I Love Rock & Roll, Volume Three: Hits of the 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Take the Money and Run
assistierende(r) Techniker(in):
Win Kutz (engineer/producer)
Techniker(in):
Mike Fusaro
leitende(r) Produzent(in):
John Palladino
Produzent(in):
Steve Miller (leader of Steve Miller Band)
Mix:
Jim Gaines
Bass:
Lonnie Turner
Gitarre und Sologesang [vocals]:
Steve Miller (leader of Steve Miller Band)
Schlagzeug:
Gary Mallaber
phonographisches Urheberrecht (℗) von:
Sailor Records (Steve Miller label), Sailor Productions (in 2006) und Haworth Enterprises (in 2016)
aufgenommen bei:
CBS Studios (San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
mixed at:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
recording of:
Take the Money and Run
Texter und Komponist(in):
Steve Miller (leader of Steve Miller Band)
publisher:
P and P Songs Limited und Sailor Music
Teil von:
East Coast Music Association Song of the Year Nominees (Nummer: 2001 (Julian Austin))
The Steve Miller Band4.152:51
2What’s Your Name
Produzent(in):
Tom Dowd und Lynyrd Skynyrd
Mix:
Rodney Mills
E-Bass:
Leon Wilkeson
E-Gitarre:
Allen Collins, Steve Gaines (Lynyrd Skynyrd guitarist/vocalist) und Gary Rossington
Keyboard:
Billy Powell
Schlagzeug:
Artimus Pyle (Lynyrd Skynyrd member)
Sologesang:
Ronnie Van Zant
vocals:
Steve Gaines (Lynyrd Skynyrd guitarist/vocalist)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (in 1977-04) und Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (von 1977-07 bis 1977-08: Horn [horn overdubs])
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 70)
recording of:
What’s Your Name (in 1977-04)
Verfasser(in):
Gary Rossington und Ronnie Van Zant
publisher:
Duchess Music Corporation (BMI-affiliated)
Lynyrd Skynyrd4.53:33
3Feels Like the First Time
Partner-Techniker(in):
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron und Randy Mason
Techniker(in):
Gary Lyons (UK engineer & producer)
Koproduzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Produzent(in):
Gary Lyons (UK engineer & producer) und John Sinclair (engineer)
Mix:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Bassgitarre:
Ed Gagliardi (bass player (Foreigner))
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Keyboard:
Al Greenwood und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Schlagzeug:
Dennis Elliott
Synthesizer:
Al Greenwood
Hintergrundgesang:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Feels Like the First Time
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner4.23:52
4Black Water
recording engineer:
Donn Landee
zusätzlich recording engineer:
Lee Herschberg
sonstige Unterstützung:
Benita Brazier (Aufgabe: production coordinator)
Produzent(in):
Ted Templeman
autoharp:
Arlo Guthrie (American folk singer-songwriter)
Bratsche / Viola:
Novi
Conga und Timbales:
Eddie Guzman
Keyboard:
Bill Payne
Marimba, Rahmentrommel [pandeiro] und tabla:
Milt Holland
Pedal-Steel-Gitarre:
Jeff “Skunk” Baxter
arranger:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love und The Memphis Horns
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1974)
recording of:
Black Water
Texter, Verfasser(in) und Komponist(in):
Patrick Simmons
publisher:
Lansdowne Music Publishers, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.24:20
5Roll With the Changes
Techniker(in):
Paul Grupp
zusätzliche(r) Techniker(in):
Gary Lubow
Produzent(in):
Kevin Cronin (guitarist, singer and songwriter), Paul Grupp und Gary Richrath (guitarist and songwriter)
Akustikgitarre, Klavier und Sologesang:
Kevin Cronin (guitarist, singer and songwriter)
Bassgitarre:
Bruce Hall (US bassist for REO Speedwagon)
Gitarre [lead guitars]:
Gary Richrath (guitarist and songwriter)
Hammond-Orgel:
Neal Doughty (keyboards)
Schlagzeug [drums]:
Alan Gratzer (drummer)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
aufgenommen bei und mixed at:
Sound City in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Roll With the Changes (in 1977-10)
Texter und Komponist(in):
Kevin Cronin (guitarist, singer and songwriter)
publisher:
Fate Music, Roliram Music und 大洋音楽 (Taiyō Music)
REO Speedwagon35:38
6American Woman
Produzent(in):
Nimbus 9 und Jack Richardson
phonographisches Urheberrecht (℗) von:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1970) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 3) und Huffington Post: 100 Best Canadian Songs Ever (Nummer: 4)
recording of:
American Woman (von 1969-08 bis 1969-11)
Verfasser(in):
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) und Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music und Unichappell Music, Inc.
The Guess Who4.15:09
7Up on Cripple Creek
Techniker(in):
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) und Joe Zagarino
Koproduzent(in):
John Simon (US producer, arranger, composer, songwriter and musician)
Produzent(in):
The Band (Canadian-American rock band)
Mix:
Tony May (engineer) und Joe Zagarino
recording of:
Up on Cripple Creek
Texter und Komponist(in):
Robbie Robertson
publisher:
Canaan Music Inc und Warner/Chappell Music, Inc.
The Band4.64:33
8Proud Mary
cover recording of:
Proud Mary
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (am 1968-12-27) und Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner3:31
9Green Eyed Lady
Techniker(in):
Paul Buff
Produzent(in):
Frank Slay Jr.
recording of:
Green‐Eyed Lady
Verfasser(in):
Jerry Corbetta, John Collingwood Phillips und David Riordan
publisher:
Claridge Music Publishing Co. (publisher), MPL Music Publishing Inc., UA Music International Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sugarloaf53:42
10Never Been to Spain
cover recording of:
Never Been to Spain
Texter und Komponist(in):
Hoyt Axton
publisher:
Rondor Music und Rondor Music (London) Ltd.
Three Dog Night4.253:46
11It’s So Easy
recording engineer:
Val Garay (von 1977-05-23 bis 1977-07-22)
assistierende(r) Techniker(in):
Mark Howlett
Produzent(in):
Peter Asher
Mix:
Val Garay
Akustikgitarre:
Dan Dugmore (von 1977-05-23 bis 1977-07-22)
Bassgitarre [bass]:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22)
Clavinet:
Don Grolnick (von 1977-05-23 bis 1977-07-22)
E-Gitarre:
Waddy Wachtel (von 1977-05-23 bis 1977-07-22)
Schlagzeug:
Rick Marotta (US drummer/percussionist) (von 1977-05-23 bis 1977-07-22)
Hintergrundgesang:
Peter Asher (von 1977-05-23 bis 1977-07-22), Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22), Linda Ronstadt (von 1977-05-23 bis 1977-07-22) und Waddy Wachtel (von 1977-05-23 bis 1977-07-22)
Sologesang:
Linda Ronstadt (von 1977-05-23 bis 1977-07-22)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1977, in 2017) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1977-05-23 bis 1977-07-22)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 90)
cover recording of:
It’s So Easy (von 1977-05-23 bis 1977-07-22)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
Linda Ronstadt42:28
12Still the One
Sologesang:
Larry Hoppen
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 18)
recording of:
Still the One
Verfasser(in):
Johanna Hall und John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:55
13Go All the Way
Produzent(in):
Jimmy Ienner (producer)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 181)
recording of:
Go All the Way
Texter und Komponist(in):
Eric Carmen
publisher:
Round Hill Works, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Raspberries3.83:22
14Rock Me Gently
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 1992)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 91)
recording of:
Rock Me Gently
Texter und Komponist(in):
Andy Kim (pop singer & songwriter)
Andy Kim53:31
15My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack3.94:01
16Ballroom Blitz
Techniker(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei und engineered at:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
The Ballroom Blitz
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
Sweet4.64:03
17Hot Child in the City
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1976, in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 22)
recording of:
Hot Child in the City
Verfasser(in):
Nick Gilder und Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
publisher:
Beechwood Music Canada und Beechwood Music Corp.
Nick Gilder53:08
18Spiders & Snakes
Jim Stafford3:09
19Temptation Eyes
recording of:
Temptation Eyes
Verfasser(in):
Daniel Walsh (LA singer/songwriter, member of Price & Walsh) und Harvey Price (songwriting partner of Dan Walsh)
The Grass Roots2:35
20Miracles
recording engineer:
Jeffrey Husband und Steve Mantoani
Techniker(in):
Larry Cox (US engineer/producer)
Produzent(in):
Larry Cox (US engineer/producer) und Jefferson Starship
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1975)
aufgenommen bei und mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
Miracles (Jefferson Starship song)
Texter und Komponist(in):
Marty Balin
Jefferson Starship46:53

Nennungen

Veröffentlichungsgruppe

Teil von:I Love Rock & Roll (Hits of the...) (Nummer: 3) (Reihenfolge: 3)