Now and Then

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Want to Break Free
Assistent recording engineer:
Eddie DeLena (engineer) (von 1983-08 bis 1984-01) und Stephan Wissnet (von 1983-08 bis 1984-01)
recording engineer und Programmierung:
Reinhold Mack (German rock producer/engineer Reinhold Mack) (von 1983-08 bis 1984-01)
zusätzlich recording engineer:
Mike Beiriger (von 1983-08 bis 1984-01)
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
zusätzliche(r) Techniker(in):
Mike Beiriger
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Queen (UK rock group)
Akustikgitarre, Bassgitarre und Synthesizer:
John Deacon (von 1983-08 bis 1984-01)
E-Gitarre:
John Deacon (von 1983-08 bis 1984-01) und Brian May (Queen guitarist) (von 1983-08 bis 1984-01)
elektronisches Schlagzeug / E-Drums:
Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Gast-Solo-Synthesizer:
Fred Mandel (von 1983-08 bis 1984-01)
Sologesang:
Freddie Mercury (von 1983-08 bis 1984-01)
phonographisches Urheberrecht (℗) von:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) und Raincloud Productions Ltd. (in 1984, in 2011)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
Musikvideos:
I Want to Break Free (music video) von Queen (UK rock group)
recording of:
I Want to Break Free (von 1983-08 bis 1984-01)
Texter und Komponist(in):
John Deacon
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen4.14:19
2What’s Up
recording engineer:
David Tickle (in 1992) und Mark Hensley (in 1992)
zusätzliche(r) Techniker(in):
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy und Paul Dieter (American sound engineer and producer.)
Produzent(in) und Mix:
David Tickle
Akustikgitarre und E-Gitarre:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
Bass und Hintergrundgesang:
Christa Hillhouse (in 1992)
Gitarre:
Louis Metoyer (in 1992) und Roger Rocha (in 1992)
Klavier:
Laurent Tardy (in 1992)
Schlagzeug:
Dawn Richardson (in 1992)
Sologesang:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
aufgenommen bei:
Groove Masters in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1992), The Bunker (in 1992) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1992)
mixed at:
The Bunker
Musikvideos:
What’s Up? von 4 Non Blondes
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 46), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 486)
recording of:
What’s Up? (in 1992)
Texter und Komponist(in):
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat und Stuck in the Throat Music
4 Non Blondes3.94:56
3One of Us
recording of:
One of Us
Texter und Komponist(in):
Eric Bazilian
Joan Osborne5:03
4I Don’t Want a Lover
Techniker(in):
Simon Vinestock
Produzent(in):
Tim Palmer (British producer/mixer)
Bass:
Johnny McElhone
Gitarre:
Giuliano Gizzi, Ally McErlaine (Scottish guitarist) und Sharleen Spiteri
Keyboard:
Craig Armstrong (Scottish score composer) und Wix (UK / Paul Wickens)
Mundharmonika:
Mark Fletman
Schlagzeug:
Stuart Kerr
Hintergrundgesang:
Stuart Kerr und Sharleen Spiteri
Herausgeber:
10 Music Ltd.
recording of:
I Don’t Want a Lover
Texter und Komponist(in):
Johnny McElhone und Sharleen Spiteri
publisher:
BMG 10 Music Ltd.
Texas3.655:00
5Rock DJ
drum machine-Programmierung:
Andy Duncan (UK drummer and producer)
assistierende(r) Techniker(in):
David Naughton (UK engineer/producer) (Aufgabe: assistant mix engineer)
zusätzliche(r) Techniker(in):
Σάββας Ιωσηφίδης, Steve Price (UK recording engineer/producer/orchestrator/arranger) (Aufgabe: orchestral engineer) und Richard Woodcraft
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Mix:
Steve Power
Bassgitarre:
Winston Blissett
Blechblasinstrumente:
Dave Bishop (saxophonist), Neil Sidwell und Steve Sidwell (English composer & wind instrumentalist)
E-Gitarre:
Neil Taylor (guitarist)
Keyboard [all keyboards]:
Guy Chambers (English songwriter and record producer)
Vocoder:
Steve Power
Hintergrundgesang:
Andy Caine, Derek Green, Katie Kissoon, Sylvia Mason‐James (British singer), Tessa Niles und Paul "Tubbs" Williams (UK bass player, producer, vocalist)
Sologesang:
Robbie Williams
Orchester:
The London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
arranger:
Guy Chambers (English songwriter and record producer)
Orchestrator(in):
Nick Ingman
Samples:
It’s Ecstasy When You Lay Down Next to Me von Barry White
recording of:
Rock DJ
Verfasser(in):
Kelvin Andrews, Guy Chambers (English songwriter and record producer), Ekundayo Paris, Nelson Pigford und Robbie Williams
publisher:
Bella Figura Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), Farrell Music Limited, Hit & Run Music (Publishing) Ltd, Kobalt Music Publishing Ltd. (UK), Me-Benish Music LLC, Phoenix Music International Limited, Seven Songs, Virgin Music Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Robbie Williams3.454:17
6Kiss
Produzent(in):
Art of Noise, Anne Dudley (English score composer) und J.J. Jeczalik
Sologesang:
Tom Jones (Welsh pop singer) (in 1988)
Interpret(in):
Art of Noise (in 1988)
arranger:
Art of Noise, Anne Dudley (English score composer) und J.J. Jeczalik
phonographisches Urheberrecht (℗) von:
China Records (UK label founded by Derek Green) (in 1988)
Samples:
Close (to the Edit) von Art of Noise, Dragnet von Art of Noise, Moments in Love von Art of Noise, Paranoimia (7″ mix) von The Art of Noise with Max Headroom (titular character from "Max Headroom") und Peter Gunn von The Art of Noise featuring Duane Eddy
Musikvideos:
Kiss von Art of Noise featuring Tom Jones (Welsh pop singer)
cover recording of:
Kiss (in 1988)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Art of Noise feat. Tom Jones33:32
7…Baby One More Time
recording engineer, Produzent(in) und Mix:
Max Martin (Swedish record producer) und Rami (Swedish record producer and songwriter)
Bassgitarre:
Tomas Lindberg (Swedish bass player)
Gitarre:
Johan Carlberg
Hintergrundgesang:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) und Britney Spears
Sologesang:
Britney Spears
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) und Zomba Recording LLC (in 1999)
gemixt für und produced for:
Cheiron Productions
aufgenommen bei und mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
…Baby One More Time von Britney Spears, …Baby One More Time (official music video) von Britney Spears, …Baby One More Time (Angle 1) von Britney Spears und …Baby One More Time (Angle 2) von Britney Spears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 205) und BILLIONS CLUB
recording of:
…Baby One More Time
Texter und Komponist(in):
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Freaky Friday (2003)
Britney Spears3.83:32
8Erase/Rewind
assistierende(r) Techniker(in):
Lars Göransson (1970s Swedish folk singer)
Techniker(in), Produzent(in) und Mix:
Tore Johansson
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Schlagzeug:
Bengt Lagerberg
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Universal Music AB (Swedish subsidiary of Universal Music Group)
mixed at und engineered at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Schweden
produced at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Schweden
recording of:
Erase/Rewind
Texter:
Nina Persson
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
The Cardigans3.753:37
9Lifted
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1996)
recording of:
Lifted
Verfasser(in):
Tunde Baiyewu, Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) und Paul Tucker
publisher:
Lots of Hits Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family24:14
10Kiss the Rain
Produzent(in):
Desmond Child
phonographisches Urheberrecht (℗) von:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1997)
recording of:
Kiss the Rain
Verfasser(in):
Eric Bazilian, Desmond Child und Billie Myers (UK rock singer‐songwriter)
publisher:
DESMOPHOBIA PolyGram International Publishing, Inc. (in 1997), EMI Blackwood Music (in 1997), Human Boy (in 1997) und WB Music Corp. (1929–2019) (in 1997)
Billie Myers4.654:32
11More Than Words
assistierende(r) Techniker(in):
Craig Doubet (recording engineer)
Techniker(in):
Bob St. John
Produzent(in) und Mix:
Michael Wagener
Bassgitarre:
Pat Badger
Gitarre, Keyboard, Perkussion und Klavier und Hintergrundgesang:
Nuno Bettencourt
Schlagzeug und Perkussion:
Paul Geary
Hintergrundgesang und Sologesang:
Gary Cherone
phonographisches Urheberrecht (℗) von:
A&M Records (in 1990)
recording of:
More Than Words
Verfasser(in):
Nuno Bettencourt und Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Funky Metal Publishing
Extreme3.755:36
12Cats in the Cradle
Techniker(in) und Mix:
Mark Dodson (UK producer) und Randy Long
Produzent(in):
Mark Dodson (UK producer)
Bassgitarre:
Cordell Crockett (in 1992)
Gitarre:
Klaus Eichstadt (in 1992) und Dave Fortman (in 1992)
Schlagzeug:
Mark Davis (US drummer for Ugly Kid Joe) (in 1992)
Hintergrundgesang:
Jennifer Barry (in 1992)
Sologesang:
Whitfield Crane (in 1992)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1992)
cover recording of:
Cat’s in the Cradle (in 1992)
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ugly Kid Joe3.754:02
13I’d Do Anything for Love (But I Won’t Do That)
Produzent(in):
Jim Steinman
recording of:
I’d Do Anything for Love (but I Won’t Do That)
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf35:25
14Addicted to Love
Produzent(in):
Bernard Edwards (American bassist and record producer)
Musikvideos:
Addicted to Love von Robert Palmer (English singer‐songwriter)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 85)
recording of:
Addicted to Love
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und WC Music Corp.
Robert Palmer4.755:58
15White Wedding
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol4.154:13
16The Look
Programmierung:
Anders Herrlin (in 1988-08) und Clarence Öfwerman (in 1988-08)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman und Alar Suurna
Bassgitarre:
Anders Herrlin (in 1988-08)
E-Gitarre:
Jonas Isacsson (in 1988-08)
Hi-Hat und Schlagzeug:
Pelle Alsing (in 1988-08)
Keyboard:
Clarence Öfwerman (in 1988-08)
klassiche Gitarre:
Erik Borelius (in 1988-08)
Saxophon:
Erik Häusler (in 1988-08)
Slide-Gitarre:
Janne Oldaeus (in 1988-08)
Hintergrundgesang:
Marie Fredriksson (in 1988-08), Per Gessle (Swedish singer and guitarist) (in 1988-08) und Clarence Öfwerman (in 1988-08)
Sologesang:
Marie Fredriksson (in 1988-08) und Per Gessle (Swedish singer and guitarist) (in 1988-08)
phonographisches Urheberrecht (℗) von:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) und EMI Svenska AB (not for release label use!)
aufgenommen bei:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1988-08)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
The Look (in 1988-08)
Texter und Komponist(in):
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.63:57
17Maria
Produzent(in):
Ian Blake (pseudonym of Robi Rosa, associated with Ricky Martin) und K.C. Porter (record producer, songwriter, musician and singer)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 159)
recording of:
María
Verfasser(in):
Luis Gómez Escolar, K.C. Porter (record producer, songwriter, musician and singer) und Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
publisher:
Olinga Music, Draco Cornelius Music (vom 1995 bis heute), Mundo Nuevo Music (vom 1995 bis heute), Música Calaca S.L. (vom 1995 bis heute), Para-sac Music Corporation (vom 1995 bis heute) und Sony/ATV Latin Music Publishing (vom 1995 bis heute)
sub-publisher:
ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ricky Martin44:29
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