100 Hits: Pop

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Ghostbusters
produttore:
Ray Parker Jr.
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (dal 2016 a oggi)
parte di:
Billboard Hot 100: 2025-11-15 (numero: 22)
registrazione di:
Ghostbusters
paroliere e compositore:
Ray Parker Jr.
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (nel 1984) e Raydiola Music (nel 1984)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
si basa su:
I Want a New Drug
Ray Parker Jr.3.94:07
2Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:22
3We Built This City
assistente tecnico:
Paul Ericksen (recording engineer)
tecnico:
Jeremy Smith (producer/engineer)
produttore:
Jeremy Smith (producer/engineer) e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
tecnico di missaggio:
Bill Bottrell
altra voce [DJ voice]:
Les Garland (American entertainment executive) (nel 1985)
arrangiatore:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
remixata presso:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, Stati Uniti
registrazione di:
We Built This City (nel 1985)
autore:
Dennis Lambert, Martin Page, Bernie Taupin e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) e Zomba Enterprises, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:52
4Maneater
assistente tecnico:
Bruce Buckhalter (Engineer), Barry Harris (engineer) e Michael Somer-Abbott
tecnico:
Neil Kernon
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
tecnico di missaggio:
Hugh Padgham
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1982), BMG Music (nel 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
registrazione di:
Maneater (nel 1981-12)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:32
5Together Forever
programmazione degli strumenti:
Ian Curnow (nel 1987)
assistente tecnico:
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman) e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
batteria [drums] :
A Linn (Linn 9000) (nel 1987)
chitarra [guitars] :
Matt Aitken (nel 1987)
tastiera [keyboards] :
Mike Stock (of Stock Aitken Waterman) e Matt Aitken (nel 1987)
voce:
Rick (English singer, songwriter and radio personality) (nel 1987)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1987), Shirley Lewis (nel 1987), Mae McKenna (vocalist) (nel 1987) e Suzanne Rhatigan (nel 1987)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
Pete Waterman Ltd. (copyrights holder) (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1987) e PWL Studio 2 (nel 1987)
mixata presso:
PWL Studio 1 e PWL Studio 2
registrazione di:
Together Forever (nel 1987)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Terrace Music (dal 1987 a oggi)
Rick Astley4.653:27
6Antmusic
produttore:
Chris Hughes (producer, aka “Merrick”)
armonica (a bocca) , chitarra acustica , pianoforte e voce principale:
Adam Ant (English new wave singer and actor)
batteria :
Merrick (producer, aka “Merrick”) e Terry Lee Miall
chitarra basso :
Kevin Mooney
chitarra elettrica :
Marco Pirroni (British musician and producer)
voce:
Kevin Mooney
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1980, nel 2004), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1980)
video musicali:
Antmusic di Adam and the Ants (English new wave band)
parte di:
The Downloader’s Music Source Book (numero: 139)
registrazione di:
Antmusic
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing MGB Ltd.
Adam and the Ants43:38
7Love Plus One
produttore:
Bob Sargeant
batteria :
Blair Cunningham
chitarra :
Graham Jones (Haircut 100)
percussione :
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
sassofono :
Phil Smith (Saxophonist)
strumenti:
Leslie Nemes
voce:
Nick Heyward
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd. (nel 1982) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 90)
registrazione di:
Love Plus One
paroliere e compositore:
Nick Heyward
editore:
Bryan Morrison Music Ltd.
Haircut One Hundred43:33
8I Could Be Happy
registrazione di:
I Could Be Happy
paroliere e compositore:
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone e Jim McKinven
Altered Images53:32
9Love Resurrection
produttore:
Steve Jolley e Tony Swain (songwriter, producer)
batteria :
Tim Goldsmith
tastiera :
Tony Swain (songwriter, producer)
voce di accompagnamento e voce principale:
Alison Moyet
video musicali:
Love Resurection di Alison Moyet
registrazione di:
Love Resurrection
autore:
Steve Jolley, Alison Moyet e Tony Swain (songwriter, producer)
Alison Moyet33:53
10I Feel the Earth Move
programmazione degli strumenti:
Michael Jay (producer/engineer) (dal 1988-04 al 1988-05)
assistente tecnico:
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) e Karen Siegel (engineer)
tecnico e tecnico di missaggio:
Michael McDonald (engineer)
produttore:
Michael Jay (producer/engineer)
chitarra :
Don Kirkpatrick (guitarist/songwriter) (dal 1988-04 al 1988-05)
tastiera [keyboards] :
Greg Smith (Producer/Keyboards) (dal 1988-04 al 1988-05)
tastiera [keyboards] aggiunto:
Claude Gaudette (session musician, songwriter, composer) (dal 1988-04 al 1988-05)
voce di accompagnamento:
Donna DeLory (dal 1988-04 al 1988-05), Rick Jude Palombi (dal 1988-04 al 1988-05) e Mona Lisa Young (US funk / soul singer) (dal 1988-04 al 1988-05)
arrangiatore:
Michael Jay (producer/engineer)
arrangiatore voci:
Michael Jay (producer/engineer) e Martika (American singer‐songwriter and actress)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1988)
registrata presso:
Trax Recording Studio in Hollywood, Los Angeles, California, Stati Uniti (dal 1988-04 al 1988-05)
mixata presso:
Garden Rake Studio in Studio City, Los Angeles, California, Stati Uniti
registrazione cover di:
I Feel the Earth Move (dal 1988-04 al 1988-05)
paroliere e compositore:
Carole King
editore:
Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) e Screen Gems–EMI Music Ltd. (nel 1988)
Martika24:15
11Break My Stride
programmazione degli strumenti:
John Gilston (nel 1983)
produttore:
Peter Bunetta, Rick Chudacoff e Bill Elliott (keyboardist/composer)
batteria , drum machine [Oberheim DMX] e percussione :
Peter Bunetta (nel 1983)
chitarra :
Dennis Herring (nel 1983)
sintetizzatore analogico [Prophet-5] :
Bill Elliott (keyboardist/composer) (nel 1983) e Matthew Wilder (nel 1983)
voce di accompagnamento:
Greg Prestopino (nel 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (nel 1983) e Matthew Wilder (nel 1983)
voce principale:
Matthew Wilder (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrata presso:
Pasha Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 39)
registrazione di:
Break My Stride (nel 1983)
autore:
Greg Prestopino e Matthew Wilder
editore:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (nel 1983), No Ears Music (nel 1983) e Streetwise Music (US publisher) (nel 1983)
Matthew Wilder3.43:03
12Dr. Beat
voce principale:
Gloria Estefan
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Dr. Beat
paroliere e compositore:
Enrique Garcia (Miami Sound Machine)
editore:
EMI Songs Ltd. e Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:23
13Automatic
registrata a:
Los Angeles, California, Stati Uniti (nel 1983)
tecnico di registrazione:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (nel 1983)
programmazione degli strumenti:
Brock Walsh (singer, producer, songwriter) (nel 1983)
produttore:
Richard Perry (producer)
produttore associato:
Glen Ballard e Brock Walsh (singer, producer, songwriter)
basso :
Eddie N. Watkins Jr. (nel 1983)
chitarra :
Mark Goldenberg (nel 1983) e Dennis Herring (nel 1983)
minimoog e sintetizzatore :
John Van Tongeren (nel 1983)
sintetizzatore :
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983), Howie Rice (nel 1983) e Brock Walsh (singer, producer, songwriter) (nel 1983)
voce principale:
Ruth Pointer (nel 1983)
remixer:
Bill Schnee
registrazione di:
Automatic (nel 1983)
compositore:
Brock Patrick Walsh (singer, producer, songwriter) e Mark Goldenberg
The Pointer Sisters44:48
14System Addict
registrazione di:
System Addict
autore:
Gary Bell e Billy Livsey
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Five Star4:04
15Building a Bridge to Your Heart
registrazione di:
Bridge to Your Heart
autore:
Andrew Gold e Graham Gouldman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music (Island Music Ltd.), Island Music Ltd., Sluggogsongs e St. Anne’s Music Ltd.
Wax4:13
16Safety Dance
produttore:
Marc Durand (Canadian producer)
diritti fonografici (℗) detenuti da:
Statik Records (nel 1982) e Marc Durand Production (nel 1983)
edit di:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
video musicali:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 39) e Huffington Post: 100 Best Canadian Songs Ever (numero: 48)
registrazione di:
The Safety Dance (dal 1982-01 al 1982-03)
paroliere e compositore:
Ivan Doroschuk (Men Without Hats)
editore:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (nel 1982) e Wintrup Musik (nel 1982)
Men Without Hats3.82:47
17My Camera Never Lies
registrazione di:
My Camera Never Lies
autore:
Andy Hill (English producer & songwriter) e Nichola Martin (songwriter)
editore:
Big Note Music Ltd., Paper Music Ltd. e Universal Music Publishing MGB Limited
Bucks Fizz4:03
18Boys (Summertime Love)
produttore:
Claudio Cecchetto (Italian record producer & talent scout)
è stato produttore per:
Five Record (Italian label owned by Fininvest)
registrazione di:
Boys (Summertime Love)
paroliere:
Claudio Cecchetto (Italian record producer & talent scout) e Malcolm Charlton
compositore:
Matteo Bonsanto e Roberto Rossi (composer)
editore:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina Salerno3.63:57
19Sign of the Times
tecnico:
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) e Julian Mendelsohn (Australian record producer and engineer)
produttore:
Peter Collins (producer)
batteria :
Judy Parsons
chitarra :
Sarah‐Jane Owen
chitarra basso :
Lesley Shone
sassofono contralto :
Miranda Joyce
voce principale:
Jennie Matthias
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1983)
registrazione di:
Sign of the Times
autore:
Stella Barker, Clare Hirst, Miranda Joyce, Jennie Matthias, Sarah‐Jane Owen, Judy Parsons e Lesley Shone
The Belle Stars4.652:55
20Good Thing Going
registrazione di:
We’ve Got a Good Thing Going
autore:
The Corporation (Motown songwriters), Berry Gordy, Fonce Mizell, Freddie Perren e Deke Richards (American songwriter and record producer)
editore:
Jobete Music (UK) Ltd.
Sugar Minott3.53:34
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parte di:100 Hits (UK Demon Music Group) (numero: 13) (ordine: 45)