The Complete Recordings on Erato

~ Release by John Eliot Gardiner (see all versions of this release, 1 available)

Tracklist

1▶CD: Purcell: Ode for the Birthday of Queen Mary / Music for the funeral of Queen Mary
2▶CD: Dixit Dominus / Coronation Anthem no. 1
3▶CD: Rameau: Les Fêtes d’Hébé (La Danse)
4▶CD: Handel: The ways of Zion do mourn
5▶CD: Massenet: Scènes dramatiques / Scènes de féerie / Le Dernier Sommeil de la Vierge
6▶CD: Massenet: Scènes alsaciennes / Scènes pittoresques / Don Quichotte (2 Interludes)
7▶CD: Handel: Israel in Egypt: Exodus & Moses’ Song (beginning)
8▶CD: Handel: Israel in Egypt: Moses’ Song (conclusion)
9▶CD: Music of the “Chapels Royal”
10▶CD: Purcell: The Tempest
11▶CD: Purcell: The Indian Queen
12▶CD: Messe des morts (Requiem)
13▶CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 1)
14▶CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 2 & 3)
15▶CD: J.S. Bach: Mottets BWV 226 & 228–231 · Cantata BWV 118 / Kuhnau: Motet BWV 1149
16▶CD: J.S. Bach: Mottets BWV 225 & 227 · Cantata BWV 50
17▶CD: Handel: Concerti Grossi, op. 3
18▶CD: Handel: Water Music
19▼CD: J.S. Bach: Cantatas BWV 4 & 131
#TitleArtistRatingLength
1Cantata “Christ lag in Todesbanden”, BWV 4: I. Sinfonia
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:32
2Cantata “Christ lag in Todesbanden”, BWV 4: II. Chorus: “Christ lag in Todes Banden”
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:31
3Cantata “Christ lag in Todesbanden”, BWV 4: III. Duet: “Den Tod niemand zwingen kunnt” (Chorus: Soprano, Alto)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach5:37
4Cantata “Christ lag in Todesbanden”, BWV 4: IV. Arie: “Jesus Christus, Gottes Sohn” (Chorus: Tenor)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
tenor vocals:
William Kendall (tenor) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:55
5Cantata “Christ lag in Todesbanden”, BWV 4: V. Chorus: “Es war ein wunderlicher Krieg”
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:59
6Cantata “Christ lag in Todesbanden”, BWV 4: VI. Aria: “Hier ist das rechte Osterlamm” (Chorus: Bass)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1980-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:27
7Cantata “Christ lag in Todesbanden”, BWV 4: VII. Duet: “So feiern wir das hohe Fest” (Chorus: Soprano, Tenor)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
tenor vocals:
William Kendall (tenor) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:49
8Cantata “Christ lag in Todesbanden”, BWV 4: VIII. Chorale: “Wir essen und leben wohl”
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:19
9Cantata “Aus der Tiefe rufe ich, Herr, zu dir”, BWV 131: I. Sinfonia with chorus: “Aud der Tiefe rufe ich, Herr, zu dir”
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: I. Sinfonia und Chor „Aus der Tiefen rufe ich, Herr, zu dir“ (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach4:41
10Cantata “Aus der Tiefe rufe ich, Herr, zu dir”, BWV 131: II. Arioso and Choral: “So du willst, Herr, Sünde zurechen” (Solo baritone, Chorus: Soprano)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1980-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: II. Arioso (Bass) und Choral „So du willst, Herr, Sünde zurechnen“ (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach3:59
11Cantata “Aus der Tiefe rufe ich, Herr, zu dir”, BWV 131: III. Chorus: “Ich harre des Herrn”
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: III. Chor „Ich harre des Herrn, meine Seele harret“ (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach3:03
12Cantata “Aus der Tiefe rufe ich, Herr, zu dir”, BWV 131: IV. Aria and Choral: “Mein Seele wartet auf den Herrn” (Solo tenor, Chorus: Alto)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
tenor vocals:
William Kendall (tenor) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: IV. Arie (Tenor) und Choral „Meine Seele wartet auf den Herrn“ (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach5:22
13Cantata “Aus der Tiefe rufe ich, Herr, zu dir”, BWV 131: V. Choral: “Israel, hoffe auf den Herrn”
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: V. Chor „Israel hoffe auf den Herrn“ (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach3:44
20▶CD: Handel: Semele, HWV 58 (beginning)
21▶CD: Handel: Semele, HWV 58 (conclusion)
22▶CD: Gluck: Don Juan ou Le Festin de Pierre
23▶CD: Purcell: Hail! Bright Cecilia
24▶CD: Monteverdi: Balli e Balletti
25▶CD: Rameau: Dardanus, suite d’orchestre
26▶CD: Rameau: Les Boréades (beginning)
27▶CD: Rameau: Les Boréades (continuation)
28▶CD: Rameau: Les Boréades (conclusion)
29▶CD: J. S. Bach: Orchestral Suites no. 1 & 2 / Choral BWV 299
30▶CD: J. S. Bach: Orchestral Suites no. 3 & 4
31▶CD: Purcell: King Arthur or The British Worthy (beginning)
32▶CD: Purcell: King Arthur or The British Worthy (conclusion)
33▶CD: Scarlatti: Stabat Mater / Cavalli: Salve Regina / Gesualdo: Ave dulcissima Maria / Clément: O Maria, vernans rosa
34▶CD: Handel: Ballet Music (Alcina / Terpsichore / Il pastor fido)
35▶CD: Chabrier: L’Étoile (beginning)
36▶CD: Chabrier: L’Étoile (conclusion)
37▶CD: Handel: Tamerlano (beginning)
38▶CD: Handel: Tamerlano (continuation)
39▶CD: Handel: Tamerlano (conclusion)
40▶CD: Leclair: Scylla et Glaucus (beginning)
41▶CD: Leclair: Scylla et Glaucus (continuation)
42▶CD: Leclair: Scylla et Glaucus (conclusion)
43▶CD: Schubert: Symphonies nos. 8 “Unfinished” & 9 “The Great”
44▶CD: Bizet: Symphony in C major / L’Arlésienne
45▶CD: Berlioz: L’Enfance du Christ (beginning)
46▶CD: Berlioz: L’Enfance du Christ (conclusion)
47▶CD: Messager: Fortunio (Acte 1 & 2)
48▶CD: Messager: Fortunio (Acte 3 & 4)
49▶CD: Gluck: Iphigénie en Aulide (beginning)
50▶CD: Gluck: Iphigénie en Aulide (conclusion)
51▶CD: Purcell: Timon of Athens / Dioclesian (beginning)
52▶CD: Purcell: Dioclesian (conclusion)
53▶CD: Offenbach: Les Brigands (Acte 1)
54▶CD: Offenbach: Les Brigands (Acte 2–3)
55▶CD: Couperin: Le Parnasse / Concert “dans le goût théatral” / Concert instrumental
56▶CD: Ravel: Shéhérazade · 2 Mélodies hébraïques · 5 Mélodies populaires grecques · Vocalise‐étude en forme de habanera / Duparc: 6 Mélodies
57▶CD: Carissimi: Judicium Extremum / Historia di Jonas / Historia di Jepthe
58▶CD: Gluck: Orphée et Eurydice (beginning)
59▶CD: Gluck: Orphée et Eurydice (conclusion)
60▶CD: Berlioz: Les Nuits d’été & other mélodies
61▶CD: Tchaikovsky: Rococo Variations · Nocturne · Pezzo capriccioso / Glazunov: Two Pieces · Chant du ménestrel / Rimsky‐Korsakov: Sérénade / Cui: Deux Morceaux
62▶CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 1–2)
63▶CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 3)
64▶CD: England, my England (Purcell)