The GRAMMYS: 50th Anniversary Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1(Just Like) Starting Over
Techniker(in):
Lee DeCarlo
Produzent(in):
Jack Douglas, John Lennon (The Beatles) und Yoko Ono (Japanese‐American musician and artist)
Bassgitarre:
Tony Levin (US rock bassist/Chapman stick player)
E-Gitarre:
John Lennon (The Beatles), Hugh McCracken und Earl Slick
Keyboard:
George Small
Perkussion:
Arthur Jenkins
Schlagzeug:
Andy Newmark
Hintergrundgesang:
Cheryl Mason Jacks, Michelle Simpson, Eric Troyer und Cassandra Wooten
Sologesang:
John Lennon (The Beatles)
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) und Calderstone Productions Limited (in 2016)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1980-08-09)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1980-09-25 bis 1980-09-26)
Musikvideos:
(Just Like) Starting Over von John Lennon (The Beatles)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 76)
recording of:
(Just Like) Starting Over
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
Lenono Music und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
John Lennon3.753:57
2Every Breath You Take
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass und Sologesang:
Sting (singer, songwriter & member of The Police) (in 1983)
E-Gitarre:
Andy Summers (in 1983)
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer) (in 1983)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1983) und A&M Records, Inc. (in 1997)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1983) und Le Studio in Morin‐Heights, Québec (Quebec), Kanada (in 1983)
Musikvideos:
Every Breath You Take von The Police (British rock band)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 287) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 305)
recording of:
Every Breath You Take (in 1983)
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) und Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Police4.054:15
3Do You Really Want to Hurt Me
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:24
4Smooth Operator
Produzent(in):
Robin Millar
Bassgitarre:
Paul S. Denman (von 1983-10 bis 1983-11)
Gitarre und Saxophon:
Stuart Matthewman (von 1983-10 bis 1983-11)
Keyboard:
Andrew Hale (keyboardist/composer) (von 1983-10 bis 1983-11)
vocals:
Sade Adu (von 1983-10 bis 1983-11)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1984), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1984) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
aufgenommen bei:
Power Plant in London (Greater London), England, Vereinigtes Königreich (von 1983-10 bis 1983-11)
Bearbeitung von:
Smooth Operator / Red Eye (medley) (extended version) von Sade (Group w/ singer of same performance name)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 78)
recording of:
Smooth Operator (von 1983-10 bis 1983-11)
Texter und Komponist(in):
Sade Adu und Raymond St. John
publisher:
Angel Music Ltd., Peer Music, Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.34:55
5Fast Car
Techniker(in) und Mix:
Kevin Smith (American DJ, producer and hip hop pioneer based in New York City)
Produzent(in):
David Kershenbaum
Akustikgitarre, E-Gitarre und Perkussion:
Tracy Chapman (American singer‐songwriter)
Bassgitarre:
Larry Klein
Schlagzeug:
Denny Fongheiser
Steel-Gitarre:
Ed Black
vocals:
Tracy Chapman (American singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) und Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2015)
aufgenommen bei und mixed at:
Powertrax Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 71), BILLIONS CLUB, Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 113), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 165) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 275)
recording of:
Fast Car
Texter und Komponist(in):
Tracy Chapman (American singer‐songwriter)
publisher:
April Music Inc., EMI April Music Inc., Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
Kobalt Music Publishing France, Kobalt Music Publishing Italia Ltd und Kobalt Music Publishing Ltd. (UK)
Tracy Chapman4.44:59
6Tears in Heaven
recording engineer:
Ed Cherney und Jeff DeMorris
Produzent(in):
Russ Titelman
Mix:
Ed Cherney und Alex Haas (Trance remixer/producer. Member of Cypher 7)
Bass:
Nathan East
Cláirseach [celtic harp]:
Gayle Levant (American studio musician, harpist)
drum machine:
Jimmy Bralower
Gitarre und Resonatorgitarre [dobro]:
Eric Clapton
Pedal-Steel-Gitarre:
Jay Dee Maness (American pedal steel guitarist)
Perkussion:
Lenny Castro
Synthesizer:
Randy Kerber
vocals:
Eric Clapton
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten und The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Tears in Heaven
Verfasser(in):
Eric Clapton und Will Jennings
publisher:
Blue Sky, EC Music (UK work publisher for Eric Clapton), Rondor Music (London) Ltd. und Warner Chappell Music Ltd (no slash; used 1988–1996)
Eric Clapton3.14:36
7Constant Craving
Produzent(in):
k.d. lang, Ben Mink und Greg Penny
accordion und Klavier:
Teddy Borowiecki
E-Bass:
David Piltch
guitar family und Geige / Violine:
Ben Mink
Perkussion:
Graham Boyle (drummer)
Schlagzeug:
Randall Stoll (drummer)
Vibraphon:
Gary Burton (jazz vibraphonist and composer)
vocals:
k.d. lang
zusätzlich vocals:
Sue Leonard
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992) und Warner Music H.K. Ltd. (in 1997)
aufgenommen bei:
Vancouver Studios in Vancouver, British Columbia, Kanada
mixed at:
Saylor Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Constant Craving (music video) von k.d. lang
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 14)
recording of:
Constant Craving
Texter und Komponist(in):
k.d. lang und Ben Mink
publisher:
Bumstead Publishing und Zavion Music
k.d. lang3.84:38
8All I Wanna Do
Techniker(in):
Blair Lamb
Produzent(in):
Bill Bottrell
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1993) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 405)
recording of:
All I Wanna Do
Verfasser(in):
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) und Kevin Gilbert (singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Old Crow Music (Sheryl Crow’s publishing label), Reservoir One America, Sony/ATV Tunes LLC (ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WC Music Corp. und Zen of Iniquity
Sheryl Crow3.94:33
9Where It’s At
Produzent(in) und Mix:
Beck Hansen (alt rock, multi‐instrumentalist Beck Hansen) und The Dust Brothers (production duo John King & Mike Simpson)
Akustikgitarre, Bassgitarre, Celesta, Clavinet, Schlagzeug, E-Gitarre, Hybrid-Piano, Mundharmonika, Keyboard, Orgel, Perkussion und Slide-Gitarre und Sologesang:
Beck Hansen (alt rock, multi‐instrumentalist Beck Hansen)
Orgel und Trompete:
Mike Boito
Saxophon:
David Arthur Brown (member of Brazzaville)
aufgenommen bei:
PCP Labs (PCP Labs) in Silver Lake, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Conway Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Samples:
Needle to the Groove von Mantronix (the group)
Musikvideos:
Where It's At (Music video) von Beck (alt rock, multi‐instrumentalist Beck Hansen)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 155)
recording of:
Where It’s At
Verfasser(in):
Beck Hansen (alt rock, multi‐instrumentalist Beck Hansen), John King (US producer, The Dust Brothers) und Mike Simpson (member of The Dust Brothers)
Beck3.755:32
10Building a Mystery
Produzent(in):
Pierre Marchand
Akustikgitarre und E-Gitarre:
Sarah McLachlan
Bass:
Brian Minato
E-Gitarre:
Michel Pepin
Schlagzeug:
Ashwin Sood
Hintergrundgesang:
Pierre Marchand
vocals:
Sarah McLachlan
phonographisches Urheberrecht (℗) von:
Nettwerk Productions Ltd. (in 1997)
Musikvideos:
Building a Mystery von Sarah McLachlan
recording of:
Building a Mystery
Verfasser(in):
Pierre Marchand und Sarah McLachlan
publisher:
Pierre J Marchand und Tyde Music
Teil von:
East Coast Music Association Song of the Year Nominees (Nummer: 1998)
Sarah McLachlan44:09
11Down to the River to Pray
recording engineer und Mix:
Mike Piersante (recording engineer & mixer)
assistierende(r) Techniker(in):
Matt Andrews und Rail Rogut
Produzent(in):
T‐Bone Burnett (musician, songwriter and producer)
assistierende(r) Mix:
Ok Hee Kim
Chorgesang:
The First Baptist Choir of White House, Tennessee
Sologesang:
Alison Krauss
zusätzlich vocals:
Norman Blake (bluegrass guitarist), Dub Cornett, Pat Enright, Porter McClister, Tim O’Brien (US bluegrass musician), Maura O’Connell, Sam Phillips (Singer-songwriter formerly known as Leslie Phillips), David Rawlings (American guitarist, singer and producer) und Gillian Welch
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 2000)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
The Good Old Way
Verfasser(in):
[traditional] (special purpose artist)
Alison Krauss42:57
12Lonestar
assistierende(r) Techniker(in):
Dick Kondas
Techniker(in):
Jay Newland (producer, engineer and mixer)
Produzent(in):
Arif Mardin
Mix:
Arif Mardin und Jay Newland (producer, engineer and mixer)
Akustikgitarre:
Adam Levy (jazz guitarist)
Akustikgitarre und Slide-Gitarre:
Tony Scherr
Bassgitarre:
Lee Alexander (US bassist, songwriter & producer)
Orgel [Pump organ]:
Rob Burger
Schlagzeug:
Brian Blade (US jazz drummer, composer, and session musician)
Sologesang:
Norah Jones
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Allaire Studios in Bearsville, New York, Vereinigte Staaten und Sorcerer Sound in New York, New York, Vereinigte Staaten
mixed at:
Sear Sound in New York, New York, Vereinigte Staaten
recording of:
Lonestar
Texter und Komponist(in):
Lee Alexander (US bassist, songwriter & producer)
Norah Jones3.053:08
13Feel Good Inc. (album version)
Programmierung:
James Dring
Techniker(in):
Jason Cox (UK production/engineer)
Produzent(in):
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring und Gorillaz (virtual band)
Mix:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) und Gorillaz (virtual band)
zusätzlich Gitarre:
Simon Tong (The Verve)
Sologesang:
De La Soul
Musikvideos:
Feel Good Inc. von Gorillaz (virtual band)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 40) und BILLIONS CLUB
recording of:
Feel Good Inc. (in 2004)
Verfasser(in):
Damon Albarn, Brian Burton, Jamie Hewlett und Dave Jolicoeur (Plug 2 of De La Soul)
publisher:
80’s Kid Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc. und Underground Animals
Gorillaz feat. De La Soul43:44
14Gravity
Bassgitarre:
Pino Palladino
Keyboard und Orgel:
Larry Goldings
Schlagzeug:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
Sologesang:
John Mayer (US singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Aware Records LLC (in 2006)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 85)
recording of:
Gravity
Texter und Komponist(in):
John Mayer (US singer‐songwriter)
John Mayer4.254:06
15Not Ready to Make Nice
Assistent recording engineer:
Kevin Dean (US engineer) und Vanessa Par (assistant engineer)
recording engineer:
Jim Scott (US recording engineer and producer) und Chris Testa
zusätzlich recording engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter) und John Silva
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
assistierende(r) Mix:
John Netti
Mix:
Richard Dodd (mastering engineer, producer and engineer)
flute:
Steve Kujala
Saiteninstrumente:
Larry Corbett, Mario DeLeon, Joel Derouin, Andrew Duckles, Matt Funes, Gerardo Hilera (violinist) und Martie Maguire
Waldhorn:
Joe Meyer (French horn player) und Brad Warnaar (American composer)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger) und Martie Maguire
aufgenommen bei:
Sunset Sound Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Blackbird Studio B (Blackbird Studio) in Nashville, Tennessee, Vereinigte Staaten
Teil von:
Holler's Best 2000s Country Songs (Nummer: 71) und Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 2007 winner)
recording of:
Not Ready to Make Nice
Texter und Komponist(in):
Martie Maguire, Natalie Maines, Emily Robison und Dan Wilson (American singer/songwriter)
Dixie Chicks43:58

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