 1954-09-16)
registrazione cover di:
Tomorrow Night (dal 1954-09-12 al 1954-09-16)
autore:
Sam Coslow e Wilhelm Grosz (aka Hugh Williams)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Wilhelm Grosz Music Co
2.53:01
18I’m Left, You’re Right, She’s Gone (slow version)
tecnico e produttore:
Sam Phillips (founder of Sun Records)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti
registrazione cover di:
I’m Left, You’re Right, She’s Gone
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
22:43
19When It Rains It Really Pours
registrazione di:
When It Rains It Pours
paroliere e compositore:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
editore:
Hi Lo Music Inc. (BMI-affiliated) e Riverline Music
2:06
20My Happiness (demo)
registrazione cover demo di:
My Happiness
paroliere:
Borney Bergantine (nel 1933) e Betty Peterson (nel 1948)
compositore:
Borney Bergantine (nel 1933)
editore:
Chappell Music (UK) e Happiness Music Corp.
2:33
21That’s When Your Heartaches Begin (demo)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1953-07)
registrazione cover demo di:
That’s When Your Heartaches Begin (nel 1953-07)
autore:
Fred Fisher, Billy Hill (US songwriter) e William Raskin
editore:
Fred Fisher Music Co., Inc. e Sony/ATV Tunes LLC (ASCAP)
22:52
22I’ll Never Stand in Your Way (demo)
registrazione cover demo di:
I’ll Never Stand in Your Way
autore:
Hy Heath e Fred Rose (songwriter)
editore:
Milene Music. Inc (ASCAP)
12:04
23It Wouldn’t Be the Same Without You (demo)
registrazione cover demo di:
It Wouldn’t Be the Same Without You
autore:
Fred Rose (songwriter) e Jimmy Wakely (Country and western singer and songwriter)
editore:
Milene Music. Inc (ASCAP)
12:09
24I Got a Woman (live at Eagles Hall, Houston, Texas, March, 19, 1955)
registrazione dal vivo cover di:
I Got a Woman (il 1955-03-19)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:35
25Tweedle Dee (live in Gladewater, Texas, April, 30, 1955)
registrazione dal vivo cover di:
Tweedlee Dee (il 1955-04-30)
paroliere e compositore:
Winfield Scott (nel 1954)
editore:
Hill & Range Songs, Inc. (publisher) e Unichappell Music
2:10
26Fool, Fool, Fool (KDAV radio, Lubbock, Texas, January, 6, 1955)
registrazione dal vivo cover di:
Fool, Fool, Fool (il 1955-01-06)
paroliere e compositore:
Ahmet Ertegun (US songwriter/producer)
editore:
Unichappell Music e Unichappell Music, Inc.
41:55
27Shake, Rattle and Roll (KDAV radio, Lubbock, Texas, January, 6 1955)
registrazione dal vivo cover di:
Shake, Rattle and Roll (il 1955-01-06)
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
22:21

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