Official Remastered Edition

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Annotation

A selection of of Herbert von Karajan's recording from 1946 to 1984 spanning through a 101 CDs, remastered by Warner Classics from the reference 24-bits/96KHz source. The set is comprised of all the individual mini-sets released separately, each in their own clamshell box with booklet and independent numbering. Consequently, the CD numbering of the superset is based on the rough chronological timeframes for each of the subsets.

Annotation last modified on 2023-01-29 10:27 UTC.

Tracklist

1▼CD: J.S. Bach: Mass in B minor - beginning
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Kyrie. Kyrie eleison (chorus)
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach12:17
2Mass in B minor, BWV 232: Kyrie. Christe eleison (soprano/contralto)
producer:
Walter Legge (British classical producer)
contralto vocals:
Marga Höffgen (contralto) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:03
3Mass in B minor, BWV 232: Kyrie. Kyrie eleison (chorus)
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:16
4Mass in B minor, BWV 232: Gloria. Gloria in excelsis (chorus)
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:58
5Mass in B minor, BWV 232: Gloria. Laudamus te (soprano)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:48
6Mass in B minor, BWV 232: Gloria. Gratias agimus (chorus)
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:57
7Mass in B minor, BWV 232: Gloria. Domine Deus (soprano/tenor)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
tenor vocals:
Nicolai Gedda (tenor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:06
8Mass in B minor, BWV 232: Gloria. Qui tollis (chorus)
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:04
9Mass in B minor, BWV 232: Gloria. Qui sedes (contralto)
producer:
Walter Legge (British classical producer)
contralto vocals:
Marga Höffgen (contralto) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:32
10Mass in B minor, BWV 232: Gloria. Quoniam (bass)
producer:
Walter Legge (British classical producer)
bass vocals:
Heinz Rehfuss (baritone) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:26
11Mass in B minor, BWV 232: Gloria. Cum sancto spiritu (chorus)
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:48
12Mass in B minor, BWV 232: Symbolum Nicenum. Credo in unum Deum (chorus)
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:47
13Mass in B minor, BWV 232: Symbolum Nicenum. Patrem omnipotentum
producer:
Walter Legge (British classical producer)
choir vocals:
Wiener Singverein
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:03
14Mass in B minor, BWV 232: Symbolum Nicenum. Et in unum Dominum (soprano/contralto)
producer:
Walter Legge (British classical producer)
contralto vocals:
Marga Höffgen (contralto) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:20
2▶CD: J.S. Bach: Mass in B minor - conclusion, Appendix
3▶CD: Brahms: Ein deutsches Requiem (1947)
4▶CD: Beethoven: Missa solemnis - beginning (1958)
5▶CD: Beethoven: Missa solemnis - conclusion (1958) / Ah! perfido / Fidelio - Abscheulicher! / Mozart: Ave verum corpus / Richard Strauss: Vier letzte Lieder
6▶CD: Schumann: Piano Concerto / Mozart: Piano Concerto no. 21
7▶CD: Beethoven: Piano Concertos 4 & 5 “Emperor”
8▶CD: Mozart: Piano Concertos 23 & 24
9▶CD: Schumann, Grieg: Piano Concertos / Franck: Symphonic Variations
10▶CD: Mozart: Horn Concertos 1-4
11▶CD: Mozart: Sinfonia concertante, K. 297b / Clarinet Concerto
12▶CD: Leimer: Piano Concertos / Massenet: Thaïs - Méditation
13▶CD: Brahms: Piano Concerto no. 2
14▶CD: Mozart: Le nozze di Figaro - Overture / Eine kleine Nachtmusik / Clarinet Concerto / Symphony no. 39
15▶CD: Mozart: Adagio & Fugue, K. 546 / Adagio from Divertimento no. 17, K. 334 / Beethoven: Symphonies 5 & 8
16▶CD: Mozart: Die Schlittenfahrt / Der Kanarienvogel / Symphony no. 33 / Schubert: Symphony no. 9 “Great”
17▶CD: Brahms: Symphony no. 2 / Mozart: Masonic Funeral Music / Richard Strauss: Metamorphosen
18▶CD: Strauss Family: Waltzes and Polkas / Reznicek: Donna Diana - Overture
19▶CD: Strauss Family: Waltzes and Polkas
20▶CD: Chabrier: España / Tchaikovsky: Romeo and Juliet / Symphony no. 6 “Pathétique”
21▶CD: Beethoven: Symphony no. 9 (1947)
22▶CD: Mozart, Mascagni, Puccini, Johann Strauss II, Smetana, Richard Strauss: Opera arias
23▶CD: Wagner: Opera arias, choruses and preludes / Richard Strauss: Excerpts from Der Rosenkavalier, Salome
24▶CD: Sibelius: Symphonies 2 & 5
25▶CD: Sibelius: Symphonies 4 & 5 / Finlandia
26▶CD: Sibelius: Symphonies 6 & 7 / Tapiola
27▶CD: Sibelius: Valse triste / Finlandia / Britten: Frank Bridge Variations / Vaughan Williams: Tallis Fantasia / Handel: Water Music
28▶CD: Bartók: Concerto for Orchestra / Music for strings, percussion and celesta / Kodály: Háry János - Intermezzo
29▶CD: Rossini: Overtures
30▶CD: Gounod, Leoncavallo, Mascagni, Ponchielli, Puccini, Verdi: Intermezzi & Arias / Roussel: Symphony no. 4
31▶CD: Leoncavallo, Mascagni, Offenbach, Ponchielli, Puccini, Verdi: Intermezzi & Dances / Respighi: Pini di Roma
32▶CD: Berlioz: Symphonie fantastique / La Carnaval romain / Marche hongroise / Royal Hunt and Storm
33▶CD: Bizet: Carmen / L'Arlésienne - suites / Chabrier: España / Marche joyeuse / Gounod: Faust - Ballet Music
34▶CD: Debussy: La Mer / Ravel: Rapsodie espagnole / Chabrier: España / Marche joyeuse / Bizet, Granados, Offenbach, Waldteufel, Weinberger: Overtures & Dances
35▶CD: Offenbach: Gaîté parisienne / Bartók: Music for strings, percussion and celesta / Granados, Waldteufel, Weinberger: Overtures & Dances
36▶CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: Vltava / Handel: Water Music
37▶CD: Balakirev: Symphony no. 1 / Borodin: Prince Igor - Polovtsian Dancese / Mussorgsky: Operatic excerpts
38▶CD: Mussorgsky: Pictures at an Exhibition / Khovanshchina, Act 4 - Entr'acte / Prokofiev: Peter and the Wolf
39▶CD: Tchaikovsky: Symphony no. 4 / Swan Lake - Suite
40▶CD: Tchaikovsky: Symphony no. 5 / Sleeping Beauty - Suite
41▶CD: Tchaikovsky: Symphony no. 6 “Pathétique” / The Nutcracker - Suite
42▶CD: Borodin: Prince Igor - Polovtsian Dances / Tchaikovsky: Swan Lake - Suite / Sleeping Beauty - Suite / 1812 Overture
43▶CD: Stravinsky: Jeu de cartes / Mussorgsky: Dance of the Persian Slaves / Tchaikovsky: Symphony no. 4
44▶CD: Beethoven: Symphonies 1 & 2 / Leonore no. 3 Overture
45▶CD: Beethoven: Symphonies 3 “Eroica” & 8
46▶CD: Beethoven: Symphonies 4 & 5 / Coriolan Overture
47▶CD: Beethoven: Symphonies 6 “Pastoral” & 7
48▶CD: Beethoven: Egmont Overture / Symphony no. 9
49▶CD: Beethoven: Symphony no. 9 (1956)
50▶CD: Mozart: Symphonies 35 “Haffner” & 39 (mono versions) / Divertimento no. 15, K. 287
51▶CD: Richard Strauss: Don Juan / Till Eulenspiegel / Tod und Verklärung / Wagner: Tannhäuser - Venusberg Music
52▶CD: Brahms: Symphony no. 1 / Variations on a Theme by Haydn (mono version) / Schmidt: Notre Dame - Intermezzo
53▶CD: Brahms: Symphony no. 2 / Schubert: Symphony no. 8 “Unfinished”
54▶CD: Mozart: Symphony no. 38 “Prague” / Brahms: Symphony no. 4 / Wagner: Tannhäuser - Venusberg Music
55▶CD: Weber: Invitation to the Dance / Strauss Family: Waltzes and Polkas / Suppé: Leichte Kavallerie - Overture
56▶CD: Leopold Mozart: Toy Symphony / Mozart: Eine kleine Nachtmusik / Strauss Family: Waltzes and Polkas / Suppé: Leichte Kavallerie - Overture
57▶CD: Mozart: Eine kleine Nachtmusik / Schubert: Symphony no. 5 / Schumann: Symphony no. 4
58▶CD: Mendelssohn, Nicolai: Overtures / Hindemith: Symphony “Mathis der Maler” / Bruckner: Symphony no. 8 - beginning
59▶CD: Bruckner: Symphony no. 8 - conclusion / Mozart: Symphony no. 29
60▶CD: Wagner, Weber: Preludes & Overtures
61▶CD: Mozart: Symphonies 35 “Haffner” & 39 / Brahms: Variations on a Theme by Haydn (alternative versions)
62▶CD: Vivaldi: The Four Seasons / Massenet: Thaïs - Méditation
63▶CD: Beethoven: Piano Concertos 1 & 2
64▶CD: Beethoven: Piano Concertos 3 & 5 “Emperor”
65▶CD: Beethoven: Piano Concerto no. 4 / Triple Concerto
66▶CD: Mozart: Concerto for Flute and Harp / Flute Concerto no. 1 / Bassoon Concerto
67▶CD: Mozart: Clarinet Concerto / Oboe Concerto
68▶CD: Mozart: Sinfonia concertante, K. 297b / Brahms: Violin Concerto
69▶CD: Tchaikovsky: Piano Concerto no. 1 / Rachmaninov: Piano Concerto no. 2
70▶CD: Franck: Symphonic Variations / R. Strauss: Don Quixote
71▶CD: Telemann, Hummel, L. Mozart, Vivaldi: Trumpet Concertos
72▶CD: Debussy: La Mer / Prélude à l'après-midi d'un faune / Ravel: Boléro / Alborada del gracioso / La Valse
73▶CD: Ravel: Rapsodie espagnole / Le Tombeau de Couperin / Bizet: L'Arlésienne - Suite no. 2 / Chabrier: España / Gounod: Faust - Ballet Music
74▶CD: Berlioz: La Damnation de Faust - Hungarian March / Franck: Symphony / Franck, Mascagni: Operatic Intermezzi
75▶CD: Dvořák: Symphonies 8 & 9 “From the New World”
76▶CD: Smetana: Vltava / Dvořák: Slavonic Dance no. 8 / Bartók: Concerto for Orchestra
77▶CD: Tchaikovsky: Symphony no. 4 / Symphony no. 5 - beginning
78▶CD: Tchaikovsky: Symphony no. 5 - conclusion / Symphony no. 6 “Pathétique”
79▶CD: Haydn: Symphonies 83, 101 & 104
80▶CD: Mozart: Symphonies 35 & 36 / Symphony no. 40 - Rehearsal extracts / Cherubini: Anacréon - Overture
81▶CD: Mozart: Symphonies 38 & 39 / Symphony no. 39 - Rehearsal extracts
82▶CD: Mozart: Symphonies 40 & 41 / Rehearsal extracts
83▶CD: Weber: Der Freischütz - Overture / Schubert: Symphonies 1 & 2
84▶CD: Schubert: Symphonies 3 & 4 / Rosamunde - Ballet Music
85▶CD: Schubert: Rosamunde - Overture / Symphonies 5 & 6
86▶CD: Schubert: Symphonies 8 & 9
87▶CD: Bruckner: Symphony no. 4
88▶CD: Bruckner: Symphony no. 7
89▶CD: J. Strauss II: Die Fledermaus - Overture / Waltzes and Polkas / Schmidt: Notre Dame - Intermezzo
90▶CD: Brahms: Haydn Variations / Tragic Overture / Wagner: Tannhäuser / Die Meistersinger - orchestra music / Humperdinck: Hänsel and Gretel - Overture
91▶CD: R. Strauss: Ein Heldenleben / Wagner: Der fliegende Holländer / Parsifal - orchestral music
92▶CD: R. Strauss: Symphonia domestica / Wagner: Tristan und Isolde / Lohengrin - orchestral music
93▶CD: Haydn: Die Jahreszeiten - beginning
94▶CD: Haydn: Die Jahreszeiten - conclusion
95▶CD: Beethoven: Missa solemnis - beginning (1976)
96▶CD: Beethoven: Missa solemnis - conclusion (1976)
97▶CD: Brahms: Ein deutsches Requiem (1976)
98▶CD: Sibelius: Symphonies 1 & 6
99▶CD: Sibelius: Symphony no. 2
100▶CD: Sibelius: Symphonies 4 & 5
101▶CD: Sibelius: En saga / The Swan of Tuonela / Karelia Suite / Finlandia / Valse triste / Tapiola