| # | Title | Artist | Rating | Length |
|---|
| 1 | La ran la le ra… Largo al factotum (from Il barbiere di Siviglia) | Royal Philharmonic Orchestra, Vittorio Gui | | 4:49 |
| 2 | Là ci darem la mano (from Don Giovanni) | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | | 3:16 |
| 3 | Song to the Moon (from Rusalka) | Lucia Popp, Münchner Rundfunkorchester, Stefan Soltész | | 5:54 |
| 4 | Humming Chorus (from Madama Butterfly) | Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | | 3:24 |
| 5 | Si, mi chiamano Mimì (from La bohème) | Jussi Bjoerling, Victoria de los Ángeles, RCA Victor Orchestra, Sir Thomas Beecham | | 5:07 |
| 6 | Mein Herr Marquis, ein Mann wie Sie… (from Die Fledermaus) | Philharmonia Chorus, Philharmonia Orchestra, Herbert von Karajan | | 3:17 |
| 7 | Sempre libera (from La traviata) | Renata Scotto, Alfredo Kraus, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | | 3:27 |
| 8 | La donna è mobile (from Rigoletto) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | | 2:57 |
| 9 | Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) | Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | | 2:50 |
| 10 | Ach, ich fühl’s, es ist entschwunden… (from Die Zauberflöte) | Lucia Popp, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | | 4:14 |
| 11 | La mamma morta (from Andrea Chenier) | Dame Kiri Te Kanawa, London Symphony Orchestra, Myung‐Whun Chung | | 5:37 |
| 12 | En fermant les yeux je vois là bas (from Manon) | Chœurs du Théâtre national de Paris, Orchestre du Théâtre national de Paris, André Cluytens | | 3:11 |
| 13 | Le nozze di Figaro | Chor der Wiener Staatsoper, Wiener Philharmoniker, Riccardo Muti | | 2:43 |
| 14 | Inneggiamo, il signor non e’ morto (from Cavalleria rusticana) | Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Tullio Serafin | | 4:21 |
| 15 | Cette somme t’est due (from Benvenuto Cellini) | Orchestre national de France, John Nelson | | 3:16 |
| 16 | L’amour! l’amour!… Ah! Lève‐toi, soleil (from Romèo et Giuliette) | Franco Corelli, Choeurs du Théâtre national de l’Opéra, Orchestre du Théâtre national de l’Opéra, Alain Lombard | | 4:39 |
| 17 | Vissi d’arte (from Tosca)- soprano vocals [Floria Tosca]:
- Maria Callas (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
- orchestra:
- Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
- conductor:
- Georges Prêtre (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
- phonographic copyright (℗) by:
- EMI Records Ltd.
- recorded at:
- Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
- recording of:
- Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1964-12-03 until 1964-12-04)
- composer:
- Giacomo Puccini
- librettist:
- Giuseppe Giacosa and Luigi Illica
- part of:
- Tosca: Atto II
- recording of:
- Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1964-12-07 until 1964-12-12)
- composer:
- Giacomo Puccini
- librettist:
- Giuseppe Giacosa and Luigi Illica
- part of:
- Tosca: Atto II
- recording of:
- Tosca: Atto II. “Vissi d’arte” (Tosca) (on 1964-12-14)
- composer:
- Giacomo Puccini
- librettist:
- Giuseppe Giacosa and Luigi Illica
- part of:
- Tosca: Atto II
- recording of:
- Tosca: Atto II. “Vissi d’arte” (Tosca) (on 1965-01-19)
- composer:
- Giacomo Puccini
- librettist:
- Giuseppe Giacosa and Luigi Illica
- part of:
- Tosca: Atto II
| Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | 3 | 3:04 |
| 18 | Au fond du temple saint (from Les Pêcheurs de perles) | Paris Opera Orchestra, Georges Prêtre | | 3:29 |
| 19 | Ride of the Valkyries (from Die Walküre) | London Philharmonic Orchestra, Karl Anton Rickenbacher | | 5:31 |
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