Tracklist

112" Vinyl
#TitleArtistRatingLength
A1Die Zauberflöte: „Der Vogelfänger bin ich ja“
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:40
A2Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:41
A3Die Zauberflöte: „O zitt’re nicht, mein lieber Sohn“
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Roberta Peters (soprano) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:29
A4Die Zauberflöte: „Hm, Hm, Hm…“
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
mezzo-soprano vocals [Dritte Dame der Königin] and soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (contralto) (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (soprano) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:33
A5Die Zauberflöte: „Bei Männern, welche Liebe fühlen“
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:22
A6Die Zauberflöte: „O Isis und Osiris“
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
chorus master:
Günther Arndt (choral conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:59
A7Die Zauberflöte: „Der Hölle Rache kocht in meinem Herzen“
producer:
Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Roberta Peters (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:01
B1Die Zauberflöte: „Ach, ich fühl’s “
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:33
B2Die Zauberflöte: „Ein Mädchen oder Weibchen“
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:01
B3Die Zauberflöte: „Pa-Pa-Pa…“
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
soprano vocals:
Lisa Otto (German operatic soprano, 1919–2013)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Karl Böhm (Austrian conductor)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
included in:
「パ、パ、パ、パ」〜オペラ「魔笛」より
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:43
B4Die Zauberflöte: „Nur stille, stille…“
producer:
Wolfgang Lohse
bass vocals:
Franz Crass (operatic bass)
mezzo-soprano vocals:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) and Sieglinde Wagner (contralto)
soprano vocals:
Hildegard Hildebrecht (soprano), Evelyn Lear (soprano) and Roberta Peters (soprano)
tenor vocals:
Friedrich Lenz (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:26
B5Così fan tutte: Ouvertüre
assistant engineer:
Volker Martin (engineer) (from 1974-07-26 until 1974-08-30) and Gernot Westhäuser (Engineer) (from 1974-07-26 until 1974-08-30)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-07-26 until 1974-08-30)
conductor:
Karl Böhm (Austrian conductor) (from 1974-07-26 until 1974-08-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-07-26 until 1974-08-30)
recorded at:
Salzburg Festival 1974 (1974-07-26 – 1974-08-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Kleines Festspielhaus in Salzburg, Salzburg, Austria (from 1974-07-26 until 1974-08-30)
live recording of:
Così fan tutte: Ouvertura (from 1974-07-26 until 1974-08-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
Wolfgang Amadeus Mozart4:46
B6Così fan tutte: „Soave sia il vento“
assistant engineer:
Volker Martin (engineer) and Gernot Westhäuser (Engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Alfonso, vecchio filosofo]:
Rolando Panerai (baritone) (from 1974-07 until 1974-08)
mezzo-soprano vocals [Dorabella, sorelle ferraresi, abitanti in Napoli]:
Brigitte Fassbaender (mezzo-soprano) (from 1974-07 until 1974-08)
soprano vocals [Fiordiligi, sorelle ferraresi, abitanti in Napoli]:
Gundula Janowitz (soprano) (from 1974-07 until 1974-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-07 until 1974-08)
conductor:
Karl Böhm (Austrian conductor) (from 1974-07 until 1974-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-07 until 1974-08)
recorded at:
Salzburg Festival 1974 (1974-07-26 – 1974-08-30)
recorded at:
Kleines Festspielhaus in Salzburg, Salzburg, Austria (from 1974-07 until 1974-08) and Haus für Mozart in Salzburg, Salzburg, Austria (in 1974-08)
live recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1974-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:06
B7Così fan tutte: „Non siate ritrosi“ / „E voi ridete“
producer:
Werner Mayer (classical producer) (in 1974-06)
baritone vocals:
Rolando Panerai (baritone) (in 1974-08) and Hermann Prey (baritone) (in 1974-08)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1974-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-08)
conductor:
Karl Böhm (Austrian conductor) (in 1974-08)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-08)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (in 1974-08)
live recording of:
Così fan tutte: Atto I. No. 15 Aria “Non siate ritrosi” (Guglielmo) (in 1974-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
live recording of:
Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) (in 1974-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:33
B8Così fan tutte: Finale: „Fortunato l’uom che prende“
producer:
Werner Mayer (classical producer) (in 1974-08)
baritone vocals:
Rolando Panerai (baritone) (in 1974-08) and Hermann Prey (baritone) (in 1974-08)
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1974-08)
soprano vocals:
Reri Grist (American soprano) (in 1974-08) and Gundula Janowitz (soprano) (in 1974-08)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1974-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-08)
conductor:
Karl Böhm (Austrian conductor) (in 1974-08)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-08)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (in 1974-08)
live recording of:
Così fan tutte: Atto II. “Fortunato l’uom che prende” (Tutti) (in 1974-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:54

Credits

Release group

part of:Große Komponisten und ihre Musik (Deutsche Grammophon, Philips, Decca) (number: 54) (order: 3)