A Little Blues in Your Soul

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Nutbush City Limits
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
Ike & Tina Turner3:00
2Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s3.852:55
3Midnight Train to Georgia
Gladys Knight4:43
4In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett32:39
5Mannish Boy
recording of:
Mannish Boy
writer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer), Mel London and McKinley Morganfield (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd. and Tristan Music Ltd.
part of:
Risky Business (film soundtrack)
Muddy Waters43:59
6(Take a Little) Piece of My Heart
producer:
Bert Russell Berns
vocals:
Erma Franklin (in 1967-08)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (in 1967-08)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
Piece of My Heart (in 1967-08)
writer:
Bert Russell and Jerry Ragovoy
publisher:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. and Wren Music Co.
Erma Franklin3.752:35
7Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1964-05-21)
strings [nine strings]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1964-05-21)
tenor vocals:
Charlie Thomas (The Drifters) (on 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. and Trio Music Company
The Drifters4.352:43
8Harlem Shuffle
phonographic copyright (℗) by:
HHO Licensing Ltd. and HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
remaster of:
Harlem Shuffle by Bob & Earl
recording of:
Harlem Shuffle
writer:
Earl Nelson and Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) and Marc-Jean Music (publisher) (in 1988)
Bob & Earl22:51
9Going to a Go‐Go
recording of:
Going to a Go‐Go
writer:
Warren “Pete” Moore, Smokey Robinson, Bobby Rogers and Marvin Tarplin
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Smokey Robinson2:47
10(Your Love Keeps Lifting Me) Higher & Higher
producer:
Carl Davis (record producer)
bass:
James Jamerson (on 1967-07-06)
drums (drum set):
Richard "Pistol" Allen (on 1967-07-06)
guitar:
Robert White (US funk/soul guitarist) (on 1967-07-06)
keyboard:
Johnny Griffith (on 1967-07-06)
lead vocals:
Jackie Wilson (soul singer) (on 1967-07-06)
performer:
Jackie Wilson (soul singer)
arranger:
Sonny Sanders
phonographic copyright (℗) by:
Brunswick Recording Corporation (in 1967)
recorded at:
Columbia Recording Studios (Chicago) in Chicago, Illinois, United States (on 1967-07-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 246) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 301)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (on 1967-07-06)
writer:
Gary Jackson (songwriter), Raynard Miner and Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
MJ: The Musical
Jackie Wilson4.82:57
11Got My Mojo Workin’
Jimmy Smith6:13
12Stormy Monday
Little Milton4:23
13Rescue Me
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass2:54
14Born Under a Bad Sign
recorded in:
Memphis, Tennessee, United States (in 1967)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1967)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1967)
guitar:
Steve Cropper (in 1967) and Albert King (well‐known US blues guitarist & singer) (in 1967)
horn:
Joe Arnold (in 1967), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1967) and Andrew Love (in 1967)
piano:
Isaac Hayes (in 1967) and Booker T. Jones (in 1967)
lead vocals:
Albert King (well‐known US blues guitarist & singer) (in 1967)
performer:
Booker T. & the MG’s (in 1967) and The Memphis Horns (in 1967)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1988)
recording of:
Born Under a Bad Sign (in 1967)
lyricist:
William Bell
composer:
Booker T. Jones
publisher:
Cotillion Music Inc. (BMI), Irving Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner Chappell Music, Inc.
Albert King32:47
15B‐A‐B‐Y
recording of:
B-A-B-Y (in 1966)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell North America
Carla Thomas4.252:56
16I’ll Take You There
remaster of:
I’ll Take You There by The Staple Singers
recording of:
I’ll Take You There
lyricist and composer:
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers4:29
17Blues for Mama
recording engineer:
Mickey Crofford (on 1966-12-22) and Ray Hall (engineer) (on 1966-12-22)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1966-12-22)
recording of:
Blues for Mama (on 1966-12-22)
writer:
Abbey Lincoln and Nina Simone
publisher:
Ninandy Music (publisher; do NOT use as release label)
Nina Simone3.53:59
18Walkin’ the Dog
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Rufus Thomas (US blues & funk singer & songwriter)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 24)
recording of:
Walking the Dog (in 1963)
lyricist and composer:
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and East/Memphis Music
Rufus Thomas32:33
19Smokestack Lightnin’
recorded in:
Chicago, Illinois, United States (in 1956-01)
double bass:
Willie Dixon (in 1956-01)
drums (drum set):
Earl Phillips (in 1956-01)
guitar:
Willie Johnson (American electric blues guitarist) (in 1956-01) and Hubert Sumlin (Chicago blues guitarist and singer) (in 1956-01)
harmonica and lead vocals:
Howlin’ Wolf (in 1956-01)
piano:
Hosea Lee Kennard (in 1956-01)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 285)
recording of:
Smokestack Lightning (in 1956-01)
lyricist and composer:
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Howlin’ Wolf33:07
20I’d Rather Go Blind
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
drums (drum set):
Roger Hawkins (drummer and producer)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) and Albert Lowe Jr. (American guitarist, bassist, and songwriter)
organ:
Carl Banks and Dewey Oldham
piano:
Dewey Oldham
saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Floyd Newman and Aaron Varnell
trumpet:
Gene “Bowlegs” Miller (American trumpeter)
lead vocals:
Etta James
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-08-23)
recording of:
I’d Rather Go Blind (on 1967-08-23)
lyricist:
Billy Foster (American singer, member of The Medallions and songwriter)
composer:
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Etta James42:36
21(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
composer:
Steve Cropper and Otis Redding
arranger:
Oliver Lake
arrangement of:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:40