| # | Title | Artist | Rating | Length |
|---|
| 1 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- recording of:
- What’s Love Got to Do With It
- writer:
- Terry Britten, Kyrre Gørvell-Dahll and Graham Lyle
- publisher:
- Kobalt Music (from 2020 to present) and WC Music Corp. (from 2020 to present)
- is based on:
- What’s Love Got to Do With It
| Tina Turner | 4.15 | 3:47 |
| 2 | You Can Leave Your Hat On- engineer:
- Brian Reeves
- producer:
- Richie Zito
- mixer:
- Rik Pekkonen
- bass and synthesizer:
- Arthur Barrow
- guitar:
- Richie Zito
- horn:
- Dick Hyde, Steve Madaio and Joel Peskin
- membranophone:
- Michael Baird
- background vocals:
- Maxine Sharp, Julia Waters and Maxine Waters
- lead vocals:
- Joe Cocker
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- cover recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
- recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
| Joe Cocker | 3.85 | 4:12 |
| 3 | Simply Irresistable | Robert Palmer | 3.6 | 4:13 |
| 4 | Walking on Sunshine | Katrina and the Waves | 3.6 | 3:39 |
| 5 | A Good Heart | Feargal Sharkey | 3.6 | 4:27 |
| 6 | Don’t Forget Me (When I’m Gone)- recording engineer:
- Paul Northfield (lead vocals) and Hayward Parrott
- engineer:
- Mike Jones (task: Sounds Interchange)
- producer:
- Jim Vallance
- assistant mixer:
- Randy Staub
- mixer:
- Ed Thacker
- guest background vocals:
- Bryan Adams (on 1985-11-04)
- recorded at:
- Armoury Studios in Vancouver, British Columbia, Canada (background vocals), Le Studio in Morin‐Heights, Québec , Canada (lead vocals), McClear Place Studios in Toronto, Ontario, Canada (background vocals, horn [horns]), Sounds Interchange in Toronto, Ontario, Canada and Eastern Sound in Toronto, Ontario, Canada (on 1985-11-04: background vocals [Bryan Adams' backing vocals])
- mixed at:
- Phase One Studios in Toronto, Ontario, Canada
- recording of:
- Don’t Forget Me (When I’m Gone)
- written in:
- Vancouver, British Columbia, Canada (in 1985-05)
- writer:
- Alan Frew, Sam Reid and Jim Vallance (in 1985-05)
- publisher:
- Copyright Control and EMI Music Publishing
| Glass Tiger | 4.5 | 4:04 |
| 7 | Don’t You (Forget About Me) | Simple Minds | 4.25 | 4:18 |
| 8 | Imagination | Belouis Some | 3 | 3:34 |
| 9 | Tarzan Boy | Baltimora | 4 | 3:19 |
| 10 | Lets Go All the Way | Sly Fox | | 3:47 |
| 11 | We Close Our Eyes | Go West | 3.2 | 3:41 |
| 12 | And She Was | Talking Heads | 4.15 | 3:38 |
| 13 | Mary’s Prayer | Danny Wilson | | 3:48 |
| 14 | Sailing the Seven Seas | Orchestral Manoeuvres in the Dark | 3 | 3:45 |
| 15 | French Kissing (In the USA) | Deborah Harry | | 5:05 |
| 16 | C’est la vie- recording of:
- C’est la vie
- writer:
- Mark Holding, Robbie Nevil and Duncan Pain
- publisher:
- AFG House Music, BMG Bumblebee , Colgems-EMI Music Inc., Copyright Control , Dresden China Music (A), EMI Music Publishing , MCA Music Publishing , PolyGram Music Publishing, Universal‐MCA Music Publishing , Warner/Chappell Music Ltd. and WC Music Corp.
- sub-publisher:
- シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング フジパシフィック事業部 , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
| Robbie Nevil | | 3:39 |
| 17 | These Dreams- assistant engineer:
- Mike Clink and Brian Foraker
- engineer and producer:
- Ron Nevison
- bass guitar:
- Mark Andes
- drums (drum set):
- Denny Carmassi
- guest background vocals:
- Johnny Colla
- lead vocals:
- Nancy Wilson
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1985)
- recorded at:
- The Plant Studios in Sausalito, California, United States (from 1985-01 until 1985-04) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1985-01 until 1985-04)
- music videos:
- These Dreams by Heart
- recording of:
- These Dreams
- writer:
- Martin Page and Bernie Taupin
- publisher:
- Imagem London Ltd., Intersong Music Ltd., Rouge Booze, Inc., Universal Music–Z Tunes LLC, Zomba Music Publ , Zomba Enterprises, Inc. (from 1984 to ????), Zomba Music Publishers Ltd. (from 1984 to ????), Intersong U.S.A. (from 1984 to present) and Little Mole Music (from 1984 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Heart | 4.3 | 4:13 |
| 18 | China in Your Hand | T’Pau | | 4:46 |
| 19 | Wild World | Maxi Priest | 3.5 | 3:35 |
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