Myleene’s Music for Romance

~ Release by Myleene Klass (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Gnossienne No.1
orchestra:
Royal Philharmonic Orchestra
conductor:
Chris Elliott (composer and arranger)
recording of:
Gnossienne no. 1 (catch all for arrangements)
composer:
Erik Satie (French composer)
arrangement of:
Gnossienne no. 1
Erik Satie4:23
2The Moldau (Ma Vlast) (extract)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Paavo Berglund (conductor)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana5:03
3Adagio in G minor (realised Giazotto) (extract)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni5:53
4Adagio of Spartacus and Phrygia (Spartacus) (extract)
orchestra:
Royal Philharmonic Orchestra
performer:
Yuri Temirkanov (conductor)
recording of:
Spartacus: Adagio of Spartacus & Phrygia
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1955)
part of:
Spartacus, op. 82
Aram Khachaturian3:47
5Gymnopedie No.1 (arr. Craig Leon)
orchestra:
London Symphony Orchestra
conductor:
Craig Leon (musician, arranger, composer and producer)
recording of:
Première Gymnopédie: Lent et douloureux (catch-all for arrangements)
composer:
Erik Satie (French composer)
publisher:
Das Maschine GMBH, Hanseatic Musikverlag GmbH & Co. KG (2001–2017) and Londek Edition
arrangement of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Erik Satie3:38
6Canon in D
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (from 1973-10-01 until 1973-10-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:01
7Fratello sole, sorella luna (from the Zeffirelli film Brother Sun, Sister Moon)
choir vocals:
Crouch End Festival Chorus
vocals:
Alfie Boe (tenor and actor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
John Owen Edwards
chorus master:
David Temple
recording of:
Fratello sole sorella luna
lyricist:
Jean‐Marie Benjamin
composer:
Riz Ortolani (songwriter, film music composer and music director)
Donovan3:53
8Swan Lake Scene (Act II No.10)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (from 1976-05-26 until 1976-06-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Pyotr Ilyich Tchaikovski2:50
9Aquarium (The Carnival of the Animals)
producer:
Martin Compton (producer)
instruments:
Nash Ensemble (in 1988-03)
conductor:
Libor Pešek (conductor)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1988-03)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica) (in 1988-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:45
10Dance of the Knights (Romeo & Juliet)
orchestra:
The Philadelphia Orchestra (in 1982)
conductor:
Riccardo Muti (conductor) (in 1982)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets (in 1982)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Prokofiev1:54
11O mio babbino caro (Gianni Schicchi)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (from 1997-08-12 until 1997-08-15)
producer:
David Groves (classical music producer at EMI)
editor:
Caroline Haigh, Simon Kiln and Jørn Pedersen
soprano vocals:
Angela Gheorghiu (Romanian soprano) (in 1999)
soprano vocals [Lauretta]:
Angela Gheorghiu (Romanian soprano) (from 1997-08-12 until 1997-08-15)
vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
London Symphony Orchestra (from 1997-08-12 until 1997-08-15, in 1999)
conductor:
Antonio Pappano (conductor and pianist) (from 1997-08-12 until 1997-08-15, in 1999)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1999) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1999)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-08-12 until 1997-08-15)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1997-08-12 until 1997-08-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:08
12Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening)
piano:
Horacio Gutiérrez (pianist)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovski3:23
13Polovtsian Dances (Prince Igor) (opening)
choir vocals:
Beecham Choral Society (on 1956-11-10)
orchestra:
Royal Philharmonic Orchestra (on 1956-11-10)
conductor:
Sir Thomas Beecham (conductor) (on 1956-11-10)
recording of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major (on 1956-11-10)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”
Alexander Borodin2:36
14Gabriel’s Oboe (from the film The Mission)
orchestra:
The Ennio Morricone Orchestra (Italian symphonic orchestra)
conductor:
Ennio Morricone (Italian classical and score composer)
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
Ennio Morricone2:16
15Au fond du temple saint (Temple Duet) (The Pearl Fishers)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
ABC Classic 100 (2001) (number: 7)
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet5:26
16Piano Concerto no. 2 in F, op. 102: II. Andante
piano:
Dmitri Alexeev (pianist) (in 1983-05)
orchestra:
English Chamber Orchestra (in 1983-05)
conductor:
Jerzy Maksymiuk (conductor) (in 1983-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-05)
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante (in 1983-05)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1957)
part of:
Piano Concerto no. 2 in F major, op. 102
Dmitri Shostakovich6:09
17Liebesleid
piano:
Ian Brown (classical pianist) (from 2004-09-17 until 2004-09-19)
violin:
Maxim Vengerov (violinist) (from 2004-09-17 until 2004-09-19)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2004-09-17 until 2004-09-19)
recording of:
Liebesleid (for violin and piano) (from 2004-09-17 until 2004-09-19)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:26
18Nessun dorma (Turandot)
choir vocals:
Chœur de l'Opéra national du Rhin (Rhine Opera Chorus)
tenor vocals [Calaf]:
José Carreras (Spanish tenor)
orchestra:
Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra)
conductor:
Alain Lombard (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini4:11