I Love Rock & Roll, Volume Three: Hits of the 70’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Take the Money and Run
assistente tecnico:
Win Kutz (engineer/producer)
tecnico:
Mike Fusaro
produttore:
Steve Miller (leader of Steve Miller Band)
produttore esecutivo:
John Palladino
tecnico di missaggio:
Jim Gaines
basso :
Lonnie Turner
batteria :
Gary Mallaber
chitarra e voce principale [vocals]:
Steve Miller (leader of Steve Miller Band)
diritti fonografici (℗) detenuti da:
Sailor Records (Steve Miller label), Sailor Productions (nel 2006) e Haworth Enterprises (nel 2016)
registrata presso:
CBS Studios (San Francisco) in San Francisco, California, Stati Uniti
mixata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti
registrazione di:
Take the Money and Run
paroliere e compositore:
Steve Miller (leader of Steve Miller Band)
editore:
P and P Songs Limited e Sailor Music
parte di:
East Coast Music Association Song of the Year Nominees (numero: 2001 (Julian Austin))
The Steve Miller Band4.152:51
2What’s Your Name
produttore:
Tom Dowd e Lynyrd Skynyrd
tecnico di missaggio:
Rodney Mills
basso elettrico :
Leon Wilkeson
batteria :
Artimus Pyle (Lynyrd Skynyrd member)
chitarra elettrica :
Allen Collins, Steve Gaines (Lynyrd Skynyrd guitarist/vocalist) e Gary Rossington
tastiera :
Billy Powell
voce:
Steve Gaines (Lynyrd Skynyrd guitarist/vocalist)
voce principale:
Ronnie Van Zant
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (nel 1977-04) e Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (dal 1977-07 al 1977-08: corno [horn overdubs])
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 70)
registrazione di:
What’s Your Name (nel 1977-04)
autore:
Gary Rossington e Ronnie Van Zant
editore:
Duchess Music Corporation (BMI-affiliated)
Lynyrd Skynyrd4.53:33
3Feels Like the First Time
tecnico:
Gary Lyons (UK engineer & producer)
tecnico associato:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron e Randy Mason
co-produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
produttore:
Gary Lyons (UK engineer & producer) e John Sinclair (engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
corno :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
sintetizzatore :
Al Greenwood
tastiera :
Al Greenwood e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrazione di:
Feels Like the First Time
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Music (publisher) (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner4.23:52
4Black Water
tecnico di registrazione:
Donn Landee
tecnico di registrazione aggiunto:
Lee Herschberg
supporto a vario titolo:
Benita Brazier (incarico: production coordinator)
produttore:
Ted Templeman
autoharp :
Arlo Guthrie (American folk singer-songwriter)
chitarra pedal steel :
Jeff “Skunk” Baxter
congas e timbales :
Eddie Guzman
marimba , tabla e tamburo a cornice [pandeiro] :
Milt Holland
tastiera :
Bill Payne
viola :
Novi
arrangiatore:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love e The Memphis Horns
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1974)
registrazione di:
Black Water
paroliere, autore e compositore:
Patrick Simmons
editore:
Lansdowne Music Publishers, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.24:20
5Roll With the Changes
tecnico:
Paul Grupp
tecnico aggiunto:
Gary Lubow
produttore:
Kevin Cronin (guitarist, singer and songwriter), Paul Grupp e Gary Richrath (guitarist and songwriter)
batteria [drums] :
Alan Gratzer (drummer)
chitarra [lead guitars] :
Gary Richrath (guitarist and songwriter)
chitarra acustica , pianoforte e voce principale:
Kevin Cronin (guitarist, singer and songwriter)
chitarra basso :
Bruce Hall (US bassist for REO Speedwagon)
organo Hammond :
Neal Doughty (keyboards)
arrangiatore:
Kevin Cronin (guitarist, singer and songwriter)
registrata presso e mixata presso:
Sound City in Van Nuys, California, Stati Uniti
registrazione di:
Roll With the Changes (nel 1977-10)
paroliere e compositore:
Kevin Cronin (guitarist, singer and songwriter)
editore:
Fate Music, Roliram Music e 大洋音楽 (Taiyō Music)
REO Speedwagon35:38
6American Woman
produttore:
Nimbus 9 e Jack Richardson
diritti fonografici (℗) detenuti da:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1970) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 3) e Huffington Post: 100 Best Canadian Songs Ever (numero: 4)
registrazione di:
American Woman (dal 1969-08 al 1969-11)
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
The Guess Who4.15:09
7Up on Cripple Creek
tecnico:
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) e Joe Zagarino
co-produttore:
John Simon (US producer, arranger, composer, songwriter and musician)
produttore:
The Band (Canadian-American rock band)
tecnico di missaggio:
Tony May (engineer) e Joe Zagarino
registrazione di:
Up on Cripple Creek
paroliere e compositore:
Robbie Robertson
editore:
Canaan Music Inc e Warner/Chappell Music, Inc.
The Band4.64:33
8Proud Mary
registrazione cover di:
Proud Mary
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (il 1968-12-27) e Jondora Musikverlag (publisher) (nel 1970)
Ike & Tina Turner3:31
9Green Eyed Lady
tecnico:
Paul Buff
produttore:
Frank Slay Jr.
registrazione di:
Green‐Eyed Lady
autore:
Jerry Corbetta, John Collingwood Phillips e David Riordan
editore:
Claridge Music Publishing Co. (publisher), MPL Music Publishing Inc., UA Music International Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sugarloaf53:42
10Never Been to Spain
registrazione cover di:
Never Been to Spain
paroliere e compositore:
Hoyt Axton
editore:
Rondor Music e Rondor Music (London) Ltd.
Three Dog Night4.253:46
11It’s So Easy
tecnico di registrazione:
Val Garay (dal 1977-05-23 al 1977-07-22)
assistente tecnico:
Mark Howlett
produttore:
Peter Asher
tecnico di missaggio:
Val Garay
batteria :
Rick Marotta (US drummer/percussionist) (dal 1977-05-23 al 1977-07-22)
chitarra acustica :
Dan Dugmore (dal 1977-05-23 al 1977-07-22)
chitarra basso [bass] :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1977-05-23 al 1977-07-22)
chitarra elettrica :
Waddy Wachtel (dal 1977-05-23 al 1977-07-22)
clavinet :
Don Grolnick (dal 1977-05-23 al 1977-07-22)
voce di accompagnamento:
Peter Asher (dal 1977-05-23 al 1977-07-22), Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1977-05-23 al 1977-07-22), Linda Ronstadt (dal 1977-05-23 al 1977-07-22) e Waddy Wachtel (dal 1977-05-23 al 1977-07-22)
voce principale:
Linda Ronstadt (dal 1977-05-23 al 1977-07-22)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1977, nel 2017) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2017)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (dal 1977-05-23 al 1977-07-22)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 90)
registrazione cover di:
It’s So Easy (dal 1977-05-23 al 1977-07-22)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Melody Lane Publications Inc., Wren Music Co. e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1958)
Linda Ronstadt42:28
12Still the One
voce principale:
Larry Hoppen
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1976) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1976)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 18)
registrazione di:
Still the One
autore:
Johanna Hall e John Hall (US guitarist/vocalist for Orleans, later US congressman)
editore:
Siren Songs
Orleans53:55
13Go All the Way
produttore:
Jimmy Ienner (producer)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2000)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 181)
registrazione di:
Go All the Way
paroliere e compositore:
Eric Carmen
editore:
Round Hill Works, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Raspberries3.83:22
14Rock Me Gently
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1974, nel 1992)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 91)
registrazione di:
Rock Me Gently
paroliere e compositore:
Andy Kim (pop singer & songwriter)
Andy Kim53:31
15My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack3.94:01
16Ballroom Blitz
tecnico:
Peter Coleman (British engineer & producer)
produttore:
Phil Wainman
arrangiatore:
Sweet (UK glam rock band)
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973, nel 1974, nel 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso e lavorazione tecnica effettuata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
The Ballroom Blitz
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing Ltd. e Universal Music Publishing MGB Australia
Sweet4.64:03
17Hot Child in the City
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1976, nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 22)
registrazione di:
Hot Child in the City
autore:
Nick Gilder e Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
editore:
Beechwood Music Canada e Beechwood Music Corp.
Nick Gilder53:08
18Spiders & Snakes
Jim Stafford3:09
19Temptation Eyes
registrazione di:
Temptation Eyes
autore:
Daniel Walsh (LA singer/songwriter, member of Price & Walsh) e Harvey Price (songwriting partner of Dan Walsh)
The Grass Roots2:35
20Miracles
tecnico di registrazione:
Jeffrey Husband e Steve Mantoani
tecnico:
Larry Cox (US engineer/producer)
produttore:
Larry Cox (US engineer/producer) e Jefferson Starship
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1975)
registrata presso e mixata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti
registrazione di:
Miracles (Jefferson Starship song)
paroliere e compositore:
Marty Balin
Jefferson Starship46:53

Accreditamenti

Gruppo di pubblicazioni

parte di:I Love Rock & Roll (Hits of the...) (numero: 3) (ordine: 3)