Complete Recordings on Decca & Philips

~ Release by London Philharmonic Orchestra, Bernard Haitink (see all versions of this release, 1 available)

Tracklist

1▶CD: Beethoven: Symphonies nos. 1 & 5
2▶CD: Beethoven: Symphonies nos. 2 & 6 "Pastoral" / The Creatures of Prometheus, Overture
3▶CD: Beethoven: Symphony no. 3 "Eroica" / Coriolan Overture / Leonora Overture no. 3
4▶CD: Beethoven: Symphonies nos. 4 & 7 / Egmont Overture
5▶CD: Beethoven: Symphony no. 8 / Triple Concerto
6▶CD: Beethoven: Symphony no. 9 "Choral"
7▶CD: Beethoven: Piano Concerto nos. 1 & 2
8▶CD: Beethoven: Piano Concerto nos. 3 & 4
9▶CD: Beethoven: Piano Concerto no. 5 / Fantasia in C minor, "Choral Fantasy"
10▶CD: Dvořák: Cello Concerto / Silent Woods / Rondo in G minor
11▶CD: Holst: The Planets / Elgar: Enigma Variations
12▶CD: Liszt: Symphonic poems: Ce qu'on entend sur la montagne / Tasso / Les préludes
13▶CD: Liszt: Symphonic poems: Orpheus / Prometheus / Mazeppa / Festklänge
14▶CD: Liszt: Symphonic poems: Héroïde funèbre / Hungaria / Hamlet
15▶CD: Liszt: Symphonic poems: Hunnenschlacht / Die Ideale / Von der Wiege bis zum Grabe / Mephisto Waltz no. 1
16▶CD: Liszt: Piano Concertos nos. 1 & 2 / Totentanz
17▶CD: Mendelssohn: Symphonies nos. 1 & 4 / Meeresstille und glückliche Fahrt
18▶CD: Mendelssohn: Symphonies nos. 3 & 5 / The Hebrides Overture
19▶CD: Mozart: Overtures
20▶CD: Rimsky-Korsakov: Scheherazade / Rachmaninoff : Rhapsody on a Theme of Paganini
21▶CD: Shostakovich: Symphonies nos. 1 & 9
22▶CD: Shostakovich: Symphony no. 2 "To October" / Symphony no. 3 “The First of May”
23▶CD: Shostakovich: Symphony no. 4
24▶CD: Shostakovich: Symphony no. 7 “Leningrad”
25▶CD: Shostakovich: Symphony no. 10
26▶CD: Shostakovich: Symphony no. 15 / The Age of Gold, Ballet suite
27▶CD: Stravinsky: The Firebird
28▶CD: Stravinsky: Petrushka / The Rite of Spring
29▼CD: Verdi: Don Carlo (1)
#TitleArtistRatingLength
1Don Carlo: Atto I. No. 1. Introduzione “Su, cacciator!”
choir vocals:
Chorus of the Royal Opera House, Covent Garden
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I. N°1. Introduzione. "Su, cacciator!" (cacciatori)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
version of:
Don Carlos : Acte I. Introduction « Le cerf s’enfuit sous la ramure" (Chasseurs)
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:26
2Don Carlo: Atto I. No. 2. Narrazione e romanza “Fontainebleau! Foresta immensa e solitaria!”
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I. N°2. Narrazione e Romanza. “Fontainebleau! Foresta immensa e solitaria!” … “Io la vidi e al suo sorriso” (Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:57
3Don Carlo: Atto I. “Io la vidi”
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:36
4Don Carlo: Atto I. No. 3 Scena e duetto “Il suon del corno alfin nel bosco tace”
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
soprano vocals [Tebaldo]:
Elizabeth Norberg-Schulz (soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I. N°2. Scena e Duetto. “Il suon dei corni alfin nel bosco tace” (Carlo, Tebaldo, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi2:36
5Don Carlo: Atto I. “Al mio piè, perché?”
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I. N°3 “Al mio piè, perché?” (Elisabetta, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi4:26
6Don Carlo: Atto I. “Di qual amor, di quant’ardor”
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I. N°3 “Di qual amor, di quant'ardor” (Elisabetta, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi4:57
7Don Carlo: Atto I. No. 4. Scena e finale I “Al fedel ch’ora viene, o signora”
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
soprano vocals [Tebaldo]:
Elizabeth Norberg-Schulz (soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I. N°3 “Al fedel ch'ora viene, o signora” (Tebaldo, Elisabetta, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:26
8Don Carlo: Atto I. “L’ora fatale è suonata!”
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I. N°3 “L'ora fatale è suonata” (Elisabetta, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi0:52
9Don Carlo: Atto I. “Inni di festa lieti echeggiate”
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
tenor vocals [Lerma]:
Robin Leggate (operatic tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I. N°4 “Inni di festa lieti echeggiate” (Dame di Elisabetta, paggi, valletti, popolo, Elisabetta, Carlo, Lerma)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:23
10Don Carlo: Atto I. “Il glorioso re di Francia, il grande Enrico”
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
tenor vocals [Lerma]:
Robin Leggate (operatic tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I. N°4. Coro, scena e finale primo “Il glorioso Re di Francia, il grande Enrico“ (Lerma, Elisabetta, Carlo, dame di Elisabetta, paggi, valletti, popolo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi5:18
11Don Carlo: Atto II. No. 5. Preludio e preghiera “Carlo il sommo imperatore”
bass vocals [un frate]:
Ildebrando d’Arcangelo (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi7:04
12Don Carlo: Atto II. “Al chiostro di San Giusto”
bass vocals [un frate]:
Ildebrando d’Arcangelo (operatic bass)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Il duolo della terra” (Al chiostro di San Giusto) (Un frate, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:59
13Don Carlo: Atto II. “È lui! Desso! L’infante!”
baritone vocals [Rodrigo]:
Dmitri Hvorostovsky (Russian operatic baritone)
bass vocals [un frate]:
Ildebrando d’Arcangelo (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:23
14Don Carlo: Atto II. “Dio, che nell’alma infondere”
baritone vocals [Rodrigo]:
Dmitri Hvorostovsky (Russian operatic baritone)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:42
15Don Carlo: Atto II. No. 6. Coro e scena “Sotto ai folti, immensi abeti”
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Eboli]:
Olga Borodina (mezzo-soprano)
soprano vocals [Tebaldo]:
Elizabeth Norberg-Schulz (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Sotto ai folti, immensi abeti” (Le dame, Eboli, Tebaldo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:45
16Don Carlo: Atto II. “Nei giardin del bello”
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Eboli]:
Olga Borodina (mezzo-soprano)
soprano vocals [Tebaldo]:
Elizabeth Norberg-Schulz (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:46
17Don Carlo: Atto II. No. 7. Scena, terzettino dialogato e romanza “La regina!”
mezzo-soprano vocals [Eboli]:
Olga Borodina (mezzo-soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto II, scena 1. N°2 “Ciel! Non è la Regina!” (Carlo, Eboli)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi9:20
30▶CD: Verdi: Don Carlo (2)
31▶CD: Verdi: Don Carlo (3)