The Dream of Gerontius (1986 Digital Remaster)

~ Release by Sir Edward Elgar; Sir Adrian Boult (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1The Dream of Gerontius, op. 38, Part 2: I went to sleep (Soul of gerontius)
producer:
Christopher Bishop (conductor/producer)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar5:54
2The Dream of Gerontius, op. 38, Part 2: My work is done (Angel)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
partial recording of:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:07
3The Dream of Gerontius, op. 38, Part 2: All hail! My child (Soul, angel)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar6:30
4The Dream of Gerontius, op. 38, Part 2: Low-born clods of brute earth (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:01
5The Dream of Gerontius, op. 38, Part 2: It is the restless panting of their being (Angel)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:19
6The Dream of Gerontius, op. 38, Part 2: The mind bold and independent (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:19
7The Dream of Gerontius, op. 38, Part 2: I see not those false spirits (Soul, angel)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:29
8The Dream of Gerontius, op. 38, Part 2: Praise to the holiest (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:15
9The Dream of Gerontius, op. 38, Part 2: The sound is like the rushing of the wind (Soul)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:17
10The Dream of Gerontius, op. 38, Part 2: Glory to him (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:32
11The Dream of Gerontius, op. 38, Part 2: They sing of thy approaching agony (Angel, soul)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:51
12The Dream of Gerontius, op. 38, Part 2: But hark! A grand mysterious harmony (Soul)
producer:
Christopher Bishop (conductor/producer)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:58
13The Dream of Gerontius, op. 38, Part 2: And now the threshold (Angel)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:24
14The Dream of Gerontius, op. 38, Part 2: Praise to the holiest (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar7:57
15The Dream of Gerontius, op. 38, Part 2: Thy judgement now is near (Angel, soul)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:33
16The Dream of Gerontius, op. 38, Part 2: Jesu! By that shuddering dread (Angel)
producer:
Christopher Bishop (conductor/producer)
solo bass vocals:
Robert Lloyd (operatic bass) (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar4:23
17The Dream of Gerontius, op. 38, Part 2: Be merciful, be gracious (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:40
18The Dream of Gerontius, op. 38, Part 2: Praise to his name! (Angel)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:37
19The Dream of Gerontius, op. 38, Part 2: Take me away (Soul)
producer:
Christopher Bishop (conductor/producer)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:42
20The Dream of Gerontius, op. 38, Part 2: Lord, thou hast been our refuge (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:55
21The Dream of Gerontius, op. 38, Part 2: Softly and gently (Angel)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
recording of:
The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar7:03

Credits