Now That’s What I Call the 80s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I’m Still Standing
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
E-Bass:
Dee Murray
E-Gitarre:
Davey Johnstone
Klavier, Synthesizer und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1983)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1983-06-26)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I’m Still Standing von Elton John (English singer, songwriter, pianist, and composer)
recording of:
I’m Still Standing
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) und Universal–Songs of PolyGram International, Inc.
Elton John3.93:02
2Take on Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.253:48
3Dancing in the Street
assistierende(r) Techniker(in):
Steve Boyer, Alexander Haas (sound engineer), Ira McLaughlin (engineer) und Richard Sullivan (engineer)
Techniker(in):
Stephen Benben, Bob Clearmountain und Mark Saunders (engineer)
Produzent(in):
David Bowie (English singer‐songwriter), Clive Langer und Alan Winstanley (English record producer)
zusätzliche(r) Produzent(in):
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson), Mick Jagger (The Rolling Stones), Nile Rodgers und Steve Thompson (producer)
alto saxophone:
Stan Harrison (American saxophonist) (von 1985-06-29 bis 1985-07)
baritone saxophone:
Lenny Pickett (saxophone) (von 1985-06-29 bis 1985-07)
E-Bass:
John Regan (songwriter/bassist) (von 1985-06-29 bis 1985-07) und Matthew Seligman (von 1985-06-29 bis 1985-07)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1985-06-29 bis 1985-07), Earl Slick (von 1985-06-29 bis 1985-07) und G.E. Smith (von 1985-06-29 bis 1985-07)
Keyboard:
Steve Nieve (von 1985-06-29 bis 1985-07)
Perkussion:
Jimmy McLean (von 1985-06-29 bis 1985-07) und Pedro Ortiz (von 1985-06-29 bis 1985-07)
Schlagzeug:
Neil Conti (von 1985-06-29 bis 1985-07)
Tenorsaxophon:
Stan Harrison (American saxophonist) (von 1985-06-29 bis 1985-07) und Lenny Pickett (saxophone) (von 1985-06-29 bis 1985-07)
Trompete:
Mac Gollehon (von 1985-06-29 bis 1985-07)
Hintergrundgesang:
Tessa Niles (von 1985-06-29 bis 1985-07) und Helena Springs (von 1985-06-29 bis 1985-07)
Sologesang:
David Bowie (English singer‐songwriter) (von 1985-06-29 bis 1985-07) und Mick Jagger (The Rolling Stones) (von 1985-06-29 bis 1985-07)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1985-06-29 bis 1985-06-30) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1985-07)
cover recording of:
Dancing in the Street (von 1985-06-29 bis 1985-07)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
David Bowie & Mick Jagger3.653:20
4I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
zusätzlich Bass:
Paul Westwood (bassist) (in 1983)
Sologesang:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal und Rondor Music (London) Ltd.
Nik Kershaw3.53:21
5Together in Electric Dreams
Produzent(in):
Giorgio Moroder und Philip Oakey
Mix:
Brian Reeves
Bass:
Arthur Barrow
Gitarre:
Richie Zito
Synthesizer:
Giorgio Moroder
Hintergrundgesang:
E.G. Daily (American singer and actress) und Joe Esposito
Sologesang:
Philip Oakey
recording of:
Together in Electric Dreams
Texter:
Philip Oakey
Komponist(in):
Giorgio Moroder
publisher:
BMG Gold Songs und WB Music Corp. (1929–2019)
Philip Oakey & Giorgio Moroder2.53:50
6A View to a Kill
Techniker(in) und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) und Bernard Edwards (American bassist and record producer)
Sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
Orchestrator(in):
John Barry (English score composer)
Verfasser(in):
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Komponist(in):
John Barry (English score composer) und Duran Duran (English rock band)
publisher:
EMI Songs und Gloucester Place Music Ltd.
Teil von:
James Bond themes
Teil von:
A View to a Kill (from the James Bond film)
Duran Duran3.653:35
7Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:53
8Break My Stride
Schlagzeug-Programmierung:
John Gilston (in 1983)
Produzent(in):
Peter Bunetta, Rick Chudacoff und Bill Elliott (keyboardist/composer)
Analoger Synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) und Matthew Wilder (in 1983)
drum machine [Oberheim DMX], Perkussion und Schlagzeug:
Peter Bunetta (in 1983)
Gitarre:
Dennis Herring (in 1983)
Hintergrundgesang:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) und Matthew Wilder (in 1983)
Sologesang:
Matthew Wilder (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
Pasha Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 39)
recording of:
Break My Stride (in 1983)
Verfasser(in):
Greg Prestopino und Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) und Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.42:59
9Rhythm of the Night
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Musikvideos:
Rhythm of the Night von DeBarge
recording of:
Rhythm of the Night
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. und Realsongs
DeBarge3.63:54
10Money’s Too Tight (To Mention)
Produzent(in):
Stewart Levine (record producer and saxophonist)
zusätzliche(r) Produzent(in):
Mick Hucknall (lead singer of Simply Red)
früheste Veröffentlichung:
Money’s Too Tight (to Mention) von Simply Red (English soul and pop band)
cover recording of:
Money’s Too Tight (to Mention)
Verfasser(in):
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) und Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red4:29
11Wood Beez (Pray Like Aretha Franklin)
recording of:
Wood Beez (Pray Like Aretha Franklin)
Texter und Komponist(in):
Green Gartside
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Jouissance Music und WB Music Corp. (1929–2019)
Scritti Politti3:34
12The Lovecats
Produzent(in):
Steve Nye (producer, engineer and pianist), Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Phil Thornalley
Mix:
Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Phil Thornalley
Bassgitarre:
Phil Thornalley
Gitarre und Keyboard und Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Schlagzeug:
Andy Anderson (drummer for The Cure)
Vibraphon:
Lol Tolhurst
phonographisches Urheberrecht (℗) von:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 448)
recording of:
The Lovecats
Texter und Komponist(in):
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co.
The Cure3.83:39
13Say Hello, Wave Goodbye
Techniker(in):
Don Wershba (engineer)
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
aufgenommen bei:
Camden Cell Studios
recording of:
Say Hello, Wave Goodbye
Texter:
Marc Almond (English pop singer and songwriter)
Komponist(in):
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und WB Music Corp. (1929–2019)
Soft Cell55:25
14Mama
Techniker(in):
Hugh Padgham
Produzent(in):
Genesis (English rock band) und Hugh Padgham
Bass und Gitarre:
Mike Rutherford (in 1983)
Perkussion, Schlagzeug und Sologesang:
Phil Collins (of Genesis) (in 1983)
Hintergrundgesang:
Tony Banks (Genesis) (in 1983) und Mike Rutherford (in 1983)
phonographisches Urheberrecht (℗) von:
Anthony Banks Ltd., Michael Rutherford Ltd. und Philip Collins Ltd.
aufgenommen bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich (in 1983)
mixed at:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
recording of:
Mama (in 1983)
Texter:
Phil Collins (of Genesis)
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Rakibitlou Music Ltda., Anthony Banks Ltd. (vom 1983 bis heute), Hit & Run Music (Publishing) Ltd (vom 1983 bis heute), Michael Rutherford Ltd. (vom 1983 bis heute) und Philip Collins Ltd. (vom 1983 bis heute)
Genesis3.856:47
15No More Lonely Nights
assistierende(r) Techniker(in):
Jon Jacobs (UK producer/engineer) und Jon Kelly (engineer at Air London Studios)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Herbie Flowers (von 1982-11-05 bis 1984-07-26)
Bassgitarre:
Herbie Flowers
E-Gitarre:
David Gilmour (Pink Floyd) (von 1982-11-05 bis 1984-07-26)
Klavier und Sologesang:
Paul McCartney (The Beatles) (von 1982-11-05 bis 1984-07-26)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) (von 1982-11-05 bis 1984-07-26)
Synthesizer:
Ann Dudley (English score composer) (von 1982-11-05 bis 1984-07-26)
Hintergrundgesang:
Linda McCartney (von 1982-11-05 bis 1984-07-26), Paul McCartney (The Beatles) (von 1982-11-05 bis 1984-07-26) und Eric Stewart (von 1982-11-05 bis 1984-07-26)
vocals:
Paul McCartney (The Beatles)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
Herausgeber:
Northern Songs Ltd.
aufgenommen bei:
Elstree Studios in Borehamwood, Hertfordshire, England, Vereinigtes Königreich (von 1984-06 bis 1984-07)
recording of:
No More Lonely Nights (von 1982-11-05 bis 1984-07-26)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Paul McCartney2.254:39
16Time After Time
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1984)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
a cappella versions:
Time After Time von Forte A Cappella (Centerville High School)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 116) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 494)
recording of:
Time After Time
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.253:51
17Only You
Techniker(in):
John Fryer (British producer and engineer) und Eric Radcliffe (UK producer / engineer / musician)
Produzent(in):
Eric Radcliffe (UK producer / engineer / musician) und Yazoo (80s British synthpop duo, aka Yaz)
zusätzliche(r) Produzent(in):
Daniel Miller (British music producer and founder of Mute Records)
Keyboard und Synthesizer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
vocals:
Alison Moyet
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Only You
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing und Sony/ATV Music Publishing (UK) Ltd.
Yazoo4.43:10
18Don’t Give Up
Techniker(in):
Kevin Killen
Produzent(in):
Peter Gabriel (formerly of Genesis) und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Bass:
Tony Levin (US rock bassist/Chapman stick player)
Gitarre:
David Rhodes (guitarist, singer, and songwriter)
Klavier:
Richard Tee
Klavier und Synthesizer [Fairlight], Synthesizer [Linn] und Synthesizer [Prophet]:
Peter Gabriel (formerly of Genesis)
Schlagzeug:
Manu Katché
Synthesizer [CS80]:
Simon Clark (UK keyboard and synthesizer player)
Gast vocals:
Kate Bush
vocals:
Peter Gabriel (formerly of Genesis)
Interpret(in):
Kate Bush
phonographisches Urheberrecht (℗) von:
Charisma Records Ltd. (in 1986)
recording of:
Don’t Give Up
Texter und Komponist(in):
Peter Gabriel (formerly of Genesis)
publisher:
Cliofine Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Real World Music, Ltd.
Peter Gabriel feat. Kate Bush3.85:55
19In the Air Tonight
assistierende(r) Techniker(in):
Nick Launay und Karen Segal (engineer)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre:
John Giblin (in 1980)
Geige / Violine:
Sharokav (in 1980)
Gitarre:
Daryl Stuermer (in 1980)
Rhodes Piano, drum machine, Schlagzeug, Synthesizer und Vocoder und Sologesang:
Phil Collins (of Genesis) (in 1980)
arranger:
Phil Collins (of Genesis)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 291)
recording of:
In the Air Tonight (in 1980)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) und Pun Music, Inc. (in 1981)
Teil von:
Risky Business (film soundtrack)
Phil Collins4.35:29
2▶CD
3▶CD

Nennungen

Veröffentlichung

ASIN:UK: B000VQQYKI [Info]

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 10)
Wikidata:Q7065817 [Info]