Complete Orchestral Works • 8: The Musical Offering (orchestral version of J.S. Bach’s work)

~ Release by Igor Markevitch; Arnhem Philharmonic Orchestra, Lyndon-Gee (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Musical Offering: Ricercare a 3 voci (orch. I. Markevitch)
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: I. Ricercare a 3 voci (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch6:34
2Musical Offering, BWV 1079 (orch. I. Markevitch): Tema e variazioni: Tema
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: II. Tema e variazioni: Tema (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: II. Canon perpetuus super thema regium
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch0:29
3Musical Offering, BWV 1079 (orch. I. Markevitch): Tema e variazioni: Variation 1: Canon 1 a 2 cancrizans
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: II. Tema e variazioni: Var. I. Canon a 2, cancrizans (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: IIIa. 5 Canones diversi super thema regium, Canon a 2
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch1:06
4Musical Offering, BWV 1079 (orch. I. Markevitch): Tema e variazioni: Variation 2: Canon Perpetuus super Thema Regium
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: II. Tema e variazioni: Var. II. Canon perpetuus super thema regium (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: II. Canon perpetuus super thema regium
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch1:09
5Musical Offering, BWV 1079 (orch. I. Markevitch): Tema e variazioni: Variation 3: Canon 3 a 2 per Motum Contrarium
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: II. Tema e variazioni: Var. III. Per motum contrarium (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: IIIc. 5 Canones diversi super thema regium, Canon a 2 Per motum contrarium
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch0:38
6Musical Offering, BWV 1079 (orch. I. Markevitch): Tema e variazioni: Variation 4: Canon 2 in unisono
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: II. Tema e variazioni: Var. IV. Canon in unisono (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: IIIb. 5 Canones diversi super thema regium, Canon a 2 Violini in unisono
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch0:35
7Musical Offering, BWV 1079 (orch. I. Markevitch): Tema e variazioni: Variation 5: Per Motum Contrarium (Quaerendo invenietis)
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: II. Tema e variazioni: Var. V. Per motum contrarium (Quaerendo invenietis) (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: IIIc. 5 Canones diversi super thema regium, Canon a 2 Per motum contrarium
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch0:33
8Musical Offering, BWV 1079 (orch. I. Markevitch): Tema e variazioni: Variation 6: Per Motum Contrarium: Inversus Var. Vae
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: II. Tema e variazioni: Var. VI. Per motum contrarium: Inversus Var. Vae (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch0:31
9Musical Offering, BWV 1079 (orch. I. Markevitch): Tema e variazioni: Variation 7: Fuga Canonica in Epidiapente
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: II. Tema e variazioni: Var. VII. Fuga canonica in epidiapente (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: IV. Fuga Canonica in Epidiapente
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch2:19
10Musical Offering, BWV 1079 (orch. I. Markevitch): Tema e variazioni: Variation 8: Per Augmentationem contrario motu
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: II. Tema e variazioni: Var. VIII. Per augmentationem contrario motu (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: IIId. 5 Canones diversi super thema regium, Canon a 2 Per augmentationem, contrario motu
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch2:03
11Musical Offering, BWV 1079 (orch. I. Markevitch): Tema e variazioni: Variation 9: Canon 5. a 2 per Tonos
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: II. Tema e variazioni: Var. IX. Canon per tonos (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: IIIe. 5 Canones diversi super thema regium, Canon a 2 Per tonos
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch3:20
12Musical Offering, BWV 1079 (orch. I. Markevitch): Tema e variazioni: Variation 10: Canon Perpetuus
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: II. Tema e variazioni: Var. X. Canon perpetuus a 4 (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: VII. Canon a 4
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch4:27
13Musical Offering, BWV 1079 (orch. I. Markevitch): Sonata: I. Largo
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
cello:
Jeroen Reuling (Dutch cellist) (from 1997-04-09 until 1997-04-12)
harpsichord:
Dirk Luijmes (from 1997-04-09 until 1997-04-12)
transverse flute:
Hans van Loenen (from 1997-04-09 until 1997-04-12)
violin:
Rémy Baudet (violinist) (from 1997-04-09 until 1997-04-12)
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: III. Sonata: I. Largo (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: VIII. Trio: a. Largo
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch5:05
14Musical Offering, BWV 1079 (orch. I. Markevitch): Sonata: II. Allegro (with orchestral interpolations)
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
cello:
Jeroen Reuling (Dutch cellist) (from 1997-04-09 until 1997-04-12)
harpsichord:
Dirk Luijmes (from 1997-04-09 until 1997-04-12)
transverse flute:
Hans van Loenen (from 1997-04-09 until 1997-04-12)
violin:
Rémy Baudet (violinist) (from 1997-04-09 until 1997-04-12)
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: III. Sonata: II. Allegro (with orchestral interpolations) (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: VIII. Trio: b. Allegro
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch6:27
15Musical Offering, BWV 1079 (orch. I. Markevitch): Sonata: III. Andante
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
cello:
Jeroen Reuling (Dutch cellist) (from 1997-04-09 until 1997-04-12)
harpsichord:
Dirk Luijmes (from 1997-04-09 until 1997-04-12)
transverse flute:
Hans van Loenen (from 1997-04-09 until 1997-04-12)
violin:
Rémy Baudet (violinist) (from 1997-04-09 until 1997-04-12)
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: III. Sonata: III. Andante (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: VIII. Trio: c. Andante
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch3:02
16Musical Offering, BWV 1079 (orch. I. Markevitch): Sonata: IV. Allegro giusto ('Canon Concertante', i.e. Canon Perpetuus)
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
cello:
Jeroen Reuling (Dutch cellist) (from 1997-04-09 until 1997-04-12)
harpsichord:
Dirk Luijmes (from 1997-04-09 until 1997-04-12)
transverse flute:
Hans van Loenen (from 1997-04-09 until 1997-04-12)
violin:
Rémy Baudet (violinist) (from 1997-04-09 until 1997-04-12)
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: III. Sonata: IV. Allegro giusto (‘Canon Concertante’, i.e. Canon Perpetuus) (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: IX. Canon perpetuus
orchestration of:
Musikalisches Opfer, BWV 1079: VIII. Trio: d. Allegro
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch1:05
17Musical Offering, BWV 1079 (orch. I. Markevitch): Sonata: V. Tempo di Giga
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
cello:
Jeroen Reuling (Dutch cellist) (from 1997-04-09 until 1997-04-12)
harpsichord:
Dirk Luijmes (from 1997-04-09 until 1997-04-12)
transverse flute:
Hans van Loenen (from 1997-04-09 until 1997-04-12)
violin:
Rémy Baudet (violinist) (from 1997-04-09 until 1997-04-12)
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: III. Sonata: V. Tempo di Giga (from 1997-04-09 until 1997-04-12)
composer:
Igor Markevitch (conductor) (in 1747)
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch3:42
18Musical Offering: Fuga (Ricercar) a 6 voci (orch. I. Markevitch)
engineer:
Henk Midderham
producer and editor:
Benno Torrenga
orchestra:
Arnhem Philharmonic Orchestra (Arnhem Philharmonic) (from 1997-04-09 until 1997-04-12)
conductor:
Lyndon-Gee (conductor, pianist and composer) (from 1997-04-09 until 1997-04-12)
recorded at:
Musis Sacrum in Arnhem, Gelderland, Netherlands, Kingdom of the Netherlands (from 1997-04-09 until 1997-04-12)
recording of:
Musical Offering: IV. Fuga (Ricercar) a 6 voci (from 1997-04-09 until 1997-04-12)
orchestrator:
Igor Markevitch (conductor) (from 1949 until 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1747)
orchestration of:
Musikalisches Opfer, BWV 1079: V. Ricercare a 6
part of:
The Musical Offering (for three orchestral groups and solo quartet, Markevitch)
Igor Markevitch8:50